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El espinazo del diablo (2001) More at IMDbPro »

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140 comments in total

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56 out of 64 people found the following comment useful :-
A Beautiful, Bloody Ghost Story, 21 May 2005

Author: Gafke from United States

The year is 1939. The Spanish Civil War is nearing its bloody end. Ten year old Carlos, the orphaned son of a slain Republican, is left by his tutor at an isolated orphanage for boys. The school is destitute, barely able to provide enough food for the children, but headmistress Carmen and Dr. Casares do the best they can. Carlos accepts his fate bravely, but there are still school bullies to contend with, an unexploded bomb sitting in the courtyard as a constant reminder of the war which still rages, and an abusive caretaker named Jacinto who has his own secret agenda. As if that were not enough, a ghost begins stalking Carlos, the ghost of a boy named Santi whose demise is shrouded in mystery and who solemnly warns Carlos that many will soon die. As the war begins closing in on the orphanage, violence erupts within and Santi's prediction comes sadly true. But the worst has not yet happened. The abandoned boys must band together if they hope to survive, and the dead will aid their cause if they are to be avenged.

This is a beautiful movie, absolutely gorgeous from start to finish. The dusty, isolated landscape is a ghost itself and the constant threat of violence - from the war, to the bullies and, of course, from the traitorous Jacinto - gives this film an unrelenting atmosphere of tension and dread. The acting is superb, from the children as well as the adults. Federico Luppi as Dr. Casares is superb, providing us with a true hero, a gentleman of class and compassion. Eduardo Noriega is perfectly cast as the despicable Jacinto, making you despise him more and more as the film progresses. This is not just a ghost story, though the figure of Santi is central and key to everything that happens. It is a tale of love and honor as well as horror and ruin. It is a coming of age story and an adult drama. It also manages to be scary as hell when it wants to be.

Guillermo del Toro has made a masterpiece with "The Devils Backbone." Ten stars for this hauntingly lovely epic.

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46 out of 52 people found the following comment useful :-
Masterful Spanish ghost story - an instant classic, 6 May 2005

Author: Libretio

THE DEVIL'S BACKBONE (El Espinazo del Diablo)

Aspect ratio: 1.85:1

Sound format: Dolby Digital

During the Spanish Civil War, a young orphan boy (Fernando Tielve) is sent to an isolated boarding school where he encounters the ghost of a murdered child (Junio Valverde) who warns him of impending disaster...

A masterpiece. Filmed in Spain by writer-director Guillermo del Toro following his unhappy Hollywood debut (MIMIC), this spellbinding melodrama works both as an examination of the political turmoil which characterized the Spanish Civil War, and as a simple ghost story in which a tragic spirit seeks vengeance for a terrible crime. Employing restless camera-work and atmospheric set designs to their best advantage, del Toro visualizes his own script (co-written with Antonio Trashorras and David Muñoz) as the story of a vulnerable child cast adrift in a strange new world, where he must contend not only with everyday problems (such as the school bully, Ínigo Garcés, whose motives are rather more complex than they first appear), but also his frequent encounters with the unhappy ghost, some of which are genuinely unsettling (watch out for the heart-stopping sequence in which Tielve is besieged in a closet by the enraged phantom).

Production values are first-class throughout, ranging from César Macarrón's evocative art direction and Salvador Mayolas' ultra-creepy sound design, through to Luis de la Madrid's crisp editing skills and Javier Navarrete's unforgettable music score. Visual effects and makeup designs are also superb, though deliberately underplayed for maximum emotional effect. The cast is toplined by Spanish movie veterans Marisa Paredes (a favorite of Pedro Almodóvar) and Federico Luppi (CRONOS), and there are impressive turns by Irene Visedo as a young woman whose loyalties are divided by circumstances, and rising star Eduardo Noriega (the Spanish equivalent of Brad Pitt) as Visedo's boyfriend, an orphan-turned-caretaker whose volatile nature leads to a dramatic conclusion, with appalling consequences for everyone around him. Tielve is magnificent as the wide-eyed innocent at the center of the narrative, and Garcés is every bit his equal as the bully who reclaims his dignity during a climactic showdown with the forces of evil. Released around the same time as THE OTHERS (2001) - another Spanish ghost story, filmed in English as a vehicle for Nicole Kidman - THE DEVIL'S BACKBONE was consigned to Art-house distribution by virtue of its status as a subtitled movie and suffered a comparative loss at the US box-office, though del Toro's magical fever dream is unquestionably the better of the two films.

(Spanish dialogue)

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54 out of 71 people found the following comment useful :-
Better Than American Horror Films..., 27 May 2003

Author: underfire35 from Chicago, USA

THE DEVIL'S BACKBONE is a Spanish language supernatural thriller. It consists of a haunted school for orphaned boys. Now, in an American film that would be all you get, a ghost running around scaring the young inhabitants of the gloomy building. That's it, and it would not be scary at all. It is to the credit that the makers of THE DEVIL'S BACKBONE present the actual ghost as the least frightening aspect of the film; he becomes, in fact, the moral center of a deeply complex story.

In Spain, the year is 1939 and Franco's army is advancing towards the small village where the most notable landmark is an impotent bomb jutting out of the ground in the center of the town. A child, Carlos (Fernando Tielve), his father's life taken in the bloody civil war, finds refuge with the Leftist caretakers of the school. Not a good place to be around at that time. He finds himself under the wing of Prof. Casares (Fererico Luppi), a strange intellectual who fears the oncoming dirge of Franco's forces. There is also some intrigue involving the caretaker Jacinto (Edvardo Noriega) and the revolution's small supply of gold. Oh, right and there is a troubled spirit of one of the dead children creeping through the bowls of the school, uttering ominous warnings to young Carlos ("Many of you will die.")...

It is one of the strongest elements of THE DEVIL'S BACKBONE that it does not become distracted by the ghost story, I mean what is one ghost compared to the very real fears of war, death, greed, abandonment, political persecution, abuse at the hands of adults, lust, and acceptance. A spirit cannot hurt us, it does not exist on the same plain of the living. His life has ended and he can no longer be troubled by the reality the characters face. A bullet or explosion wil not penetrate his flesh, he no longer feels pain. The boys who survive him are those who have to struggle for their small place on this earth.

The film paints in detailed strokes and does not cut corners when it comes to the emotions involved in the plot. The characters are not pawns to be startled periodically by cats or loud noises, they just happen to occupy the same space with a sad and restless dead boy.

The director, Guillermo Del Toro (CRONOS, MIMIC, the better-than-the-original-but-that-ain't-saying-much BLADE 2), handles the material very well, never losing sight of the story he has set out to tell. The metaphors he uses (the bomb, the pool, the contents of the jars) are rich and creative. Del Toro, along with his crew and actors, create moments of intense fear and unsettling action; the musical score, by Javier Navarette, is particularly effective. The film is dark and gloomy (perhaps overly so at times), but never succumbs to the easy answers in the shadows. As for the American films it will be compared to: THE OTHERS-not scary, THE RING-not scary, DARKNESS FALLS-not scary...THE DEVIL'S BACKBONE is scary, complex and ultimately memorable.

8/10.

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29 out of 37 people found the following comment useful :-
among the best work I've seen, 2 May 2005

Author: aktaylor from Austin, Texas

Great care has been taken with the art direction. You are immediately transported to 1939, with Franco's army about to descend on the Spanish countryside. Even the crumbling buildings of the boys' school the characters inhabit play a role. The actors are superb, and the child actors give award-worthy performances.

This story is only incidentally a ghost story. It's a story about love and betrayal and the miseries of war visited on a people. It has a lot to teach about the depths of human cruelty, and the grace of sacrifice. It left me weeping. I don't want to label it Del Toro's masterpiece so early in his career, but it will stand through the years with his best work.

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24 out of 28 people found the following comment useful :-
"What is a ghost? A tragedy condemned to repeat itself time and again? ..., 8 March 2006

Author: Galina from Virginia, USA

...An instant of pain, perhaps. Something dead which still seems to be alive. An emotion suspended in time. Like a blurred photograph. Like an insect trapped in amber."

Often compared to "The Sixth Sense (1999)" and "The Others (2001)", "The Devil's Backbone" is even a better film, the ultimate ghost story that goes beyond the genre and very successfully mixes horror, suspense, and coming of age during the war time story. Written and directed by Guillermo del Toro, the film takes place during the Spanish Civil War in an isolated boarding school for the orphans of the War where a new boy, Carlos encounters the ghost of a murdered child Santi whose body was never found and who warns Carlos that "Many of you will die". How did Santi die? Why does not he leave the school's courtyard, what is the tragedy he is trying to prevent? It is up to Carlos to find the answers to these and many more questions as well as to stand up to the school's bully, Jaime and to find out what is behind the violent hostility of the orphanage's nasty caretaker, Jacinto who himself was and orphan and had been a pupil in the school as a child. The movie is not just beautifully directed – it is very well written and provides the deep insight into each character, including school headmistress named Carmen (Marisa Paredes), kind and brave Professor Casares, vicious bully Jaime who would turn a lonely and scared boy and even the embodiment of evil, Jacinto with his own heartbreaking story. Along with "The Spirit of the Beehive", "Devil's Backbone" is a harrowing exploration of the war and its affect on childhood. It also brings to mind such classic as Bunuel's "Los Olvidados" – and this is the best praise I have for any movie. Highly recommended.

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33 out of 46 people found the following comment useful :-
A great ghost story!, 24 November 2004

Author: The_Void from Beverley Hills, England

I'm a massive fan of the horror genre, but I don't like ghost stories. To me, ghost stories are a poor manifestation of the genre. It's not the idea of ghosts that's the problem, it's the way the stories are presented; often dull, slow moving and uninteresting, and those are things that do not make a good movie. However, there is an exception to every rule; and this film is the case with that one. The Devil's Backbone is a mesmerising and inventive addition to the ghost story tradition. The film moves slowly, but that is a definite advantage to it. The slow pace allows us to get to know, and even care for the characters before the horror starts, and this makes the horror all the more potent when it does start. The Devil's Backbone has been touted as 'the Spanish Sixth Sense', and although this is unfair as this is hardly a bad film; I can see where that notion is coming from. The main difference between the two, however, and the reason why this film works and Shyamalan's doesn't is that the parts between the horror here aren't boring, are well acted and serve a purpose in that they allow us to get to know the characters; Shyamalan got too caught up in trying to make his twist work and the drama in-between caught the brunt of that, rendering the film boring.

The film can't really be accurately described as a 'horror film', it's more of a drama come character study with horror elements. The horror elements are pronounced, as the ghost is the centrepiece of the story, but the film doesn't focus on them enough for it to be considered horror. Entwined within it's plot is a coming of age tale, a story of revenge and a nice little section on 'what is a ghost'. I like it when a film delves into it's subject material and attempts to give something of an explanation; Return of the Living Dead did it for zombies (albeit comically), and The Devil's Backbone does it here for ghosts. The coming of age side of the story is brought to life brilliantly by some sublime acting courtesy of the young cast. Entwined within the story are themes of the kids being thrust into a situation that requires them to grow up fast, and it also sees them dealing with themes of death and revenge.

One thing you will instantly notice about this film is the fantastic cinematography. The film has a gritty style, but despite this it manages to come off looking crisp and clean. There are some shots that are incredibly beautiful. All shots with the ghost, which is one of the best crafted ever, come to mind immediately but also of note are the underwater sequences, the special effects and the capture of the location. The film is set in an orphanage somewhere the Spanish desert, and this location serves the movie magnificently. The fact that it's a day's walk away from the nearest town makes the film very isolated, which allows the horror more potency. Guillermo Del Toro is an obviously talented director. He has this film under his belt, along with Cronos (which I haven't yet seen, but have heard great things), but after that it's hit and miss. Blade 2 was a good film, and a refreshing one after the lackluster first part; but Mimic wasn't very good on the whole, despite some good moments. More recently he's gone on to direct Hellboy, which again I haven't seen but it looks like another fun film. I hope Del Toro makes a return to art soon, he has the talent and it would be a shame to lose him to 'decent' films.

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34 out of 49 people found the following comment useful :-
Dramatic, creepy and excellent overall, 22 December 2004

Author: KingTrebor01 from Rhode Island, USA

After seeing the impressive rating on IMDb and being intrigued by its appearance at my local video store, I finally rented this film. I'm glad that I did.

"Blade 2" and "Hellboy" were my only other del Toro film's to date. Obviously, the man has an eye for style and even, occasionally, atmosphere. I was particularly impressed with "Hellboy": not nearly as good as the source material, but the best comic adaptation to film in many years, including the Marvel disasters. "The Devil's Backbone" is well acted and surprisingly effective in style and atmosphere. Not quite a horror movie...but with its creepy moments nonetheless. The script is also quite good: the characters are realistic and well portrayed, and there are a lot of great plot elements (i.e. the defused bomb) that give the story layers on top of layers.

My only complaint is that del Toro makes the mistake that many directors in the horror genre make: showing the monster/creature in too great a definition, and, in this case, far too early in the movie. Many directors should take a page from Ridley Scott's book: "Alien" is so scary because what you don't see of the creature, not because the little we do see of it. Still, del Toro's supernatural character is well-designed and has several haunting appearances.

All in all this was a great film that works as a mystery and as a drama: the writing, direction and performances are that strong. del Toro seems to do his best work while working with his own material, let's hope he does so more in the future.

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32 out of 48 people found the following comment useful :-
Poetry on screen - A classic Ghost story, 18 May 2004

Author: sprigga from Liverpool

Some people think horror is about busty teens and young rebels being picked off by mysterious killers or lots of gore from a made up creature. Well this film has neither so stay away.

What you do have is a stunning film with great actors playing real people with real issues. Three or four stories are interwoven perfectly, set off with great imagery...all set around the Spanish civil war and the haunting corridors of an orphanage for abandoned children.

While the film does contain a ghost -the murdered child, Santi- the real horror of the film comes from the greed of certain adults who occupy the orphanage with the children.

This film is intelligent poetry on screen -mortality, love, hate, jealousy, greed and redemption are all explored.

This film puts many films to shame just for having a great story at it's core.

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23 out of 31 people found the following comment useful :-
"What is a ghost?", 2 March 2006

Author: Matthew Janovic (myboigie@earthlink.net) from United States

"... As the road struck into the sierra we branched off to the right and climbed a narrow mule-track that wound round the mountain-side. The hills in that part of Spain are of a queer formation, horseshoe-shaped with flattish tops and very steep sides running down into immense ravines. On the higher slopes nothing grows except stunted shrubs and heath, with the white bones of the limestone sticking out everywhere. ..." - George Orwell, Homage to Catalonia, Chapter 2

It is unlikely that Mexican-director, Guillermo del Toro, will ever top this film, it is his greatest-achievement. While certainly a horror-film, it so-much-more, an allegory of the betrayals that led-to the rise-of-fascism in Spain. Most small-arms came-from Mexico, and Del Toro has said in-interviews that he lived-in a neighborhood populated by Republicans who had fled after-1939. Some have commented that the film takes-place after the fall of Republican Spain(the 1939 fall of Catalonia), but this is incorrect. The fall hasn't come-yet, and this free-fall state is the universe that the film inhabits. Taking-place in a Republican Orphanage for fallen-anarchists, Leftists, and Republican-politicians, the film is always in a state of anticipation and a kind-of limbo. All the Republican-caretakers can do is wait for the fall, and the repression that was surely-to-follow. Betrayed by the Catholic Church, the Soviet Union under-Stalin, political-infighting, and even the Western Democracies, Franco was given a blank-check to slaughter legitimate, democratic-forces by-1939. 2,000 Americans joined the "Abraham Lincoln Brigade" to fight Franco's forces, and a "United Front" of Leftists and Unionists from throughout-the-world had went to Spain to "fight the good-fight".

Meanwhile, the Roosevelt-administration banned all-sales of war-material (most-particularly, aircraft-engines and ammunition) to Republican-forces. Franco had many-allies, and would remain-in-power until his timely-death in November, 1975...Spain has been-celebrating ever-since. And-so, "The Devil's Backbone" can only be-about the ghosts of this period, particularly those Spaniards who were betrayed by politicians who shared so-much with Franco. The title, incidentally, comes-from a range-of-mountains where Republican-forces were bogged-down, then-defeated; it is referred-to as the Sierra de Alcubierre. Even George Orwell was there, and he wrote a book on his experiences fighting to save Republican Spain.

If "Devil's Backbone" says-anything, it is that "these were times that showed what people then were made-of." Dr. Cásares and Carmen represent the weakened-Republic, with her leg-missing, and he being-impotent. Then, there is Jacinto, once an orphan, now a caretaker of the orphanage--a betrayer, a criminal, and a murderer. Even-worse, though, is that amidst-the-chaos of the Civil War, the orphanage is haunted by the ghost of a former child-resident who may-have been murdered. The orphanage IS Spain, with its' fascist-bomb, unexploded in-the-courtyard, a direct-reference to the bombing of the Spanish-town, Guernica. Guernica was the first-incident of the bombing-of-civilians in modern-history, and was immortalized in a painting by-Pablo Picasso The deformed-fetus in the jar is the Spain-that-never-was, still-born, unnaturally. Dr. Cásares, then, is the legacy of Spanish Republicanism, a good-legacy that literally aids the living in the finale of the film. However, if I tell you anything-else this character, the film will be ruined! You can figure-out the rest, most audiences aren't given enough-credit. Stand-and-be-counted, these are "times that try men's souls". History never ends.

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19 out of 28 people found the following comment useful :-
a complete film, 10 April 2005
Author: jimi99 from denver

This is not just an incredibly effective ghost story, but a cinematic masterpiece. Like his "Cronos," Del Toro has created a rich horror fable that is driven by 3-dimensional characters involved in a fascinating plot that leads to a wholly satisfying ending. With many developments along the way that shock, move, and thrill. And of course the political allegory and reality of the film, the Spanish Civil War, all the orphan boys of noble Loyalist fighters fighting their own war against a truly horrifying fascist villain, the young and handsome Jacinto, who is not without a sad ghost in his own past that feeds his destructiveness.

Del Toro is one of the most intelligent and humane directors working today, not something usually said about auteur in the horror genre. I have not seen "Hellboy" but think less of his US endeavors than these two Spanish masterworks...

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