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Mario Giordano (novel)
Mario Giordano (screenplay) ...
(more)
8 March 2001 (Germany) more
Bist du stark genug? more
The movie is based on the infamous "Stanford Prison Experiment" conducted in 1971. A makeshift prison is set up in a research lab... more | add synopsis
13 wins & 15 nominations more
First Look: Adrien Brody & Forest Whitaker in The Experiment
(From FirstShowing.net. 5 November 2009, 11:19 AM, PST)
First Look at Adrien Brody in The Experiment
(From shocktillyoudrop. 4 November 2009)
One of the Best and Most Powerful Movies of the Year more (153 total)
| Moritz Bleibtreu | ... | Tarek Fahd - Häftling Nr. 77 / Prisoner #77 | |
| Christian Berkel | ... | Steinhoff - Häftling Nr. 38 / Prisoner #38 | |
| Oliver Stokowski | ... | Schütte - Häftling Nr. 82 / Prisoner #82 | |
| Wotan Wilke Möhring | ... | Joe - Häftling Nr. 69 / Prisoner #69 | |
| Stephan Szasz | ... | Häftling Nr. 53 / Prisoner #53 | |
| Polat Dal | ... | Häftling Nr. 40 / Prisoner #40 | |
| Danny Richter | ... | Häftling Nr. 21 / Prisoner #21 | |
| Ralf Müller | ... | Häftling Nr. 15 / Prisoner #15 | |
| Markus Rudolf | ... | Häftling Nr. 74 / Prisoner #74 | |
| Peter Fieseler | ... | Häftling Nr. 11 / Prisoner #11 | |
| Thorsten Dersch | ... | Häftling Nr. 86 / Prisoner #86 (as Thorsten J.H. Dersch) | |
| Sven Grefer | ... | Häftling Nr. 94 / Prisoner #94 | |
| Justus von Dohnanyi | ... | Berus - Strafvollzugsbeamter / Guard (as Justus von Dohnànyi) | |
| Nicki von Tempelhoff | ... | Kamps - Strafvollzugsbeamter / Guard | |
| Timo Dierkes | ... | Eckert - Strafvollzugsbeamter / Guard | |
| Antoine Monot Jr. | ... | Bosch - Strafvollzugsbeamter / Guard | |
| Lars Gärtner | ... | Renzel - Strafvollzugsbeamter / Guard | |
| Jacek Klimontko | ... | Gläser - Strafvollzugsbeamter / Guard | |
| Markus Klauk | ... | Stock - Strafvollzugsbeamter / Guard | |
| Ralph Püttmann | ... | Amandy - Strafvollzugsbeamter / Guard | |
| Edgar Selge | ... | Professor Dr. Klaus Thon - Wissenschaftler / Scientist | |
| Andrea Sawatzki | ... | Dr. Jutta Grimm - Wissenschaftler / Scientist | |
| Philipp Hochmair | ... | Lars - Wissenschaftler / Scientist | |
| Klaus Spinnler | ... | Assistent / Assistant | |
| Tristan Vostry | ... | Assistent / Assistant | |
| Maren Eggert | ... | Dora - Die Anderen / The Others | |
| André Jung | ... | Ziegler - Die Anderen / The Others | |
| Uwe Rohde | ... | Hans - Die Anderen / The Others | |
| Heiner Lauterbach | ... | Dennis - Die Stimmen / The Voices (voice) | |
| Fatih Akin | ... | Taxifahrer / Taxi Driver - Die Stimmen / The Voices (voice) | |
| Christiane Gerboth | ... | Nachrichtensprecher / Newscaster - Die Stimmen / The Voices (voice) |
Directed by | |||
| Oliver Hirschbiegel | |||
Writing credits | ||
| Mario Giordano | (novel "Black Box") | |
| Mario Giordano | (screenplay) & | |
| Christoph Darnstädt | (screenplay) & | |
| Don Bohlinger | (screenplay) | |
Produced by | |||
| Marc Conrad | .... | producer | |
| Philip Evenkamp | .... | executive producer | |
| Benjamin Herrmann | .... | co-producer | |
| Ulrike Leibfried | .... | associate producer | |
| Norbert Preuss | .... | producer | |
| Friedrich Wildfeuer | .... | producer (as Fritz Wildfeuer) | |
Original Music by | |||
| Alexander Bubenheim | (as Alexander van Bubenheim) | ||
Cinematography by | |||
| Rainer Klausmann | |||
Film Editing by | |||
| Hans Funck | |||
Casting by | |||
| An Dorthe Braker | |||
Production Design by | |||
| Andrea Kessler | |||
Art Direction by | |||
| Uli Hanisch | |||
Costume Design by | |||
| Claudia Bobsin | |||
Makeup Department | |||
| Mary May | .... | makeup artist | |
| Sylvia Reusch | .... | makeup artist | |
Production Management | |||
| Stephan Bechem | .... | assistant unit manager | |
| Alexander Dominitzki | .... | unit manager | |
| Klaus Spinnler | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Uli Hampeter | .... | second assistant director (as Ulrike Hampeter) | |
| Isabel Kleefeld | .... | first assistant director | |
Art Department | |||
| Markus Baum | .... | carpenter | |
| Uwe Belke | .... | carpenter | |
| Uwe Brauer | .... | painter | |
| Laura Engels | .... | art department intern | |
| Stefan Isfort | .... | property master | |
| Kai Koch | .... | assistant art director | |
| Oliver Koch | .... | carpenter | |
| Fee Kolb | .... | painter | |
| Markus Krüll | .... | metalworker | |
| Elmo Langenberg | .... | metalworker | |
| Uli Langenberg | .... | construction coordinator | |
| Lenny Lehmann | .... | carpenter | |
| Daniel Peeck | .... | construction coordinator | |
| Doriano Quintavalle | .... | carpenter | |
| Thorsten Sabel | .... | set dresser | |
| Katja Schlömer | .... | set dresser | |
| Dieter Schmidt | .... | carpenter | |
| Ricky Stecker | .... | props buyer | |
| Christoph Steeger | .... | sketch artist | |
| Jo Teh | .... | painter | |
| Saskia Trixa | .... | prop intern | |
| Dagmar Wessel | .... | stand-by props (uncredited) | |
Sound Department | |||
| Achim Böcking | .... | sound intern | |
| Christof Ebhardt | .... | sound editor | |
| Lisa Geffcken-Reinhard | .... | foley editor (as Lisa Geffcken) | |
| Florian Gross | .... | sound production manager | |
| Monika Gussner | .... | adr editor | |
| Magda Habernickel | .... | supervising sound designer | |
| Hans Hohenwarter | .... | technical director: sound | |
| Frank Lehner | .... | boom operator | |
| Peter Notz | .... | adr mixer | |
| Jörn Poetzl | .... | foley artist (as Joern Poetzl) | |
| Annette Prey | .... | sound editor | |
| Max Rammler-Rogall | .... | sound re-recording mixer | |
| Thomas Schwenke | .... | technical director: sound | |
| Philipp Sellier | .... | foley mixer | |
| Marcel Spisak | .... | sound editor | |
| Wolfgang Wirtz | .... | production sound mixer | |
Special Effects by | |||
| Karl-Heinz Bochnig | .... | special effects technician | |
Visual Effects by | |||
| Thilo Gottschlich | .... | film recording | |
| Lutz Lemke | .... | composite layouts | |
| Marian Mavrovic | .... | digital compositor | |
| Verena Pohlmann | .... | assistant datacine operator | |
| Angela Reedwisch | .... | visual effects producer | |
| Rainer Schmidt | .... | datacine operator | |
| Jürgen Schopper | .... | visual effects supervisor | |
| Christoph Steeger | .... | modeler | |
| Steven Stueart | .... | scanning supervisor | |
| Christian Zeh | .... | digital compositor | |
Stunts | |||
| Ernst Reimann | .... | stunt coordinator | |
| Randy Wittur | .... | stunts | |
Camera and Electrical Department | |||
| Thomas Balder | .... | second assistant camera | |
| Stefan Biebl | .... | additional camera operator | |
| Moritz Bleibtreu | .... | camera operator: special glasses camera | |
| Holger Fleig | .... | additional assistant camera | |
| Uwe Fuchs | .... | electrician | |
| Udo Heinz | .... | electrician | |
| Ingo Hilden | .... | grip | |
| Wolfram Koch | .... | video technician | |
| Peter Krammer | .... | gaffer | |
| Bernd Mayer | .... | key grip | |
| Ralf M. Mendle | .... | additional camera operator (as Ralf Mendle) | |
| Axel Näther | .... | video technician | |
| Jens Piotrowski | .... | first assistant camera | |
| Roland Scheidt | .... | assistant electrician | |
| Bernd Spauke | .... | still photographer | |
| Dominik Stöcker | .... | additional assistant camera | |
| Jürgen Tomadini | .... | electrician | |
| Tom Trambow | .... | property photographer (uncredited) | |
Casting Department | |||
| Tanja Schwichtenberg | .... | extras casting | |
Costume and Wardrobe Department | |||
| Martina Geddicke | .... | costumer | |
| Ursula Münstermann | .... | assistant costume designer | |
Editorial Department | |||
| Sabine Allerdisse | .... | assistant editor | |
| Katja Birklein | .... | assistant editor | |
| Christa Garmeier | .... | negative cutter (as Christine Garmeier) | |
| Nicholas Goodwin | .... | assistant editor | |
| Traudl Nicholson | .... | color timer | |
Music Department | |||
| Alexander Bubenheim | .... | orchestrator (as Alexander van Bubenheim) | |
| Tommy Eberhardt | .... | musician: drums | |
| Alexandre Frank | .... | music supervisor | |
| Alex Klier | .... | musician: bass | |
| Woepf Lechenmayr | .... | music editor | |
| Woepf Lechenmayr | .... | music scoring mixer | |
| Olaf Mierau | .... | music production supervisor | |
| Georg Naschke | .... | music supervisor (as George Naschke) | |
| Max Rammler-Rogall | .... | musician: trumpet | |
| Max Schaefers | .... | assistant music engineer | |
| Hanno Simons | .... | musician: cello | |
| Günter Strebl | .... | music recordist | |
Transportation Department | |||
| Jochen Behle | .... | driver | |
| Diana Schwieger | .... | driver | |
| Marcel Winterscheidt | .... | driver | |
Other crew | |||
| Regine Baschny | .... | unit publicist | |
| Marika Dornbusch | .... | production accountant | |
| Christl Druxeis | .... | production accountant: Fanes Film (as Christl Druxeis-Chawki) | |
| Friederike Jacob | .... | unit publicist | |
| Otto Kiefer | .... | legal affairs: Typhoon Film | |
| Hermann Koenen | .... | caterer | |
| Christina Kügelgen | .... | unit manager intern | |
| Claudia Lehmann | .... | electronic press kit | |
| Heike Manzke | .... | script supervisor | |
| Frank Meter | .... | location scout | |
| Michael Otto | .... | title designer | |
| Bettina Plasdick | .... | assistant production accountant | |
| Gottfried Reisecker | .... | consultant: film laboratory | |
| Maria Sobecki-Grimm | .... | caterer | |
| Jochen Strate | .... | legal advisor | |
| Ariane Thiede | .... | production coordinator: Fanes Film | |
| Ulrike Thiede | .... | production coordinator | |
| Rolf Thissen | .... | unit publicist | |
| Peter Vit | .... | projectionist | |
| Tristan Vostry | .... | production intern | |
| Oliver Wissmann | .... | production coordinator | |
| Anke Zindler | .... | unit publicist | |
Thanks | |||
| Helmut Dietl | .... | thanks | |
| Stefan Gärtner | .... | thanks | |
| Alfred Holighaus | .... | thanks | |
The Experiment (International: English title) (USA)
Black Box (Germany) (working title)
more
Rated R for strong violence, disturbing situations, language, sexuality and nudity.
Canada:114 min (DVD) | South Korea:109 min (cut version) | Germany:120 min (uncut version)
1.85 : 1 more
Iceland:16 | Ireland:18 | Sweden:15 (DVD rating) | Argentina:18 | Australia:MA | Brazil:18 | Denmark:15 | Finland:K-15 | France:-16 | Germany:16 (w) | Italy:VM14 | Japan:PG-12 | Netherlands:16 | Norway:15 | Peru:18 | Portugal:M/12 | Singapore:R(A) | South Korea:18 (cut) | Spain:18 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:18 | USA:R
Although no one died in the Stanford Prison Experiment on which the movie was based, the experiment was prematurely ended after six days out of a planned two weeks. The college students assigned to be prisoners was "withdrawing and behaving in pathological ways" as a result of the degrading treatment they received. Quite a few scenes in the movie actually happened in the original experiment, including the early fire extinguisher scene and the prisoners being forced to clean the toilets by their bare hands. more
Continuity: After the car crash in the beginning of the film, the right rear of the taxi has been damaged, including the rear light. When Tarek drives Dora to his place, it's just the other way around. more
[first lines]
Tarek Fahd, Häftling Nr. 77:
[voiceover, reading newspaper ad] Test subjects wanted. Earn 4000 marks for a 14-day experiment in a simulated prison.
more
Referenced in "Het glazen huis: Eigen agenda (#1.52)" (2005) more
Wouldn't It Be Nice more
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In Germany, a group of men is invited to participate in an experience promoted by the Army. They would receive DM 4,000.00 for fourteen days performing the roles of guards and prisoners in a prison, under certain predetermined rules and monitored by a team of doctors. A journalist infiltrates in the team looking for a great matter. However, problems happen and the experience looses control, jeopardizing the integrity and the safety of the prisoners.
This movie is amazing: just released on DVD in Brazil, it is certainly one of the best films of the year. Tense, powerful, having a wonderful screenplay and outstanding direction and performances, it is another great example of how the absolute power corrupts. All the cast is magnificent, but I would like to highlight the role and the acting of Justus Von Dohnanyi, as the sadistic Berus. A must-see movie, which will certainly provoke a reaction of the viewer! It is almost impossible not to make a comparison of the situation presented in this film with the abuse and humiliation of the prisoners of Iraq recently showed on TV and newspapers. My vote is ten.
Title (Brazil): 'A Experiência' ('The Experience')