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Oscar Wilde (play)
Oliver Parker (screenplay)
4 July 2002 (Australia) more
Everybody Loves Ernest... But Nobody's Quite Sure Who He Really Is.
In 1890s London, two friends use the same pseudonym ("Ernest") for their on-the-sly activities. Hilarity ensues. full summary | add synopsis
1 win & 1 nomination more
Wilde Time: The Importance of Being Earnest at Center Stage
(From BroadwayWorld.com. 8 November 2009, 2:00 AM, PST)
The Guthrie Hosts 'Fall Theater Weekend', Kicks Off 10/21
(From BroadwayWorld.com. 21 October 2009, 2:30 AM, PDT)
A treat indeed! more (129 total)
Directed by | |||
| Oliver Parker | |||
Writing credits | ||
| Oscar Wilde | (play "The Importance of Being Earnest") | |
| Oliver Parker | (screenplay) | |
Produced by | |||
| David Brown | .... | co-producer | |
| Uri Fruchtmann | .... | executive producer | |
| Barnaby Thompson | .... | producer | |
Original Music by | |||
| Charlie Mole | |||
Cinematography by | |||
| Tony Pierce-Roberts | (director of photography) | ||
Film Editing by | |||
| Guy Bensley | |||
Production Design by | |||
| Luciana Arrighi | |||
Art Direction by | |||
| Paul Ghirardani | |||
Set Decoration by | |||
| Ian Whittaker | |||
Costume Design by | |||
| Maurizio Millenotti | |||
Makeup Department | |||
| Nuala Conway | .... | assistant hair designer | |
| Nuala Conway | .... | assistant makeup designer | |
| Charmaine Fuller | .... | crowd hair stylist | |
| Charmaine Fuller | .... | crowd makeup artist | |
| Renata Gilbert | .... | crowd hair stylist | |
| Renata Gilbert | .... | crowd makeup artist | |
| Pat Hay | .... | makeup artist: Mr. Everett | |
| Joe Hopker | .... | makeup artist | |
| Peter King | .... | hair designer | |
| Peter King | .... | makeup designer | |
| Dianne Millar | .... | crowd hair stylist | |
| Dianne Millar | .... | crowd makeup artist | |
| Susan Parkinson | .... | key crowd hair stylist (as Sue Parkinson) | |
| Susan Parkinson | .... | key crowd makeup artist (as Sue Parkinson) | |
| Paula Price | .... | hair stylist | |
| Paula Price | .... | makeup artist | |
| Jamie Pritchard | .... | hair stylist: Mr. Everett | |
| Barbara Taylor | .... | crowd hair stylist | |
| Barbara Taylor | .... | crowd makeup artist | |
Production Management | |||
| Brian Donovan | .... | production supervisor | |
| Hugh Gourlay | .... | unit manager | |
Art Department | |||
| John Addison | .... | carpenter | |
| Steve Alder | .... | carpenter | |
| Robert Allen | .... | stagehand | |
| Bill Bernie | .... | stand-by painter (as William Bernie) | |
| Lee Biggs | .... | carpenter | |
| John Casey | .... | carpenter | |
| Joe Cassar | .... | carpenter | |
| Alalia Chetwynd | .... | scenic artist | |
| Anna-Maria Chetwynd | .... | graphics artist | |
| Alan Cooch | .... | painter | |
| Larry Cooch | .... | painter | |
| Nick Cosens | .... | dressing props | |
| Rick Dunning | .... | stand-by stagehand | |
| Andy Evans | .... | construction coordinator | |
| Trevor Eve | .... | painter | |
| Ronald Fallen | .... | painter | |
| Gary Fox | .... | dressing props | |
| Mark Fruin | .... | stand-by props | |
| James Gemmill | .... | scenic artist | |
| Michael Gooch | .... | carpenter | |
| Warren Greenham | .... | painter | |
| Ian Green | .... | supervising carpenter | |
| Kate Grimble | .... | assistant art director | |
| Mark Guest | .... | prop storeman | |
| Michael Harm | .... | art department assistant | |
| Ralph Harrison | .... | carpenter | |
| Terry Heggarty | .... | painter | |
| Andrew Hobbs | .... | carpenter | |
| Dominic Hyman | .... | stand-by art director | |
| Patricia Johnson | .... | draughtsman | |
| Andrew Mash | .... | carpenter | |
| Kieron Mcnamara | .... | stand-by props | |
| Mark McNeil | .... | stand-by props (as Mark Venn Mcneil) | |
| Joe Monks | .... | painter | |
| Charlotte Pearson | .... | art department coordinator | |
| Clifford Rashbrook | .... | stagehand | |
| Brian Read | .... | property buyer | |
| Mark Reynolds | .... | assistant property master | |
| Denis Rich | .... | storyboard artist | |
| Paul Sansom | .... | carpenter | |
| Lee Shelley | .... | painter | |
| Barry Smalls | .... | stand-by carpenter | |
| Colin Smith | .... | supervising chargehand | |
| Graham Stickley | .... | dressing props | |
| Anthony Szuch | .... | drapes master | |
| Josephine Warne | .... | art department assistant | |
| Paul Wescott | .... | supervising painter | |
| Steve Westley | .... | dressing props | |
| Arthur Wicks | .... | property master | |
| Steve Williamson | .... | painter | |
| Will Ayres | .... | props (uncredited) | |
Sound Department | |||
| Ben Barker | .... | foley editor | |
| Simon Changer | .... | assistant sound engineer | |
| Colin Cooper | .... | adr recordist | |
| Mark DeSimone | .... | adr engineer | |
| Richard Dunford | .... | sound effects editor | |
| Stan Fiferman | .... | foley artist | |
| Stephen Gilmour | .... | sound maintenance | |
| Matthew Gough | .... | sound re-recording mixer | |
| Bruce Gray | .... | adr recordist | |
| Diane Greaves | .... | foley artist (as Dianne Greaves) | |
| Steve Hancock | .... | sound studio technician | |
| Steve Hancock | .... | sound re-recording engineer | |
| Tom Hannen | .... | ProTools operator | |
| Mystique Holloway | .... | assistant sound editor | |
| Max Hoskins | .... | supervising sound editor | |
| Peter Maxwell | .... | sound re-recording mixer | |
| John Midgley | .... | sound mixer | |
| Kath Pollard | .... | adr recordist | |
| June Prinz | .... | boom operator | |
| Adrian Rhodes | .... | sound re-recording mixer | |
| Ted Swanscott | .... | adr mixer | |
| Nick Watson | .... | sound consultant: Dolby | |
| Dan Edelstein | .... | supervising sound editor: US release (uncredited) | |
Special Effects by | |||
| Alex Gurucharri | .... | special effects senior technician | |
| Tom Harris | .... | special effects supervisor | |
| Barry Woodman | .... | special effects technician | |
Visual Effects by | |||
| Simon Frame | .... | visual effects supervisor | |
| Tom Hocking | .... | digital compositor: men-from-mars | |
| Gruff Owen | .... | digital compositor | |
| Tom Hocking | .... | digital artist (uncredited) | |
Stunts | |||
| Danielle da Costa | .... | stunt double | |
| Steve Dent | .... | stunt coordinator | |
| Kim McGarrity | .... | stunt double | |
| Mark Mottram | .... | stunt double | |
| Rocky Taylor | .... | stunt double | |
Casting Department | |||
| Louis Elman | .... | adr voice casting | |
| Celestia Fox | .... | casting | |
| Alex Johnson | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Anthony Brookman | .... | wardrobe master | |
| Giovanni Casalnuovo | .... | assistant costume designer (as Gianni Castelnuovo) | |
| Wendy Cole | .... | seamstress | |
| Alleyne Kirby Davies | .... | costume maker | |
| Nicola Foy | .... | costume assistant | |
| Annie Hadley | .... | chief costume cutter | |
| Zoe Harvey | .... | head dresser | |
| Linda Lashley | .... | seamstress | |
| Pernilla Lindfors | .... | seamstress | |
| Marcus Love-McGuirk | .... | key costume supervisor | |
| Marcus Love-McGuirk | .... | wardrobe supervisor | |
| Anne Nichols | .... | seamstress | |
| Lucilla Simbari | .... | costume assistant | |
| Rupert Steggle | .... | wardrobe master | |
| Janet Tebrooke | .... | wardrobe mistress | |
| Mariano Tufano | .... | assistant costume designer | |
| Mariano Tufano | .... | costume supervisor | |
| Dominic Young | .... | costume maker | |
Editorial Department | |||
| Tania Blunden | .... | post-production (as Tania Windsor Blunden) | |
| William Blunden | .... | editor trainee | |
| Laura Evans | .... | assistant editor | |
| Mike Fraser | .... | negative cutter | |
| Lalit Goyal | .... | assistant editor | |
| Peter Hunt | .... | color timer | |
| Lionel Johnson | .... | assistant editor | |
| Steve Mercer | .... | first assistant editor | |
| Matthew Streatfield | .... | trainee assistant editor | |
Music Department | |||
| Geoff Alexander | .... | conductor | |
| Geoff Alexander | .... | orchestrator | |
| Simon Chamberlain | .... | orchestrator | |
| Sophie Cornet | .... | music editor | |
| Chris Nicolaides | .... | composer: additional music | |
| Mike Ross-Trevor | .... | music mixer (as Mike Ross Trevor) | |
| Nigel Stone | .... | additional music editor | |
| Eliza Thompson | .... | music supervisor | |
Rated PG for mild sensuality.
97 min
Color (Technicolor)
2.35 : 1 more
Iceland:L | Malaysia:U | Australia:G | France:U | Germany:o.Al. | Singapore:PG | Sweden:7 | Switzerland:14 (canton of the Grisons) | Switzerland:7 (canton of Geneva) | Switzerland:7 (canton of Vaud) | UK:U | USA:PG | Canada:PG
While Reese Witherspoon was learning her English accent for this movie, her husband, Ryan Phillippe was learning a Scottish accent for his role in Gosford Park (2001). The person who picked it up fastest? Their daughter Ava. more
Continuity: When Miss Prism opens Dr. Chasuble's portfolio, the second drawing from the top is partially folded, but when she examines it in the next shot, the drawing is neat and unbent in the stack. more
Jack:
How you can sit there eating muffins when we're in this terrible trouble, I can't make out! It seems to me to be perfectly heartless...
Algy:
I can hardly eat muffins in an agitated manner. The butter would probably get on my cuffs.
more
Referenced in "Charmed: The Importance of Being Phoebe (#5.11)" (2003) more
Lady Come Down more
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It is a rare treat when you go to the movies expecting not very much but walking away with so much more! After reading the reviews here as well as some professional reviews, I almost decided to pass this one by and what a pity it would have been. Sounds like my unfamiliarity with Wilde's play and the previous version of this movie was to my advantage. After all I could view this movie based on its own merits without any other comparisons getting in the way. What a glorious summer treat and a wonderfully fun vehicle to discover Oscar Wilde's hilarious play and for that matter Wilde in general. Couldn't have asked for a better audience to watch this with here in the South. They were enthusiastic, obviously familiar with Wilde, remained for the credits, and clapped at the end. Can't remember the last time that happened,can you? Again, what a lovely surprise this movie was with absolutely marvelous chemistry between Mr. Firth and Mr. Everett, a sweet supporting cast, not to mention the beautiful production values. After seeing the movie, I almost immediately hunted for the text of the play and read it straight through.