| Neile Adams | ... | Herself | |
| John A. Alonzo | ... | Himself | |
| Bob Benecke | ... | Narrator | |
| Elmer Bernstein | ... | Himself | |
| Walter Bernstein | ... | Himself | |
| Yul Brynner | ... | Himself (archive footage) | |
| Horst Buchholz | ... | Himself | |
| John Carpenter | ... | Himself | |
| James Coburn | ... | Himself | |
| Maria Palacios de Erickson | ... | Narrator | |
| Brad Dexter | ... | Himself | |
| Lawrence Kasdan | ... | Himself | |
| Doris Kleiner | ... | Herself (Mrs. Yul Brynner) | |
| Akira Kurosawa | ... | Himself (archive footage) | |
| Steve McQueen | ... | Himself (archive footage) | |
| Walter Mirisch | ... | Himself | |
| Rosenda Monteros | ... | Herself | |
| Nick Moran | ... | Narrator (voice) | |
| Lou Morheim | ... | Himself | |
| Chazz Palminteri | ... | Himself | |
| Robert E. Relyea | ... | Himself (as Robert Relyea) | |
| Vladimir Sokoloff | ... | Old Man (archive footage) | |
| Robert Vaughn | ... | Himself | |
| Eli Wallach | ... | Himself |
Directed by | |||
| Louis Heaton | |||
Produced by | |||
| Michael Arick | .... | producer | |
| Paul Kerr | .... | producer | |
Cinematography by | |||
| John Halliday | |||
Film Editing by | |||
| Jules Cornell | |||
| Glenn Erickson | |||
Production Management | |||
| Joanna Marshall | .... | production manager | |
Sound Department | |||
| Jan Bendel | .... | sound | |
| Benedetto Garro | .... | sound | |
| Danny McCullough | .... | sound | |
| Miguel Santander | .... | sound | |
| Alex Sullivan | .... | sound | |
Editorial Department | |||
| Jim Sevin | .... | on-line editor | |
Other crew | |||
| Maggie Adams | .... | representative: MGM Home Entertainment | |
| Carl Barnes | .... | representative: Kappa Studios | |
| Vicki Bryan | .... | representative: Kappa studios | |
| Sarah Draper | .... | representative: MGM Home Entertainment | |
| Trisha Gum | .... | representative: MGM Home Entertainment | |
| Lewis Lagrone | .... | representative: MGM Home Entertainment | |
| Gary Teetzel | .... | representative: MGM Home Entertainment | |
| Phred Tinampay | .... | representative: Kappa Studios | |
| Christine Twining | .... | representative: MGM Home Entertainment | |
| Humberto Zamores | .... | representative: Kappa Studios | |
Thanks | |||
| Victoria Brynner | .... | thanks | |
| Hillard Elkins | .... | thanks (as Hilly Elkins) | |
| Sam Gordon | .... | thanks | |
| Mike Sikulious | .... | thanks | |
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| Making the Connection: Untold Stories of 'The French Connection' | The Making of 'Gosford Park' | The Making of 'Far from Heaven' | Pure Rage: The Making of '28 Days Later' | The Making of 'Hanging Up' |
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| Full cast and crew | Company credits | IMDb Documentary section |
| IMDb UK section | Add this title to MyMovies |
Made 40 years after the film, this documentary uses interviews with some of the cast and the team that made the film, along with some famous fans, to repiece the history of the making of this film.
Too many `making of' documentaries are little more than featurettes to fill 20 minutes of TV or as poor DVD add ons. Many have the most tenuous links with the original makers and cast and offer little except second hand stories and observations. However this film sees many of the cast return (barring death) and plenty of the writers, producers etc. The story is told from many points of view and follows the casting through the shoot to the release.
The film had plenty of nuggets for me. From how people were cast and the legal fights over the film at pre-production stage through to how the cast got on. Most of it is very honest and we're told of how everyone wanted to steal the show from Brynner I'd never noticed how McQueen would always be doing something (waving his hat or playing with something) to try and get attention in any shot! This has plenty of nuggets but also nice observations and stories from cast and crew.
I'm glad all the remaining cast did this as it adds interest to this film. The justification for having both Chazz Palminteri and John Carpenter comment is questionable but both have brief and insightful comments to make.
Overall this is a welcome companion to the film. It isn't just an exercise in back slapping and plenty of stories emerge that only serve to enrich the film's history.