| Photos (see all 2 | slideshow) | Videos (see all 3) |
| Adrian Paul | ... | Duncan MacLeod | |
| Thekla Reuten | ... | Anna Teshemka | |
| Cristian Solimeno | ... | The Guardian | |
| Peter Wingfield | ... | Methos | |
| Jim Byrnes | ... | Joe Dawson | |
| Stephen Rahman Hughes | ... | Zai Jie | |
| Stephen Wight | ... | Reggie Weller | |
| Thom Fell | ... | Cardinal Giovanni | |
| Patrice Naiambana | ... | The Elder | |
| Sakalas Uzdavinys | ... | Security Guard | |
| Geoffrey T. Bersey | ... | Brother Radu (as Geofrey Bersey) | |
| Rolandas Boravskis | ... | Jurgis | |
| Saulis Siparis | ... | Man in Tyres | |
| Buckley Norris | ... | Captain | |
| rest of cast listed alphabetically: | |||
| Antanas Surgailis | ... | Monk 1 (uncredited) | |
Directed by | |||
| Brett Leonard | |||
Writing credits(WGA) | ||
| Stephen Kelvin Watkins | (screenplay) and | |
| Mark Bradley | (screenplay) | |
| Mark Bradley | (story) | |
| Gregory Widen | (characters) (as Greg Widen) | |
Produced by | |||
| Chris Chrisafis | .... | co-producer | |
| Guy Collins | .... | co-producer | |
| Peter S. Davis | .... | producer | |
| Zivile Gallego | .... | assistant producer (as Zivile Januskaite) | |
| William N. Panzer | .... | producer | |
| Adrian Paul | .... | executive producer | |
| B.J. Rack | .... | executive producer | |
| Michael Ryan | .... | co-producer | |
| Ramunas Skikas | .... | co-producer | |
| Christian von Tippelskirch | .... | line producer | |
| Donatas Zvalionis | .... | co-producer | |
Original Music by | |||
| George Kallis | |||
Cinematography by | |||
| Steve Arnold | |||
| Trevor Coop | |||
| Dmitrij Gribanov | |||
Film Editing by | |||
| Chris Blunden | |||
| Les Healey | |||
| Terry Jones | (documentary editor) | ||
Casting by | |||
| Dalia Survilaite | |||
Production Design by | |||
| Tom Brown | |||
Art Direction by | |||
| Dean Clegg | |||
Costume Design by | |||
| Alexandra Tonelli | |||
Makeup Department | |||
| Egle Mikalauskaite | .... | makeup supervisor | |
Production Management | |||
| Arturas Dvinelis | .... | production manager | |
| Lisa Jordan | .... | post-producer | |
| Agne Silickaite | .... | second unit manager | |
| Barrett Taylor | .... | post-production supervisor (USA domestic version) | |
Art Department | |||
| Arturas Bujokas | .... | sculptor | |
| Arturas Cerkauskas | .... | set dresser | |
| Aurelijus Gaidelionis | .... | assistant property master | |
| Gediminas Gerulis | .... | on-set dresser | |
| Gintas Matonis | .... | construction coordinator | |
| Ramunas Rastauskas | .... | property master | |
| Sarune Tautvaisaite | .... | stand-by props | |
| Rosanna Westwood | .... | stand-by art director | |
Sound Department | |||
| Paul Cotterell | .... | sound re-recording mixer | |
| Les Fiddess | .... | foley artist | |
| Patrick Giraudi | .... | sound re-recording mixer | |
| Howard Halsall | .... | adr editor | |
| Dan Johnston | .... | foley editor | |
| Zdenek Manych | .... | boom operator | |
| Rene Mikan | .... | sound mixer | |
| Rob Prynne | .... | sound effects editor | |
| Steve C. Shaw | .... | assistant sound re-recording mixer | |
| Eric Thompson | .... | adr mixer | |
Special Effects by | |||
| Michael Clifford | .... | special effects supervisor: Lithuania | |
| Jens Döldissen | .... | special effects supervisor | |
| Sean Kenrick | .... | special effects technician | |
| Ian Morse | .... | makeup effects supervisor | |
| Anthony Parker | .... | prosthetics creator | |
Visual Effects by | |||
| Steven Bray | .... | digital compositor | |
| Steven Bray | .... | matte painter | |
| Alan Church | .... | visual effects supervisor | |
| Lee Clappison | .... | colourist | |
| Tom Collier | .... | lead compositor | |
| Neil Culley | .... | compositor: LipSync Post | |
| Nick D'Aguiar | .... | junior compositor | |
| Stefan Drury | .... | head of film effects: LipSync Post | |
| William Foxwell | .... | digital lab operator: Lip Sync Post (as Will Foxwell) | |
| Simon Giles | .... | visual effects supervisor | |
| Meetal Gokul | .... | assistant digital editor | |
| Julia Hall | .... | senior designer: LipSync Post | |
| David Hewitt | .... | model maker | |
| Katja Hollmann | .... | digital lab producer: Lipsync Post (as Katja Lazare) | |
| Russell Horth | .... | compositor: LipSync Post | |
| Pete Howlett | .... | digital compositor | |
| Daryl Jordan | .... | visual effects editor | |
| Richard Ketteridge | .... | visual effects editor | |
| Daniel Kumiega | .... | computer graphic artist | |
| Danius Kvedaras | .... | compositor: LipSync Post | |
| David Lloyd | .... | head of film technology: LipSync Post | |
| Alasdair MacCuish | .... | senior producer: Lipsync Post | |
| David Margolis | .... | digital compositor | |
| Aileen McIntosh | .... | digital lab operator: Lipsync Post | |
| Alberto Montañés | .... | digital compositor | |
| Gary Morton | .... | model construction manager | |
| Kevin Phelan | .... | head of post production: Lipsync Post | |
| Thomas Power | .... | model maker | |
| Glen Pratt | .... | lead compositor: LipSync Post | |
| Angela Rose | .... | compositor: LipSync Post | |
| Jon Rosenthal | .... | digital effects artist | |
| Steve Shaw | .... | digital consultant | |
| Naveen Shukla | .... | digital compositor | |
| Brett Smith | .... | visual effects (USA domestic version) | |
| Avishay Sweiry | .... | animation designer: LipSync Post | |
| Daniel Tomlinson | .... | digital lab operator | |
| Vasanthan | .... | senior compositor | |
| Howard Watkins | .... | creative director: LipSync Post | |
| Sheila Wickens | .... | visual effects supervisor: LipSync Post (as Sheila Gorman) | |
| Jonathan Wood | .... | digital effects artist | |
| Christopher D. Martin | .... | lead visual effects designer (uncredited) | |
Stunts | |||
| Stanislav Adamickij | .... | stunts | |
| Sándor Boros | .... | stunts | |
| Tomas Ereminas | .... | stunts | |
| James Grogan | .... | stunt double | |
| László Imre | .... | stunts | |
| Leonid Kotik | .... | stunts | |
| Levente Lezsák | .... | stunts | |
| Slava Samuchov | .... | stunts | |
| Eddie Stacey | .... | stunt coordinator | |
| Jonas Tamulevigius | .... | stunts | |
| Béla Unger | .... | stunt arranger | |
| Béla Unger | .... | stunts | |
Camera and Electrical Department | |||
| Feliksas Abrukauskas | .... | second assistant camera | |
| Richard Blanshard | .... | still photographer | |
| Egidijus Braziunas | .... | gaffer | |
| Marc Dando | .... | digital lab supervisor | |
| Linas Dikcius | .... | assistant camera | |
| Ross Fall | .... | digital imaging technician | |
| Simas Gricius | .... | best boy: second unit | |
| Vytaitas Gudlevicius | .... | key grip | |
| Zdislav Jagelo | .... | electrician | |
| Rolandas Joneliukstis | .... | first assistant camera | |
| Justin Lanchbury | .... | camera coordinator | |
| Florian Rettich | .... | digital imaging technician | |
| Rokas Rudzionis | .... | key grip: second unit | |
| Audrius Zelenius | .... | assistant camera | |
| Linas Zilys | .... | dolly grip | |
Casting Department | |||
| Vanessa Baker | .... | adr voice casting | |
| Brendan Donnison | .... | adr voice casting | |
| Vita Survilaite | .... | casting assistant | |
Editorial Department | |||
| Silvestras Dobroslavskis | .... | post-production | |
| Scott Goulding | .... | on-line film editor | |
| Dirk Meier | .... | digital image technician | |
| John Nash | .... | on-line editor | |
| Tomas Rugevicius | .... | assistant editor | |
| Neguine Sanani | .... | additional editor | |
| Brett Smith | .... | colorist | |
| Milena Tasso | .... | assistant editor | |
| Samantha Welland | .... | post-production coordinator | |
Music Department | |||
| George Kallis | .... | conductor | |
| George Kallis | .... | songwriter | |
| Liz Schrek | .... | music supervisor | |
| Mark Tucker | .... | score recording engineer | |
| Tom Villano | .... | supervising music editor | |
| Graham Walker | .... | music production supervisor | |
Transportation Department | |||
| Inga Zavoronok | .... | transportation coordinator | |
Other crew | |||
| Brian Bero | .... | armorer | |
| Christopher Hutchins | .... | assistant: director | |
| Arturas Nemanis | .... | horse master | |
| John O'Quigley | .... | data technical manager | |
| Rasa Rimkute | .... | assistant to cast | |
| Caroline Sax | .... | script supervisor | |
| Ramunas Skikas | .... | managing director | |
| Susie Tullett | .... | unit publicist | |
| Rasa Vilkaityté | .... | assistant production coordinator | |
| Loreta Zajarskyte | .... | production coordinator | |
Thanks | |||
| Kristi Lake | .... | thanks | |
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| Highlander: Endgame | Highlander II: The Quickening | Highlander III: The Sorcerer | Highlander | The Forbidden Kingdom |
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"Highlander: The Source" is to "Highlander: Endgame" what "Highlander II" is to "Highlander".
I really liked "Endgame", I thought it was a good way to continue the story set by the TV Series and Adrian Paul proved a more than worthy successor to Christopher Lambert. However, "The Source", which has been in the vaults of Lionsgate since late 2006 is a bitter disappointment.
The first cut of the film has been released on DVD in Russia. I ordered a copy from XploitedCinema.com (a great website, BTW) and watched it last night.
Initial fears were realised when it was revealed that the film was set "In The Near Future", which stirred up bad memories of "Highlander II". The premise of the movie and the motivation of the characters is poorly explained and the execution is rushed, which is very disorientating for the viewer. However, I will try to sum up the plot as succinctly as I can.
A group of Immortals, led by Methos (Peter Wingfield) are trying to locate and verify the existence of The Source, which is believed to be the origins of the Immortals. Methos is reluctant to involve his former good friend, Duncan MacLeod (Adrian Paul), but is forced to when Duncan encounters The Guardian, the Immortal Anti-Christ, while searching for his ex-wife, Anna, who is somehow drawn to The Source.
The Source, good. The Guardian, bad. Got it? Speaking of The Guardian being bad, it's really hard to fear a villain when they talk in a funny voice and act like a complete tool.
The Director, Brett Leonard, overuses trendy editing techniques that modern filmmakers are so eager to apply, giving it a "music video" style, essentially making the direction seem trite and cheap.
The sad thing is that this film has/had potential. While I'm glad to hear that it is currently being re-edited before a general release, I fear that without some re-filming, which I believe is not happening, certain flaws can never be rectified.
Overall, "Highlander: The Source" is a great disappointment, especially to a fan of the Movies and the TV Series.