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Joanne Harris (based on the novel by)
Robert Nelson Jacobs (screenplay)
5 January 2001 (USA) more
A comic fable from the director of "The Cider House Rules". more
A woman and her daughter open a chocolate shop in a small French village that shakes up the rigid morality of the community. full summary | add synopsis
Nominated for 5 Oscars. Another 8 wins & 28 nominations more
Extraordinary Measures Trailer Starring Harrison Ford and Brendan Fraser
(From FilmJunk. 12 November 2009, 9:13 AM, PST)
Nicholas Cage: Gangster, Pimp, or Sorcerer?
(From Beyond Hollywood. 11 November 2009, 1:05 AM, PST)
A Sweet Delight! more (459 total)
Directed by | |||
| Lasse Hallström | |||
Writing credits(WGA) | ||
| Joanne Harris | (based on the novel by) | |
| Robert Nelson Jacobs | (screenplay) | |
Produced by | |||
| Alan C. Blomquist | .... | executive producer | |
| David Brown | .... | producer | |
| Mark Cooper | .... | co-producer | |
| Kit Golden | .... | producer | |
| Leslie Holleran | .... | producer | |
| Meryl Poster | .... | executive producer | |
| Michelle Raimo | .... | co-executive producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
Original Music by | |||
| Rachel Portman | (music by) | ||
Cinematography by | |||
| Roger Pratt | (director of photography) | ||
Film Editing by | |||
| Andrew Mondshein | |||
Casting by | |||
| Kerry Barden | |||
| Billy Hopkins | |||
| Suzanne Smith | |||
Production Design by | |||
| David Gropman | |||
Art Direction by | |||
| Lucy Richardson | |||
Set Decoration by | |||
| Stephanie McMillan | (as Stephenie McMillan) | ||
Costume Design by | |||
| Renee Ehrlich Kalfus | (as Renée Ehrlich Kalfus) | ||
Makeup Department | |||
| Helen Barrett | .... | hair and make up artist | |
| Christine Beveridge | .... | hair and make up artist (as Chrissie Beveridge) | |
| Naomi Donne | .... | hair & make-up designer | |
| Sallie Jaye | .... | hair and make up artist | |
| Ray Marston | .... | wigs supplied by (as Ray Marsden) | |
| Peter Owen | .... | wigs supplied by | |
| Toni-Ann Walker | .... | hair: Johnny Depp (as Toni Walker) | |
| Norma Webb | .... | senior hair & make-up artist | |
| Elizabeth Yianni-Georgiou | .... | hair and make up artist (as Lizzie Georgiou) | |
| Patty York | .... | make-up: Johnny Depp | |
Production Management | |||
| Stephen Barker | .... | post-production supervisor: UK | |
| Mark Cooper | .... | unit production manager | |
| Ginette Mejinsky | .... | unit production manager: France | |
| Bob Osher | .... | executive in charge of production | |
| Alicia Sams | .... | post-production supervisor | |
| Georges Barrier-Carron | .... | assistant unit manager (uncredited) | |
Art Department | |||
| David Abbott | .... | carpenter | |
| Simon Alderton | .... | stand-by rigger | |
| Peter Andrews | .... | stagehand | |
| Keith Batterbee | .... | rigger | |
| Steven Bell | .... | metalworker | |
| Roy Biggs | .... | stagehand | |
| Brian Blues | .... | carpenter | |
| Nick Bowen | .... | painter (as Nicholas Bowan) | |
| Mark Brady | .... | stand-by carpenter | |
| Gary Burkhardt | .... | carpenter | |
| John Butler | .... | painter | |
| Darren Caen | .... | carpenter | |
| Noel Campbell | .... | carpenter | |
| Benoît Clémenceau | .... | prop buyer: France (as Benoit Clémenceau) | |
| Stan Cook | .... | property storeman | |
| Thomas Davies | .... | carpenter | |
| Leonard Day | .... | carpenter | |
| Joe Dipple | .... | prop dresser | |
| Gill Ducker | .... | property buyer | |
| Sid Ejjayha | .... | metalworker (as Said Ejjayha) | |
| John Fettus | .... | metalworker (as Joah Fettus) | |
| John Field | .... | supervising rigger | |
| Steve Fitzwater | .... | assistant construction manager (as Steven Fitzwater) | |
| James Foster | .... | stand-by art director | |
| John Frankish | .... | supervising art director | |
| Karl George | .... | carpenter | |
| Matthew Gray | .... | draughtsman (as Matt Gray) | |
| Christine Greaves | .... | home economist | |
| Alan Grenham | .... | stand-by painter | |
| Peter Grove | .... | carpenter | |
| Wayne Hammond | .... | carpenter | |
| Salonge Hartman | .... | greens: France | |
| Darren Hayward | .... | carpenter | |
| Norrie Henderson | .... | metalworker | |
| Terry Higgs | .... | rigger | |
| Michael Howlett | .... | supervising metalworker | |
| Emily Howsam | .... | art department runner | |
| Gary Ixer | .... | stand-by propsman | |
| Richard Jones | .... | carpenter | |
| Paul Lawlor | .... | carpenter | |
| Coralie Lew | .... | art department assistant | |
| Kevin Lloyd | .... | stagehand | |
| Anna-Maria Lund | .... | scenic artist | |
| Mary Luther | .... | home economist | |
| Ged Lyden | .... | carpenter (as Ged Lydeh) | |
| Louise Marzaroli | .... | art director: France | |
| David Mayhew | .... | carpenter | |
| Eddie Murphy | .... | carpenter | |
| John Murray | .... | metalworker | |
| James Newell | .... | painter | |
| Gary Nixon | .... | construction accountant | |
| Eddie O'Neill | .... | stand-by stagehand | |
| Daniel O'Regan | .... | carpenter | |
| Colin Osgood | .... | carpenter | |
| Nick Pearce | .... | painter | |
| Dave Philpott | .... | carpenter (as David Philpot) | |
| Laurent Piron | .... | assistant art director: France | |
| Martin Reed | .... | metalworker | |
| Brian Reilly | .... | supervising painter | |
| Jason Reilly | .... | painter | |
| Malcolm Roberts | .... | construction manager | |
| Shirley Robinson | .... | art department coordinator | |
| Roderick Ross | .... | carpenter | |
| Bernard Ryan | .... | carpenter | |
| Lee Sandales | .... | assistant set decorator | |
| Eddie Sansom | .... | rigger (as Edward Sansom) | |
| Mel Sansom | .... | rigger (as Melvin Sansom) | |
| Nick Sargent | .... | carpenter | |
| Jason Seers | .... | metalworker | |
| Keith Smith | .... | chargehand stagehand | |
| Lee Smith | .... | carpenter | |
| Paul Smith | .... | stagehand | |
| Richard Smith | .... | sculptor | |
| Jim Staines | .... | storyboard artist | |
| Gerry Stewart | .... | carpenter | |
| Laurence Thomas | .... | rigger | |
| Leigh Thurbon | .... | carpenter | |
| Sarah 'Toad' Tozer | .... | draughtsman (as Toad Tozer) | |
| Robert Voysey | .... | supervising plasterer | |
| Peter Wallis | .... | prop dresser | |
| James Warren | .... | painter | |
| Tony Wass | .... | metalworker | |
| Stephen Watts | .... | chargehand plasterer | |
| Graham Weames | .... | supervising carpenter | |
| Barry Wilkinson | .... | property master | |
| Jamie Wilkinson | .... | chargehand dressing props | |
| Simon Wilkinson | .... | chargehand stand-by propsman | |
| Roger Willis | .... | carpenter | |
| Stuart Willis | .... | stagehand | |
| Alec Burnham | .... | assistant art director (uncredited) | |
| Andrew Garnet-Lawson | .... | scenic artist (uncredited) | |
| Saskia Green | .... | art department assistant (uncredited) | |
| Laurent Saimond | .... | props buyer (uncredited) | |
| Dicken Warner | .... | thatcher (uncredited) | |
Special Effects by | |||
| Stuart Brisdon | .... | special effects supervisor | |
| Mark Haddenham | .... | special effects senior technician | |
| Steve Benelisha | .... | special effects crew (uncredited) | |
| James Davis III | .... | special effects technician (uncredited) | |
| Peter Haran | .... | special effects technician (uncredited) | |
| Graham Hills | .... | special effects technician (uncredited) | |
| Lawrence Michael | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Mark Bakowski | .... | digital compositor: Mill Film | |
| Helen Ball | .... | digital compositor: Mill Film | |
| Angus Cameron | .... | digital supervisor: Mill Film | |
| Brenda Coxon | .... | visual effects production accountant: Mill Film | |
| Mathew D'Angibau | .... | visual effects clapper loader: Mill Film (as Matthew d'Angibau) | |
| Sean Danischevsky | .... | digital compositor: Mill Film | |
| John Grant | .... | scan & record: Mill Film | |
| Antony Hunt | .... | visual effects producer: Mill Film | |
| Katherine Lofting | .... | production assistant: Mill Film | |
| Rick Mietkowski | .... | visual effects cameraman: Mill Film | |
| Alice Mitchell | .... | digital compositor: Mill Film | |
| Daniel Pettipher | .... | digital manager: Mill Film (as Dan Pettipher) | |
| David Sewell | .... | digital compositor: Mill Film | |
| Andy Stevens | .... | visual effects focus puller: Mill Film (as Andrew Stevens) | |
| Sally Clayton | .... | digital artist (uncredited) | |
| Neil Harrison | .... | senior systems administrator (uncredited) | |
| Kieron Helsdon | .... | digital artist (uncredited) | |
| Paula Pope | .... | digital coordinator (uncredited) | |
Stunts | |||
| Sarah Franzl | .... | stunt double: Juliette Binoche (uncredited) | |
| Richard Hammatt | .... | stunt coordinator (uncredited) | |
| Mark Lisbon | .... | stunt double: Johnny Depp (uncredited) | |
Casting Department | |||
| Vanessa Baker | .... | casting: loop group | |
| Mark Bennett | .... | casting associate: New York (as Mark Bennet) | |
| Antoinette Boulat | .... | additional casting: France | |
| Marty Cherrix | .... | additional casting: US (as Marty Cherix) | |
| Molly Clayton | .... | casting associate: New York | |
| Deborah Maxwell Dion | .... | casting associate: Los Angeles (as Deborah Maxwell-Dion) | |
| Brendan Donnison | .... | casting: loop group | |
| Amy Hubbard | .... | casting: UK (as Amy Maclean) | |
| John Hubbard | .... | casting: UK | |
| Ros Hubbard | .... | casting: UK | |
| Andreas Meszaros | .... | extras casting director: France | |
Costume and Wardrobe Department | |||
| Jenny Hawkins | .... | costume assistant | |
| Sarah Higbid | .... | costume buyer | |
| Andrew Hunt | .... | costume assistant | |
| Joe Kowalewski | .... | costume assistant | |
| Jane Law | .... | costume maker | |
| Sophie Norinder | .... | costume assistant | |
| John Norster | .... | associate costume designer | |
| Sunita Singh | .... | costume assistant | |
| Clare Spragge | .... | costume supervisor | |
| Patricia Colin | .... | wardrobe mistress (uncredited) | |
| Tangi Crawford | .... | assistant costume designer: USA (uncredited) | |
| Barbara Ohren | .... | costumer (uncredited) | |
| Barbara Ohren | .... | seamstress (uncredited) | |
Editorial Department | |||
| Paul Apted | .... | assistant editor: UK | |
| Victoria Bate | .... | trainee editor: UK | |
| Ian Blume | .... | trainee editor | |
| Jennifer Davidoff Cook | .... | associate editor (as Jennifer A. Davidoff Cook) | |
| Larry Di Stefano | .... | assistant editor: Canada | |
| Linus Hume | .... | post-production assistant | |
| Peter Hunt | .... | grader | |
| Anne O'Brien | .... | first assistant editor | |
| Louise Seymour | .... | post-production assistant: UK | |
| Paul Wagtouicz | .... | apprentice editor | |
Music Department | |||
| Jeff Atmajian | .... | orchestrations | |
| Heather Bownass | .... | co-music supervisor | |
| Nicholas Bucknall | .... | musician: clarinet (as Nick Bucknall) | |
| David Carbonara | .... | music editor | |
| John Carbonara | .... | assistant music editor | |
| Chris Cozens | .... | auricle | |
| Hannah Davies | .... | assistant: Rachel Portman | |
| Chris Dibble | .... | music recordist and mixer | |
| Andrew Findon | .... | musician: ethnic flutes (as Andy Findon) | |
| George Hamer | .... | orchestra contractor | |
| Jan Hendrickse | .... | musician: ethnic flute | |
| Bob Last | .... | music supervisor | |
| Rachel Portman | .... | orchestrations | |
| Rachel Portman | .... | score producer | |
| David Snell | .... | conductor | |
| Randy Spendlove | .... | executive in charge of music | |
| Stephen Coleman | .... | music copyist (uncredited) | |
| Paul S. Henning | .... | assistant orchestrator (uncredited) | |
| Lewis Jones | .... | assistant music mixer (uncredited) | |
| Jo Ann Kane | .... | music copyist (uncredited) | |
| Patrick Russ | .... | orchestrator (uncredited) | |
| Carl Rydlund | .... | orchestrator (uncredited) | |
| Steven L. Smith | .... | music preparation (uncredited) | |
Thanks | |||
| Linda A. Borgeson | .... | special thanks (as Linda Borgeson) | |
| Benoit Caron | .... | special thanks: Commission Nationale du Film France | |
| Sally Carter | .... | special thanks | |
| Stephen Carter | .... | special thanks (as Stephen) | |
| Dana Coyle | .... | special thanks | |
| Hadley Davis | .... | special thanks | |
| Gisèle Dudoit | .... | special thanks | |
| Laura Engel | .... | special thanks | |
| Jane Nerlinger Evans | .... | special thanks (as Jane Evans) | |
| Stuart Ford | .... | special thanks | |
| Simon Fowler | .... | special thanks: The Fonthill Estate | |
| Trevor Gilling | .... | special thanks | |
| Fabrice Gillotte | .... | special thanks | |
| John Hadity | .... | special thanks | |
| Kevin Hyman | .... | special thanks | |
| Hilary Nelson Jacobs | .... | special thanks | |
| Tracey Jacobs | .... | special thanks | |
| Susan Klee | .... | special thanks | |
| Gail Laurent | .... | special thanks: Commission du Film de Bourgogne | |
| Jack Lechner | .... | special thanks | |
| Thomas J. Mangan IV | .... | special thanks (as Tom Mangan) | |
| Mark McBride | .... | special thanks | |
| Morag McKay | .... | special thanks | |
| Lisa Mihaly | .... | special thanks | |
| Alistair Morrison | .... | special thanks: The Fonthill Estate | |
| Cameron Murdoch | .... | special thanks | |
| Claire Oberlander | .... | special thanks | |
| Jenny O'Grady | .... | special thanks | |
| Michele Platt | .... | special thanks | |
| Mike Roberts | .... | in memory of | |
| Marc Rosenblum | .... | special thanks: Commission Nationale du Film France | |
| Eric Roth | .... | special thanks | |
| Irena Salina | .... | special thanks | |
| Eric Shonz | .... | special thanks | |
| Michael Tovey | .... | special thanks | |
| Caroline Weeks | .... | special thanks (as Caroline) | |
| John Weeks | .... | special thanks | |
| Andrea Wertheim | .... | special thanks | |
| Frank Wuliger | .... | special thanks | |
Rated PG-13 for a scene of sensuality and some violence.
121 min
Color (Technicolor)
1.85 : 1 more
DTS | Dolby Digital | SDDS
USA:PG-13 (Certificate No. 37889) | Iceland:L | Malaysia:U | South Korea:12 | USA:TV-MA (TV rating) | Argentina:13 | Australia:M | Canada:PG (Canadian Home Video rating) | Chile:14 | Denmark:A | Finland:K-11 | France:U | Germany:6 | Hong Kong:IIA | Netherlands:12 | New Zealand:M | Norway:11 | Peru:14 | Portugal:M/12 | Singapore:M18 | Spain:T | Sweden:7 | UK:12
In the scene where Pere Henri is dancing, Alfred Molina was originally supposed to walk down the steps and see him. However, because he actually had a hurt toe, he just stood there instead of walking down the steps. more
Continuity: When Roux offers Anouk a gift from the bucket, his hand alternates between being over and then under the handle. more
[first lines]
Storyteller:
Once upon a time, there was a quiet little village in the French countryside, whose people believed in Tranquilité - Tranquility. If you lived in this village, you understood what was expected of you. You knew your place in the scheme of things. And if you happened to forget...
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V'La Le Bon Vent more
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| The Song of Bernadette | Ratatouille | Como agua para chocolate | Before Sunrise | Charlie and the Chocolate Factory |
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A film to awaken the senses and stimulate the sweet tooth, `Chocolat,' directed by Lasse Hallstrom and starring Juliette Binoche. is both a sensuous and sensational delight. In the mid 50s, as if borne on the winds of fate, a somewhat mysterious woman arrives in a small town in France, with a young daughter, Anouk (Victoire Thivisol) in tow and a special talent that soon has the townsfolk in quite a stir. Binoche is Vianne Rocher, a woman who uses her exotic recipe for chocolate to unlock the repressed sensibilities of the predominately Catholic citizenry, heretofore kept under the rigid and righteous thumb of the Mayor, Comte de Reynaud (Alfred Molina), with no respite or help, even from the town's young and inexperienced priest, Pere Henri (Hugh O'Conor). And because Vianne has the audacity to open her chocolate shop during Lent, when of course her sumptuous treats are forbidden, she quickly runs afoul of the Mayor and a battle of wills between the two ensues. Her chocolates are irresistible, but the Mayor has tradition and religion on his side, and it puts the free-spirited Vianne-- who has something of the gypsy in her-- to the test. As a director, Hallstrom has just the right touch that brings out the best this story has to offer, which is to say, quite a bit. It's an affecting and funny movie that will touch you emotionally as it involves you with the characters; Hallstrom knows what buttons to push and when, and it works splendidly. There's a touch of mystery surrounding Vianne that underscores the sensitivity of the story, and Hallstrom never allows it to become maudlin, which successfully maintains the integrity of the drama. And there are moments throughout the film that evoke an almost dream-like sense of pacification that draw you in as you indulge in the mouth watering visual pleasures of the chocolate. Be forewarned, though, it's a tough one for diabetics to watch. What Hallstrom also has going for him in this one is an absolutely exquisite cast, many of whom give Oscar worthy, memorable performances, beginning with the superb Juliette Binoche. There's an earthy, enigmatic and classic sense of beauty about her that make her presence on screen captivating; she's simply a joy to behold. Judi Dench (Amande), meanwhile, does a terrific character turn as a mother whose daughter, Caroline (Carrie-Anne Moss), deems her an embarrassment and a bad influence on her son, Luc (Aurelien Parent-Koening), and Lena Olin (Josephine) is outstanding as well, as an unhappy woman who finds hope in Vianne's undaunted spirit. Three extraordinary performances from gifted actresses that should be recognized with Oscar nominations. And Molina, too, as the narrow minded Comte, gives possibly the best performance of his career, while Johnny Depp (Roux) lends some charm as the leader of a roving community of river people. Rounding out the supporting cast are John Wood (Guillaume), Peter Stormare (Serge) and Leslie Caron (Madame Audel). Possibly the `sweetest' film of the year, as well as one of the best, `Chocolat' is a visual and emotional triumph that will warm your heart and make your taste buds salivate, with a story and characters as rich and satisfying as the candy they embrace. It's a film with a human touch whose images and sensitivity will remain with you long after the screen has gone dark; an uplifting, entertaining movie that proves that the answers to the mysteries of life just may be found in that box of chocolates, after all. I rate this one 10/10.