Fail Safe (2000) (TV)

Director:

Stephen Frears

Writers (WGA):

Eugene Burdick (novel) and
Harvey Wheeler (novel) ...

Release Date:

9 April 2000 (USA)

Genre:

Drama | Thriller

Plot:

Cold War tensions climb to a fever pitch when a U.S. bomber is accidentally ordered to drop a nuclear warhead on Moscow. |

Plot Keywords:

Cold War | Nuclear Holocaust | Live Broadcast | Doomsday | Nuclear Threat

Awards:

Nominated for Golden Globe. Another 3 wins & 6 nominations

Cast

Walter Cronkite	...	Himself - Host
Richard Dreyfuss	...	President
Noah Wyle	...	Buck
Brian Dennehy	...	Gen. Bogan
Sam Elliott	...	Congressman Raskob
James Cromwell	...	Gordon Knapp
John Diehl	...	Col. Cascio
Hank Azaria	...	Prof. Groeteschele
Norman Lloyd	...	Defense Secretary Swenson
Bill Smitrovich	...	Gen. Stark (as William Smitrovich)
Don Cheadle	...	Lt. Jimmy Pierce
George Clooney	...	Col. Jack Grady
Harvey Keitel	...	Brig. Gen. Warren Black
Doris Belack	...	Mrs. Johnson
Grant Heslov	...	Jimmy

Runtime:

86 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.78 : 1

Sound Mix:

Stereo

Certification:

UK:PG | Iceland:12 | Singapore:PG | Canada:G (TV rating) | Germany:12 | Netherlands:AL | Spain:13 | Finland:K-10

Filming Locations:

Los Angeles, California, USA

Company:

Maysville Pictures

Trivia:

The first feature-length fictional show broadcast live on CBS in 39 years.

Goofs:

Revealing mistakes: When Buck begins translating, he begins speaking *immediately* upon hearing the Soviet premier speak, betraying the fact that he's just reciting lines in a script. A real translator would need to listen to most of the first sentence before speaking, especially with languages that place the verb at or near the end of the sentence, as most languages other than English do.

Quotes:

Tommy Grady, Col. Grady's Son: Dad! How long is this one gonna be?
Col. Jack Grady, Command Pilot Group 6: Shouldn't be too late.
Tommy Grady, Col. Grady's Son: Are you sure?
Col. Jack Grady, Command Pilot Group 6: I'm positive.
Tommy Grady, Col. Grady's Son: Only fools are positive.
Col. Jack Grady, Command Pilot Group 6: Are you sure?
Tommy Grady, Col. Grady's Son: I'm positive.

Movie Connections:

Featured in The Man Who Shot Chinatown: The Life and Work of John A. Alonzo (2007)

Worthy of a re-broadcast, or a 2nd look if you taped it

This was something I was fascinated to see since I had first heard about it: a live broadcast in real time of an already produced story (twice, if you count _Dr. Strangelove..._) in Black & White, on National TV, using old-style equipment & lighting restrictions, with an absolute stellar cast. Woah! And it works. I was, in a way, looking for mistakes or wrong steps from the actors and crew who are used to being able to go back & do it a second time, but there were so few that it makes no point in listing them. Generally everyone gives what is needed to the effort, and the dedication of the cast to the text is obvious to even the untrained observer in the audience. The story is paramount, and the only thing that suffers in this adaptation is the lack of tension and complexity of some of the characters' sub-plots -- but I may be remembering the original novel which includes all the back-stories for everyone, and the original movie has more tension because that was done in the time of the Cold War Insanity so it is infused with the immediacy of disaster being constantly present, and that's not something you can put into two hours of TV done in the year 2000. Darn fine camera work, direction, acting, and lighting. All of it gives the feel of a Playhouse 90, or Hallmark Hall of Fame, or any of the other 'great TV Drama' shows of the late 50's and early 60's. The only thing that could make it more evocative would be to put that weird hi-contrast halo around the image, but that would get in the way of the great camera work, and wouldn't fit with the wide-screen letterbox of the frame. Even if it hadn't have been done live, it would have been an amazing piece of work, but as it is, it's even more stunning to realize that all of those fine actors were truly 'in the moment' at the same time, and everyone made the same movie for the same two intense hours. This really needs to be re-broadcast, and win Emmies, and be hailed as a return to Acting and Quality on television. MOW's *can* be quality, if you put this kind of effort into them. Watch this to see how.