Directed by
Ted Emery |
Writing Credits (in alphabetical order)
Andrew Jones | ... | (written by) |
Rick Kalowski | ... | (written by) |
Cast (in credits order)
Produced by
Barbara Gibbs | ... | line producer |
Rick Kalowski | ... | associate producer |
Emile Sherman | ... | producer |
Jonathan Shteinman | ... | producer |
Music by
Paul Robert Burton | ||
Jim Conway | ||
Arne Hanna |
Cinematography by
David Foreman |
Editing by
Stephen Evans |
Casting By
Gregory Apps |
Production Design by
Rita Zanchetta |
Art Direction by
Penny Southgate | ||
Sarah Stollman |
Set Decoration by
Toni McCutcheon | ... | (as Toni Forsyth) |
Costume Design by
Anita Seiler |
Makeup Department
Penny Armstrong | ... | assistant hair makeup |
Tracy Phillpot | ... | hair stylist / makeup artist |
Production Management
Harry Avramidis | ... | post-production supervisor |
Barbara Gibbs | ... | production manager |
Michael Gill | ... | unit manager |
Claire Walsh | ... | post-production supervisor |
Second Unit Director or Assistant Director
Rick Kalowski | ... | second unit director: Canberra |
Rebecca Summerton | ... | third assistant director |
Pauline Walker | ... | first assistant director |
Shane Warren | ... | second assistant director |
Art Department
Karen Hannaford | ... | set dec assistant |
Kylie Lawson | ... | scenic painter |
Yuri Poetzl | ... | stand-by props |
Sound Department
Michael Carden | ... | sound effects editor |
Robert 'Gotch' Cutcher | ... | boom operator |
Bruce Emery | ... | dolby consultant |
Toivo Lember | ... | sound recordist |
Frank Lipson | ... | sound designer |
Adrian Medhurst | ... | foley artist |
John Simpson | ... | foley artist |
Pete Smith | ... | re-recording mixer (as Peter D. Smith) |
Visual Effects by
Rebecca Dunn | ... | digital compositor |
Sandeep Vengsarkar | ... | digital compositor |
Stunts
Jennifer Bichard | ... | safety supervisor |
Camera and Electrical Department
Rodney Bolton | ... | camera operator / director of photography: second unit |
Amy Gebhardt | ... | focus puller |
Peter Giuliani | ... | lighting technician |
Peter Itsines | ... | tracking vehicle grip |
Brendan Madden | ... | best boy |
Robin Morgan | ... | grip (as Robbie Morgan) / key grip |
Matt Nettheim | ... | still photographer (as Matthew Nettheim) |
Richard Rees-Jones | ... | gaffer |
Dan Sandford | ... | grip |
Michael Steel | ... | clapper loader |
Casting Department
Julie Lewington | ... | casting |
Costume and Wardrobe Department
Heather Wallace | ... | stand-by wardrobe |
Location Management
Sarah Abbey | ... | location manager |
Mark Evans | ... | location manager |
Music Department
Christo Curtis | ... | music mix engineer |
Michaela Kalowski | ... | music clearance supervisor |
Andrew Kotatko | ... | music consultant (uncredited) |
Script and Continuity Department
John Alsop | ... | script editor |
Ted Emery | ... | script editor |
Trudi Gardner | ... | script supervisor (as Trudi McNeil Gardner) |
Mark Lazarus | ... | script editor |
Additional Crew
Sally Clarke | ... | production coordinator |
Michaela Kalowski | ... | business affairs: Ocean Pictures |
Mark Kraus | ... | production accountant |
Steve Marcus | ... | caterer |
Anna Vincent | ... | electronic press kit |
Deborah Wilde | ... | production accountant |
Thanks
Steve Blackburn | ... | thanks |
Stephen Luby | ... | thanks |
Mark Ruse | ... | thanks |