| Photos (see all 16 | slideshow) | Videos |
| Eduardo Noriega | ... | Jacinto | |
| Marisa Paredes | ... | Carmen | |
| Federico Luppi | ... | Casares | |
| Fernando Tielve | ... | Carlos | |
| Íñigo Garcés | ... | Jaime | |
| Irene Visedo | ... | Conchita | |
| José Manuel Lorenzo | ... | Marcelo | |
| Francisco Maestre | ... | El Puerco (as Paco Maestre) | |
| Junio Valverde | ... | Santi | |
| Berta Ojea | ... | Alma | |
| Adrián Lamana | ... | Gálvez | |
| Daniel Esparza | ... | Marcos | |
| Miguel Ortiz | |||
| Juan Carlos Vellido | |||
| Javier González | ... | Owl (as Javier González Madrigal) | |
| Víctor Elías | |||
| José Luis Torrijo | |||
| Álvaro Vega | |||
| Jonas Batlecas | |||
| Daniel Cuño | |||
| Rubén Escamilla | |||
| Andreas Muñoz | |||
| Adrián Serna | |||
| Javier González Sánchez | |||
| Álvaro Román | |||
| Mikel Selles | |||
| Leandro Tejada | |||
| Izan Checa | |||
| Víctor Barroso | ... | Luis | |
| Martín Hernández | ... | Octavio | |
| Francisco Fernández | |||
| rest of cast listed alphabetically: | |||
| Jaime Fernández-Cid Buscató | ... | Fusilado | |
Directed by | |||
| Guillermo del Toro | |||
Writing credits | ||
| Guillermo del Toro | (written by) and | |
| Antonio Trashorras | (written by) & | |
| David Muñoz | (written by) | |
Original Music by | |||
| Javier Navarrete | |||
Cinematography by | |||
| Guillermo Navarro | |||
Film Editing by | |||
| Luis de la Madrid | |||
Casting by | |||
| Sara Bilbatúa | |||
Art Direction by | |||
| César Macarrón | |||
Set Decoration by | |||
| Pablo Perona Navarro | |||
| Pilar Revuelta | (as María del Pilar Revuelta) | ||
Costume Design by | |||
| José Vico | |||
Makeup Department | |||
| Paula Cruz | .... | assistant hair stylist | |
| Paula Cruz | .... | assistant makeup artist | |
| Fermín Galán | .... | hair stylist | |
| Manuela Guzmán | .... | assistant hair stylist | |
| Manuela Guzmán | .... | assistant makeup artist | |
| Jorge Hernández | .... | makeup artist | |
| David Martí | .... | special makeup supervisor | |
Production Management | |||
| Esther García | .... | production supervisor | |
| Toni Novella | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jorge Dorado | .... | assistant director (as Jorge C. Dorado) | |
| Christopher Downs | .... | trainee assistant director | |
| Covadonga R. Gamboa | .... | second assistant director | |
| Pedro Lazaga | .... | first assistant director | |
| Luisfer Machi | .... | assistant director | |
| Jesús Salcedo | .... | trainee assistant director | |
Art Department | |||
| Francisco Escriba | .... | props | |
| Carlos García Campillo | .... | assistant set dresser | |
| Enrique García | .... | set constructor | |
| Ángel García Palmeiro | .... | assistant decorator | |
| Carlos Giménez | .... | storyboard artist | |
| Pedro Hernández | .... | carpenter | |
| Tatiana Hernández | .... | assistant art director | |
| Kike Melia | .... | props | |
| Ajtor Mendizabal | .... | trainee set decorator | |
| Angela Nahlim | .... | trainee set decorator | |
| Pablo Naveda | .... | props | |
| Leoncio Vicente | .... | painter | |
| Tanja Wahlbeck | .... | assistant art director | |
Sound Department | |||
| Jaime Fernández-Cid Buscató | .... | boom operator | |
| Jaime Fernández | .... | boom operator | |
| Diego Garrido | .... | sound mixing technician | |
| Ray Gillon | .... | sound re-recording mixer | |
| Manel López | .... | assistant sound editor | |
| Salva Mayolas | .... | sound recordist (as Salvador Mayolas) | |
| Iván Mayoral | .... | adr recordist | |
| Miguel Rejas | .... | sound | |
| David Rodríguez | .... | assistant boom operator | |
| Ian Sasplugas | .... | sound effects editor | |
| Ian Sasplugas | .... | sound recordist | |
| Oriol Tarragó | .... | sound editor | |
| Edgar Vidal | .... | sound effects assistant | |
| Kiku Vidal | .... | sound effects editor | |
Special Effects by | |||
| Reyes Abades | .... | special effects | |
| Carmen Aguirre | .... | special effects art director | |
| Ángel Alonso | .... | special effects technician | |
| Arturo Balceiro | .... | special effects makeup | |
| Xavi Bastida | .... | special effects makeup | |
| Juan Carlos Corroto | .... | special effects technician | |
| José M. Meneses | .... | special effects technician: DDT | |
| Alfonso Nieto | .... | special effects supervisor | |
| Juan Serrano | .... | special effects technician: Reyes Abades SFX | |
Visual Effects by | |||
| Nike Alonso | .... | CGI assistant production | |
| Helmuth Barnert | .... | digital compositor | |
| Raúl Batanero | .... | CGI operator | |
| Juan Bosco | .... | Avid digital effects | |
| Juanjo Carretero | .... | digital effects technician | |
| Gonzalo Carssón | .... | CGI operator | |
| Segundo Casero | .... | CGI chief operator | |
| Nacho Cepero | .... | digital compositor | |
| René Chesta | .... | CGI operator | |
| Manuel Delgado | .... | digital compositor | |
| Juan del Pozo | .... | digital compositor | |
| Daniel de Madrid | .... | backdraft | |
| Eduardo Díaz | .... | CGI operator | |
| Alejandro Dupry | .... | Avid digital effects | |
| Daniel Fernández | .... | CGI operator (as Daniel Fernández Parra) | |
| David Fernández Girón | .... | CGI operator | |
| Gabriel Garrido | .... | digital compositor | |
| Iñaki Gil | .... | CGI chief operator | |
| Noelia Gorrón | .... | digital effects producer | |
| Isidro Jiménez | .... | digital compositor | |
| Kike Jiménez | .... | digital effects technician | |
| Antonio Lado | .... | CGI operator | |
| Pablo Martín | .... | CGI operator | |
| Carlos Matella | .... | digital compositor | |
| Patricia Matiskei | .... | digital compositor | |
| Gonzalo Moure | .... | digital compositor | |
| Javier Nuñez | .... | CGI chief of production | |
| Emilio Pérez | .... | digital compositor | |
| Álvaro Rodríguez | .... | digital effects producer | |
| Emilio Ruiz del Río | .... | modeler (as Emilio Ruiz) | |
| Raúl Sánchez | .... | digital compositor | |
| Silvia Torralba | .... | digital effects producer | |
| Carlos Trijueque | .... | digital compositor | |
| Antonio Ubeda | .... | CGI operator (as Antonio Úbeda) | |
| Jon Uriarte | .... | CGI operator | |
| Rodrigo Vega | .... | CGI operator | |
| Óscar Villalba | .... | backdraft | |
| Úrsula García | .... | visual effects coordinator: pre-production (uncredited) | |
Stunts | |||
| Sergio Atanes | .... | stunt coordinator | |
| Silvia Carballo | .... | stunts | |
| Salvador Martos Manson | .... | stunts (as Salvador Manson) | |
| Andreas Muñoz | .... | stunts | |
Casting Department | |||
| Cristina Perales | .... | casting assistant | |
| Macarena Pombo | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Rocío Redondo | .... | wardrobe assistant | |
| Mercedes Sanz | .... | wardrobe coordinator | |
Editorial Department | |||
| Felisa Catalinas | .... | negative cutter | |
| Adoración G. Elipe | .... | assistant editor | |
| Ximo Michavila | .... | telecine colorist | |
| Laura Montesinos | .... | assistant editor | |
| Bernat Vilapana | .... | assistant editor | |
Music Department | |||
| Martina Cigerová | .... | musician: oboe | |
| José Luis Crespo | .... | music mixer | |
| Jaroslava Eliasová | .... | musician: piano | |
| Martin Hubsch | .... | musician: oboe | |
| Mario Klemens | .... | conductor | |
| Marc Blanes Matas | .... | score mixer | |
| Pedro Navarrete | .... | composer: additional music | |
| Radovan Sancera | .... | musician: concertino | |
| Rubén Suárez | .... | assistant music mixer | |
Other crew | |||
| Alfonso Aguirre | .... | technical director | |
| Conchita Araña | .... | trainee production assistant | |
| Yuyi Beringola | .... | script supervisor | |
| Yolanda Cáceres | .... | technical director | |
| Sergio Díaz | .... | production assistant | |
| Adela Donamaría | .... | production secretary | |
| Nuria Garcia Atienza | .... | marketing: Sogecine | |
| Lola García | .... | office chief | |
| Marga García | .... | marketing | |
| Antonio Giménez | .... | marketing | |
| Beatriz Gordo | .... | cashier | |
| Inés Miruri | .... | coach: children | |
| Yuriria Montero | .... | tequila gang assistant | |
| Rafael Pajares | .... | production assistant | |
| Antonia Sánchez | .... | nurse | |
| Francisco Sanchez Ortiz | .... | marketing director | |
| Chus San Pascual | .... | location scout | |
| Ana Sanz | .... | secretary to producer | |
| Rosa María Serrano | .... | assistant accountant | |
| Paz Sufrategui | .... | publicist | |
| Nicolás Tapia | .... | production assistant | |
| Óscar Valero | .... | administrator | |
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| Batoru rowaiaru | The Shining | Laberinto del fauno, El | Orfanato, El | Cross of Iron |
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| News articles | IMDb Fantasy section | IMDb Spain section |
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I'm a massive fan of the horror genre, but I don't like ghost stories. To me, ghost stories are a poor manifestation of the genre. It's not the idea of ghosts that's the problem, it's the way the stories are presented; often dull, slow moving and uninteresting, and those are things that do not make a good movie. However, there is an exception to every rule; and this film is the case with that one. The Devil's Backbone is a mesmerising and inventive addition to the ghost story tradition. The film moves slowly, but that is a definite advantage to it. The slow pace allows us to get to know, and even care for the characters before the horror starts, and this makes the horror all the more potent when it does start. The Devil's Backbone has been touted as 'the Spanish Sixth Sense', and although this is unfair as this is hardly a bad film; I can see where that notion is coming from. The main difference between the two, however, and the reason why this film works and Shyamalan's doesn't is that the parts between the horror here aren't boring, are well acted and serve a purpose in that they allow us to get to know the characters; Shyamalan got too caught up in trying to make his twist work and the drama in-between caught the brunt of that, rendering the film boring.
The film can't really be accurately described as a 'horror film', it's more of a drama come character study with horror elements. The horror elements are pronounced, as the ghost is the centrepiece of the story, but the film doesn't focus on them enough for it to be considered horror. Entwined within it's plot is a coming of age tale, a story of revenge and a nice little section on 'what is a ghost'. I like it when a film delves into it's subject material and attempts to give something of an explanation; Return of the Living Dead did it for zombies (albeit comically), and The Devil's Backbone does it here for ghosts. The coming of age side of the story is brought to life brilliantly by some sublime acting courtesy of the young cast. Entwined within the story are themes of the kids being thrust into a situation that requires them to grow up fast, and it also sees them dealing with themes of death and revenge.
One thing you will instantly notice about this film is the fantastic cinematography. The film has a gritty style, but despite this it manages to come off looking crisp and clean. There are some shots that are incredibly beautiful. All shots with the ghost, which is one of the best crafted ever, come to mind immediately but also of note are the underwater sequences, the special effects and the capture of the location. The film is set in an orphanage somewhere the Spanish desert, and this location serves the movie magnificently. The fact that it's a day's walk away from the nearest town makes the film very isolated, which allows the horror more potency. Guillermo Del Toro is an obviously talented director. He has this film under his belt, along with Cronos (which I haven't yet seen, but have heard great things), but after that it's hit and miss. Blade 2 was a good film, and a refreshing one after the lackluster first part; but Mimic wasn't very good on the whole, despite some good moments. More recently he's gone on to direct Hellboy, which again I haven't seen but it looks like another fun film. I hope Del Toro makes a return to art soon, he has the talent and it would be a shame to lose him to 'decent' films.