| Photos (see all 42 | slideshow) | Videos (see all 10) |
| Robin Williams | ... | Seymour Parrish | |
| Connie Nielsen | ... | Nina Yorkin | |
| Michael Vartan | ... | Will Yorkin | |
| Dylan Smith | ... | Jakob Yorkin | |
| Erin Daniels | ... | Maya Burson | |
| Paul H. Kim | ... | Yoshi Araki (as Paul Hansen Kim) | |
| Lee Garlington | ... | Waitress | |
| Gary Cole | ... | Bill Owens | |
| Marion Calvert | ... | Mrs. Von Unwerth | |
| David Moreland | ... | Mr. Siskind | |
| Shaun P. O'Hagan | ... | Young Father | |
| Jim Rash | ... | Amateur Porn Guy | |
| Nick Searcy | ... | Repairman | |
| Dave Engfer | ... | Sav-Mart Clerk | |
| Jimmy Shubert | ... | Soccer Coach | |
| Eriq La Salle | ... | Det. James Van Der Zee | |
| Clark Gregg | ... | Det. Paul Outerbridge | |
| Andy Rolfes | ... | Officer Lyon (as Andrew A. Rolfes) | |
| Carmen Mormino | ... | Officer Bravo | |
| Izrel Katz | ... | Superintendent | |
| Peter Mackenzie | ... | Hotel Desk Manager | |
| Andy Comeau | ... | Duane | |
| Robert Clotworthy | ... | Eye Surgeon | |
| Jesse Borja | ... | Cook | |
| Jeana Wilson | ... | Nurse | |
| Megan Corletto | ... | Risa Owens | |
| rest of cast listed alphabetically: | |||
| Kenneth Dixon | ... | Security Guard (uncredited) | |
| Noah Forrest | ... | Cop (uncredited) | |
| Kristin Quick | ... | Diner girl (uncredited) | |
| Mark Romanek | ... | Little boy in photos (uncredited) | |
| Wayne Wilderson | ... | Booking Clerk (uncredited) | |
Directed by | |||
| Mark Romanek | |||
Writing credits(WGA) | ||
| Mark Romanek | (written by) | |
Original Music by | |||
| Reinhold Heil | |||
| Johnny Klimek | |||
Cinematography by | |||
| Jeff Cronenweth | (director of photography) | ||
Film Editing by | |||
| Jeffrey Ford | |||
Casting by | |||
| Deborah Aquila | |||
| Mary Tricia Wood | (as Tricia Wood) | ||
Production Design by | |||
| Tom Foden | |||
Art Direction by | |||
| Michael Manson | |||
Set Decoration by | |||
| Tessa Posnansky | |||
Costume Design by | |||
| Arianne Phillips | |||
Makeup Department | |||
| Cheri Minns | .... | key makeup artist | |
| Stephen Robinette | .... | assistant hair stylist (as Steve Robinette) | |
| Suzanne Rodier | .... | makeup artist | |
| Toni-Ann Walker | .... | key hair stylist | |
| Todd Masters | .... | prosthetic effects (uncredited) | |
Production Management | |||
| Stan Wlodkowski | .... | unit production manager | |
Art Department | |||
| David Agajanian | .... | on-set dresser | |
| Steven Atwell | .... | swing gang | |
| Christine Berges | .... | art department coordinator | |
| Gary L. Brennan | .... | propmaker (as Gary Brennan) | |
| Clovis Chamberet | .... | buyer (as Clovis Chambaret) | |
| Elizabeth Colomba | .... | visual consultant (as E. Colomba) | |
| Larce Crawford | .... | construction foreman | |
| Sam Dean | .... | propmaker (as Samuel E. Dean) | |
| Joe Del Monte | .... | construction coordinator | |
| Josh Ian Elliott | .... | on-set dresser (as Josh Elliott) | |
| Brendan C. Fenton | .... | set dresser (as Brendan Fenton) | |
| Jeannine Fenton | .... | swing gang | |
| Lilly Frank | .... | painter (as Lilly 'Kristin' Frank) | |
| Sean Gallagher | .... | propmaker | |
| Jimmy Garcia | .... | painter | |
| Robert Loyal Good | .... | assistant property master | |
| Andy Gregory | .... | swing gang | |
| Rod Gregory | .... | swing gang | |
| Dane Junod | .... | assistant property master | |
| Colin Thomas Kass | .... | propmaker (as Colin Kaas) | |
| Brian Kent | .... | swing gang (as Brian Kent Rogers) | |
| Scott Kitchen | .... | propmaker | |
| Aaron Mays | .... | propmaker (as John Aaron Mays) | |
| Alberto Miyares | .... | propmaker | |
| Melissa Mollo | .... | graphic designer | |
| Michele Munoz | .... | buyer (as Michele Muñoz) | |
| Chris Nakayama | .... | propmaker gang boss | |
| Eric Reichardt | .... | paint gang boss | |
| Bob Renna | .... | on-set dresser | |
| Charles Reyes | .... | propmaker | |
| Marc Richards | .... | painter | |
| Robin Richesson | .... | illustrator | |
| Glenn Rivers | .... | set designer | |
| Steve Salazar | .... | propmaker | |
| Keith Sawyer | .... | lead scenic | |
| Rod Scheuerman | .... | propmaker | |
| Michael Sexton | .... | property master | |
| Tim Snowber | .... | leadman | |
| Mike Stanley | .... | painter | |
| Carl J. Stensel | .... | set designer (as Carl Stensel) | |
| Gary Tuers | .... | assistant property master (as Gary F. Tuers) | |
Sound Department | |||
| Matthew C. Beville | .... | adr mixer | |
| Richard Burnette | .... | mix facility coordinator | |
| Michael C. Casper | .... | sound re-recording mixer | |
| John Chandler | .... | transfer | |
| Patrick Cusack | .... | sound editorial assistant | |
| Andrew DeCristofaro | .... | supervising sound editor | |
| Brian Emrich | .... | sound designer | |
| David Esparza | .... | sound editorial assistant | |
| John Michael Fanaris | .... | sound effects coordinator | |
| Amy Hammer | .... | mix facility coordinator | |
| Laura Macias | .... | foley artist | |
| Michael A. Morongell | .... | sound mixing engineer | |
| Chris Navarro | .... | adr recordist | |
| Nancy Nugent | .... | adr editor (as Nancy K. Nugent) | |
| Nancy Nugent | .... | dialogue editor (as Nancy K. Nugent) | |
| Todd Overton | .... | boom operator | |
| Michael Payne | .... | sound designer | |
| Michael Payne | .... | sound effects supervisor | |
| Andy Peach | .... | mixing recordist | |
| Stephen P. Robinson | .... | sound effects editor | |
| Sean Rowe | .... | foley artist | |
| Dan Scolnik | .... | foley assistant (as Daniel Scolnik) | |
| John C. Stuver | .... | adr editor | |
| John C. Stuver | .... | dialogue editor | |
| Eric Thompson | .... | adr mixer | |
| Eric Thompson | .... | foley mixer | |
| Richard Van Dyke | .... | sound mixer | |
| Jonathan Wales | .... | sound re-recording mixer | |
| Tim Walston | .... | sound effects editor | |
| Corey Woods | .... | cable person | |
| Michael Axinn | .... | supervising assistant sound editor (uncredited) | |
| David Horner | .... | adr mixer (uncredited) | |
| Shawn Kennelly | .... | foley mixer (uncredited) | |
| Martin Schloemer | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Steve Dearth | .... | special effects technician | |
| David Peterson | .... | special effects coordinator | |
| Joel P. Blanchard | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Johnny Alves | .... | digital artist: BUF | |
| Richard 'Dr.' Baily | .... | digital animator: Image Savant | |
| Gil Baron | .... | visual effects artist: Method | |
| Valerie Delahaye | .... | production: Buf | |
| Christophe Dupuis | .... | supervising CG artist: Buf | |
| Marjorie Hebrard | .... | production: Buf | |
| Neysa Horsburgh | .... | visual effects executive producer: Method | |
| Justin M. Lane | .... | visual effects producer: Method (as Justin Lane) | |
| Mark Alan Loso | .... | visual effects artist: A52 | |
| Scott McNiel | .... | visual effects artist: Method | |
| Michael Mongrieff | .... | film scanning and recording: E-Film | |
| Joe Morrison | .... | visual effects apprentice: Method | |
| Cedric Nicolas | .... | visual effects artist: Method | |
| Brandon Sanders | .... | visual effects apprentice: Method | |
| Chris Staves | .... | visual effects supervisor: Method | |
| Scott Taylor | .... | technical engineer: Method Studios | |
| K. Susan Thurmond | .... | visual effects producer: A52 (as Susan Thurmond) | |
| Andreas Wacker | .... | technical support: Method | |
| Mark Sawicki | .... | optical camera (uncredited) | |
Stunts | |||
| Danielle Burgio | .... | stunts | |
| Ritchie Copenhaver | .... | stunts | |
| Marguerite Happy | .... | stunts | |
| Ben Scott | .... | stunt coordinator (as Ben R. Scott) | |
| Walter Scott | .... | stunt coordinator | |
| Lee Smith | .... | stunts | |
Casting Department | |||
| Jennifer Bender | .... | extras casting | |
| Johnny Gidcomb | .... | voice casting: Loop De Loop | |
| Mariann H.W. Lee | .... | extras casting | |
| Barbara Fiorentino | .... | additional casting: Child Search (uncredited) | |
| Kelly O'Brien | .... | casting assistant (uncredited) | |
| Jennifer L. Smith | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Derek J. Baskerville | .... | costumer: Robin Williams | |
| Alix Hester | .... | set costumer | |
| Renee Madison | .... | set costumer (as Renee Madison-Macdonald) | |
| Gerardo Rosette | .... | tailor | |
| Hope Slepak | .... | costume supervisor (as Hope B. Slepak) | |
| Sanford Slepak | .... | key costumer (as Sandy Slepak) | |
Editorial Department | |||
| Bill Balas | .... | post-production assistant | |
| Gary Burritt | .... | negative cutter | |
| Glenn Cowan | .... | assistant editor | |
| Justine Halliday | .... | first assistant editor | |
| Maurissa Horwitz | .... | apprentice editor | |
| Jim Passon | .... | color timer | |
| Kimberly L. Sewell | .... | assistant editor | |
| Jason A. Wallace | .... | post-production assistant | |
Music Department | |||
| Lisa Bauman-Wasiak | .... | music clearances (as Lisa Bauman Wasiak) | |
| Chris Douridas | .... | music supervisor | |
| Darrell Hall | .... | music editor | |
| Reinhold Heil | .... | score mixer | |
| Bronwen Jones | .... | orchestrator | |
| Johnny Klimek | .... | score mixer | |
| Gabriel Isaac Mounsey | .... | additional music programmer | |
| Dana Niu | .... | orchestrator | |
| David Sabee | .... | orchestra contractor | |
| Adam Milo Smalley | .... | music editor: temp music (as Adam Smalley) | |
| Scott Stambler | .... | music editor: temp music | |
| Armin Steiner | .... | orchestra mixer | |
| Armin Steiner | .... | orchestra recordist | |
| Joseph Pollard White | .... | conductor | |
| Martin Christensen | .... | score assistant (uncredited) | |
| Bryan Lawson | .... | assistant music editor (uncredited) | |
| Julia Michels | .... | executive in charge of music (uncredited) | |
Transportation Department | |||
| Jeff Couch | .... | transportation captain | |
| Paulie DiCocco III | .... | driver | |
| Julie E. Furnas | .... | transportation assistant | |
| A. Welch Lambeth | .... | transportation coordinator (as Welch Lambeth) | |
| Paulie DiCocco | .... | driver: Robin Williams (uncredited) | |
| Alan Kaminsky | .... | transportation co-captain (uncredited) | |
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| The Pillow Book | Closer | Boy A | Before the Devil Knows You're Dead | Ceux qui m'aiment prendront le train |
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One Hour Photo is a film of supreme caliber. The film is powered by the haunting, chilling, silencing, and above all-genius performance by Robin Williams. But the rather extraordinary thing is that it is not Robin Williams on the screen, it's Sy Parish (the character's name). Robin Williams fades away from our senses and slips into the ever so sweet and innocent yet psychotic role of a supermarket's photo developer. The films script is only accented by Williams, at times, restrained performance. Williams ignites on the screen and burns till the last frame, and you are unable to take your eyes off him. As I mentioned the film is subliminily written as well as directed. Though being Romanek's first, I certainly don't think this is a bad start. Romanek's direction adds to the on-going tension throughout the film. More affecting is Williams' delightful calmness. Trying to hold himself in becomes more troublesome for both Williams and his character as the story develops. Yet through the calm eyes of an innocent blaze the fires of hatred and intensity, which could very well sum up Williams' performance. The film does have some disturbing images as well. Yet they are not really strong enough for you to get up from your seat and leave yet rather the opposite. Williams' contribution as well as guidance towards the actions and scenes of peril compell as well as amaze you towards both the performance and film itself. Williams' shocking contribution to the screen is enough to make you cry, scream, and yell in your seat. Because the origins of the character are bittersweet just like own known Williams, leads to a crazed and psychotic breakdown. It's as if watching our own funny and beloved Robin fail us. Though the truth could not be any further, Williams but succeeds in the art of acting, creating an achievement in the field. Creating a landmark. Writing his/its own chapter. I guarantee that this film will be required study material in acting classes for now on. In conclusion: definitely one of the best of 2002.