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Alejandro Amenábar (written by)
10 August 2001 (USA) more
Sooner or later she'll see them, then everything will be different. more
A woman who lives in a darkened old house with her two photosensitive children becomes convinced that her family home is haunted. full summary | full synopsis
Nominated for Golden Globe. Another 22 wins & 36 nominations more
Exclusive Interview: Chris Weitz (New Moon Director) - Part I
(From PopStar. 12 November 2009, 11:44 PM, PST)
Fox Searchlight in Talks for Black Swan
(From MovieWeb. 9 November 2009, 6:08 PM, PST)
Perfect.... a master at work more (1041 total)
| Nicole Kidman | ... | Grace Stewart | |
| Fionnula Flanagan | ... | Mrs. Bertha Mills | |
| Christopher Eccleston | ... | Charles Stewart | |
| Alakina Mann | ... | Anne Stewart | |
| James Bentley | ... | Nicholas Stewart | |
| Eric Sykes | ... | Mr. Edmund Tuttle | |
| Elaine Cassidy | ... | Lydia | |
| Renée Asherson | ... | Old Lady | |
| Gordon Reid | ... | Assistant | |
| Keith Allen | ... | Mr. Marlish | |
| Michelle Fairley | ... | Mrs. Marlish | |
| Alexander Vince | ... | Victor Marlish | |
| Ricardo López | ... | Second Assistant | |
| Aldo Grilo | ... | Gardener |
Directed by | |||
| Alejandro Amenábar | |||
Writing credits | ||
| Alejandro Amenábar | (written by) | |
Original Music by | |||
| Alejandro Amenábar | |||
Cinematography by | |||
| Javier Aguirresarobe | |||
Film Editing by | |||
| Nacho Ruiz Capillas | |||
Casting by | |||
| Shaheen Baig | |||
| Jina Jay | |||
Production Design by | |||
| Benjamín Fernández | |||
Art Direction by | |||
| Benjamín Fernández | (uncredited) | ||
Set Decoration by | |||
| Emilio Ardura | |||
| Elli Griff | |||
| Benjamín Fernández | (uncredited) | ||
Costume Design by | |||
| Sonia Grande | |||
Makeup Department | |||
| Montse Boqueras | .... | makeup assistant (as Montserrat Boqueras) | |
| Mara Collazo | .... | makeup assistant | |
| Ana López Puigcerver | .... | makeup artist (as Ana López-Puigcerver) | |
| Belén López Puigcerver | .... | hair stylist (as Belén López-Puigcerver) | |
| Robert McCann | .... | makeup design and concept: Ms. Kidman | |
| Peter Owen | .... | wigs design and concept: Ms. Kidman | |
| Teresa Rabal | .... | hair stylist | |
| Kerry Warn | .... | hairdresser design and concept: Ms. Kidman | |
Production Management | |||
| José Antonio García Tapia | .... | unit manager | |
Art Department | |||
| Gonzalo Anso | .... | stand-by props | |
| Ángel Balaguer | .... | master plasterer | |
| Salvador Comes | .... | stand-by painter | |
| Pedro Jesús De la Fuente | .... | construction buyer (as Pedro De La Fuente) | |
| José G. Donado | .... | master painter (as José García Donado) | |
| Steve Ellis | .... | illustrator: main titles | |
| Alejandro Fernández | .... | draftsman | |
| José Alberto Fernández | .... | prop runner: Santander | |
| Rubén Fernández | .... | prop runner: Santander | |
| Carlos Gil | .... | stand-by props | |
| Alfonso Guitiérrez | .... | prop runner: Santander | |
| Catalina Madurga | .... | art trainee | |
| Julián Martín | .... | scenic artist | |
| Natalia Montes | .... | storyboard artist | |
| Ramón Moya | .... | construction manager | |
| José Luis Navarro | .... | stand-by carpenter | |
| Blas Antonio Padilla | .... | stand-by props | |
| Sergio Pérez | .... | prop runner: Santander | |
| Clemente Rivas | .... | stand-by props | |
| Sergio Rozas | .... | storyboard artist | |
| Antonio Sánchez | .... | master carpenter | |
| Germán Segovia | .... | prop runner: Santander | |
| Enrique Vázquez | .... | prop buyer | |
| Juan Ignacio Viñuales | .... | stand-by props | |
Sound Department | |||
| John Bailey | .... | assistant sound engineer | |
| Chris Barrett | .... | assistant sound engineer (as Chris Barret) | |
| John Bateman | .... | adr recordist | |
| Les Brock | .... | stereo sound consultant: SDDS | |
| Sergio Bürmann | .... | boom operator (as Sergio Burmann) | |
| Tim Cavagin | .... | sound re-recording mixer | |
| Carlos Culebras | .... | boom operator | |
| Guillaume Delamare | .... | foley recordist | |
| Isabel Díaz Cassou | .... | sound designer | |
| Rod Duggan | .... | stereo sound consultant: DTS | |
| Álex F. Capilla | .... | assistant sound editor (as Alejandro Fernández Capilla) | |
| Geoff Foster | .... | sound engineer | |
| Carlos Lidón | .... | cable person | |
| Julien Naudin | .... | foley artist | |
| Alfonso Raposo | .... | adr recordist (as Sito Raposo) | |
| Maite Rivera | .... | sound editor | |
| James Seddon | .... | stereo sound consultant: Dolby | |
| Steve Single | .... | sound re-recording mixer | |
| María Steinberg | .... | assistant sound editor | |
| Ricardo Steinberg | .... | sound | |
| Robert Thompson | .... | adr recordist | |
Visual Effects by | |||
| Nike Alonso | .... | special effects digital production: Daiquiri | |
| Rosa Ángel | .... | digital compositor: Daiquiri | |
| John Benn | .... | scanning and recording editorial: Cinesite (as Jon Benn) | |
| Félix Bergés | .... | visual effects supervisor | |
| Juanjo Carretero | .... | scanning and recording: Telson | |
| Ana Cortés | .... | digital compositor: Daiquiri | |
| Carmen Díaz | .... | 3D computer animator: Daiquiri | |
| Eduardo Díaz | .... | digital compositor: Daiquiri | |
| Daniel Fernández | .... | 3D computer animator: Daiquiri | |
| David L. Guaita | .... | digital compositor: Daiquiri | |
| Simon Hughes | .... | scanning and recording supervisor: Cinesite | |
| Antonio Lado | .... | 3D computer animator: Daiquiri | |
| Iván López | .... | digital matte painter: Daiquiri | |
| Carlos Martínez | .... | optical effects: Story Film | |
| Gregorio Molina | .... | digital matte painter: Daiquiri | |
| Gonzalo Moure | .... | digital compositor: Daiquiri | |
| Ana Nuñez | .... | optical effects: Story Film | |
| Pablo Núñez | .... | optical effects: Story Film | |
| Antonio Ojeda | .... | optical effects: Story Film | |
| Guillermo Orbe | .... | digital compositor: Daiquiri | |
| Stuart Pearson | .... | head scanning and recording: Cinesite | |
| Magoga Piñas | .... | 3D computer animator: Daiquiri | |
| Rafa Solorzano | .... | compositing supervisor: Daiquiri | |
| Susana Suárez | .... | special effects digital production: Daiquiri | |
| Carlos Trijueque | .... | digital compositor: Daiquiri | |
| Dan Ashton | .... | scanning and recording (uncredited) | |
| Úrsula García | .... | visual effects coordinator: pre-production (uncredited) | |
| Todd Hemsley | .... | compositor (uncredited) | |
| Lorraine Johnson | .... | scanning: Cinesite (uncredited) | |
| Simon Johnson | .... | scanning: Cinesite (uncredited) | |
| Raphaël Kourilsky | .... | digital compositor (uncredited) | |
Stunts | |||
| Juan Benito Cuevas | .... | assistant stunt coordinator | |
| Sonia Gonzalo | .... | stunts | |
| Miguel Pedregosa | .... | stunt coordinator | |
| Esther Ramos | .... | stunts | |
Camera and Electrical Department | |||
| Arturo Aldegune | .... | Steadicam operator (as Arturo Aldegunde) | |
| Enrique Bello | .... | gaffer | |
| Stanley B. Burns | .... | still photographer: post mortem original (as Stanley B. Burns, M.D.) | |
| Juan de Andrés | .... | clapper loader: second unit (as Juan De Andrés) | |
| Gustavo de la Fuente | .... | clapper loader (as Gustavo De La Fuente) | |
| Antonio Fernández Santamaría | .... | grip (as Antonio Fdez Santamaría) | |
| Carlos García | .... | electrician | |
| Rafael García Martos | .... | gaffer (as Rafael Martos) | |
| Salvador Gómez Calle | .... | focus puller: second unit (as Salvador Gómez) | |
| José Luis González | .... | key grip | |
| José Luis González Jr. | .... | grip | |
| Ángel Granell | .... | electrician | |
| Teresa Isasi | .... | still photographer: post mortem new | |
| Julio Madurga | .... | camera operator | |
| Eugenio Martínez | .... | electrician | |
| José Luis Molero | .... | electrician | |
| Manuel Outomuro | .... | still photographer: special promotional | |
| Ramiro Sabell | .... | focus puller | |
| Alberto Sánchez Beltrán | .... | electrician (as Alberto Sánchez) | |
Casting Department | |||
| Camilla Evans | .... | casting assistant: Jina Jay Casting | |
| Immaculada Iglesias | .... | casting: Santander stand-ins | |
Costume and Wardrobe Department | |||
| Claudia Adriazola | .... | seamstress | |
| Ana Cuerda | .... | wardrobe assistant | |
| Paco Delgado | .... | wardrobe assistant | |
| Eva Salas | .... | seamstress | |
Editorial Department | |||
| María José Almela | .... | assistant editor (as Mª José Almela) | |
| Maite Bermúdez | .... | post-production assistant | |
| Alfonso Berrocal | .... | second assistant editor | |
| Yolanda Cáceres | .... | color timer | |
| Felisa Catalinas | .... | negative cutter | |
| Manuela Díaz | .... | post-production: Sogecine | |
| Eladio Fernández | .... | post-production: Sogecine | |
| Marian Fernández | .... | post-production assistant | |
| Ángela Iglesias | .... | second assistant editor | |
| David López-Puigcerver | .... | post-production assistant | |
| Carmen Mesa | .... | negative cutter | |
| Javier Navasques | .... | second assistant editor | |
| Isabel Ranz | .... | second assistant editor | |
| Manuel Salgueiro | .... | telecine operator | |
| Carolina Martínez Urbina | .... | assistant editor (uncredited) | |
Music Department | |||
| Alejandro Amenábar | .... | orchestrator | |
| Xavier Capellas | .... | orchestrator | |
| Lucio Godoy | .... | music producer | |
| Lucio Godoy | .... | orchestrator | |
| Claudio Ianni | .... | conductor: The London Session Orchestra | |
| Claudio Ianni | .... | orchestrator | |
| Jean-Marc Luisada | .... | musician: "Vals Opus 69 No.1 {Op. Posth.}" | |
| Randy Spendlove | .... | music executive: Dimension Films | |
| Gavyn Wright | .... | concert master: The London Session Orchestra | |
Other crew | |||
| Svetlana Albitskaia | .... | double: Ms. Kidman | |
| Svetlana Albitskaia | .... | stand-in | |
| Pablo Alfaro | .... | financial director | |
| Claire Amondaray | .... | production trainee | |
| Julie Austin | .... | drama coach: children | |
| Miguel Balanzategui | .... | video link | |
| Irene Ballesteros | .... | stand-in | |
| Susan Ball | .... | chaperone | |
| Beatriz Bodegas | .... | legal department: Sogecine | |
| Felicia Bushman | .... | assistant: Ms. Kidman | |
| José Ramón De La Isla | .... | stand-in | |
| Carlos Del Hoyo | .... | press and public relations | |
| Sophie De Mac Mahon | .... | production: Sogecine | |
| Javier de Oleza | .... | accountant: Sogecine (as Javier Oleza) | |
| Javier de Oleza | .... | administration staff: Sogecine (as Javier Oleza) | |
| Luis Dorado | .... | press and public relations | |
| Elizabeth Every | .... | chaperone | |
| Elizabeth Every | .... | tutor | |
| Paula Farias | .... | unit doctor | |
| Daya Fernandez | .... | press and public relations (as Daya Fernández) | |
| Marian Fernández | .... | production assistant | |
| Montserrat Fernández | .... | stand-in | |
| Sandra Frieze | .... | dialogue coach | |
| Luis Fernando Garrido | .... | stand-in | |
| Brian Gibbs | .... | production accountant | |
| Antonio Giménez | .... | marketing: Sogecine | |
| Montserrat González | .... | legal department: Sogecine | |
| Flora Herránz | .... | press and public relations | |
| Didi Hopkins | .... | drama coach: children | |
| Rafael Hostelería | .... | caterer | |
| Gracy Hunter | .... | press and public relations | |
| Alejandro Jiménez | .... | stand-in | |
| Javier Leal | .... | manager: laboratory | |
| Walter Leonard | .... | translator | |
| Ángeles López | .... | legal department: Sogecine | |
| Sol López | .... | assistant: Mr. Bovaira | |
| Gaynor Victoria Mann | .... | chaperone | |
| Javier Martín | .... | accountant: Sogecine | |
| Javier Martín | .... | administration staff: Sogecine | |
| Luis Martín | .... | accountant: Sogecine | |
| Luis Martín | .... | administration staff: Sogecine | |
| Gloria Menchacatorre | .... | public relations assistant | |
| Laura Muñoz-Rojas | .... | craft service | |
| Eva Muslera | .... | controller | |
| Trilby Norton | .... | production coordinator | |
| Juan Pando | .... | consultant: historical | |
| J. Ethan Park | .... | production: Maxmedia | |
| Matt Pascale | .... | production: Maxmedia | |
| Maite Payero | .... | secretary: Las Producciones del Escorpión | |
| Juan Luis Pedrero | .... | assistant accountant | |
| Guillermo Peña | .... | manager: laboratory | |
| Luis Pérez Dávila | .... | security coordinator | |
| Juana Ramos | .... | accountant: Sogecine | |
| Juana Ramos | .... | administration staff: Sogecine | |
| Orly Ravid | .... | production: Maxmedia | |
| Luis Revuelta | .... | stand-in | |
| Nuria Rodríguez | .... | unit doctor | |
| Nicholas Roe | .... | assistant: Ms. Wagner (as Nick Roe) | |
| Verónica Roldán | .... | production: Sogecine | |
| Cecilia Rubio | .... | legal department: Sogecine | |
| Andrea Ruiz | .... | stand-in | |
| Jennifer Sánchez | .... | stand-in | |
| Francisco Sanchez Ortiz | .... | marketing: Sogecine (as Francisco Sanchez) | |
| Jonathan Sanger | .... | production consultant | |
| Charo Santamaría | .... | accountant: Sogecine | |
| Charo Santamaría | .... | administration staff: Sogecine | |
| Germán Sela | .... | marketing: Sogecine | |
| Michael Soppelsa | .... | security supervisor | |
| Carmen Soriano | .... | script supervisor | |
| Sandra Sousa | .... | stand-in | |
| Daniel M. Villalba | .... | production runner | |
| Jeffrey Winter | .... | assistant: Ms. Park | |
| Jeffrey Winter | .... | production: Maxmedia | |
| Pablo Zorilla | .... | production trainee | |
| David Greenbaum | .... | executive assistant: Harvey Weinstein (uncredited) | |
| Christopher Hanada | .... | assistant: Ms. Wagner (uncredited) | |
| Garson Yu | .... | title designer (uncredited) | |
Thanks | |||
| Antonio Buenaga | .... | special thanks | |
| Vicki Cherkas | .... | special thanks | |
| Michael Doven | .... | special thanks | |
| Laurent Dupreche | .... | special thanks | |
| Geoffrey Gilmore | .... | special thanks | |
| Diego González-Longoria | .... | special thanks | |
| Michèle Grignon | .... | special thanks | |
| Elaine Haggis | .... | special thanks: Bow Street Magistrates | |
| Pat Kingsley | .... | special thanks | |
| Elliot Kleinberg | .... | special thanks | |
| Ken Kleinberg | .... | special thanks | |
| Rick Nicita | .... | special thanks | |
| Emanuel Nunez | .... | special thanks | |
| Catherine Olim | .... | special thanks | |
| Carmen Prieto | .... | special thanks | |
| Joaquín Samperio | .... | special thanks | |
| Robert Seidenberg | .... | special thanks | |
| Linda Smith | .... | special thanks: Bow Street Magistrates | |
| Greg Trattner | .... | special thanks | |
| Kurt Woolner | .... | special thanks | |
Les autres (France)
Los otros (Spain)
The Darkness (USA) (working title)
more
Rated PG-13 for thematic elements and frightening moments.
101 min | Finland:104 min | USA:104 min
1.78 : 1 more
DTS | Dolby Digital | SDDS
Malaysia:U | Canada:G (Quebec) | USA:PG-13 (certificate number not assigned) | Japan:U | Argentina:13 | Australia:M | Brazil:12 | Canada:PG | Chile:TE | Finland:K-15 | France:-12 | Germany:12 | Hong Kong:IIB | Iceland:12 | Ireland:15 | Netherlands:12 | New Zealand:M | Norway:15 | Peru:14 | Philippines:PG-13 | Portugal:M/16 (DVD rating) | Singapore:PG | South Korea:All | Spain:13 | Sweden:15 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | Switzerland:14 (canton of the Grisons) | UK:12
The basis for this movie in an episode of the British series "Armchair Theatre" called "The Others" made in 1970 and remade as a movie called "Voices" in 1972. This version is more elaborate but the story is the same. more
Continuity: Grace is teaching the children and tells them that they must study separately from their readers. Anne leaves to go into the music room and the door is locked but the camera stays with Nicholas in his room. He begins to read from his reader and the camera dollies around behind Nicholas and on the table you can see Anne's reader. In the next shot, Anne is in the music room with her reader. more
[first lines]
Grace:
Now children, are you sitting comfortably? Then I'll begin... This story started many thousands of years ago, and it was all over in just 7 days. All that long long time ago, none of the things we can see now, the sun, the moon, the stars, the earth, the animals and plants, not a single one existed. Only God existed. And so only he could have created them. And he did.
more
Featured in The 100 Greatest Scary Moments (2003) (TV) more
Vals Opus 69 No.1 (Op. Posth.) more
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| Stir of Echoes | Dead Silence | The Innocents | Kaidan | The Haunting |
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Alejandro Amenábar is a very young and talented director, born in Chile and raised in Spain. He revolutionized Spanish cinema when he arrived on the scene with Thesis, at only 24 years of age. The came Abre los ojos, a very powerful second film that immediately put him aside some of the leading directors there, like Pedro Almodóvar, Carlos Saura, or Fernando Trueba. The others is only his third film and you can now see a hint of who may become one of the best around in a couple of years (he's only 29).
The best comparison I can make of this film is to a piece of clockwork. Precise, exact, nothing is gratuitous or excessive.... What a subtle charm this film works on you as a spectator. The screenplay is one of the best of this genre I have seen in the last few years, very carefully revised and misleading, yet at the end everything makes perfect sense, not the mention on the second time you watch it.
It is true that many of the film's features and details may be traced to classic films of the genre, but there is nothing wrong with that. The director himself said it was an homage to directors like Alfred Hitchcock (to whom he has been compared somewhat prematurely.... he may reach such height but he still has a long road to walk). That is one of the great things about the film; it takes the best of the genre, the best that has been made by the best directors... it's a film lover's delight.
I had never thought Nicole Kidman could have been at the height of the project, as I really have never considered her a great actress. All I can say is I am still dumbfounded by her extraordinary performance... really, a large percentage of the film's success can be related to her. Sober and discreet when needed, yet grand all the same... It does remind some of the most elegant names of classic Hollywood cinema like the Bette Davis of All about Eve or the Katharine Hepburn of The African queen. But it would be really selfish to give her all the credit when she was supported by an extraordinary cast. Fionnula Flanagan (the sweet old lady from Waking Ned Devine) is trully magnificent as the governess, Mrs. Mills, and very surprising performances of a mute and an old gardener are given by Elaine Cassidy and Eric Sykes. The children (Alakina Mann and James Bentley) are also fantastic.
Finally, I cannot but mention the crew of the film. It is even a more fantastic job when you consider that the film (many people don't realize this) is chiefly a Spanish production. The production design by Benjamín Fernández and specially the cinematography by Javier Aguirresarobe are extraordinary. Just as in the best painting of figures like Goya or Rembrandt, light and shadow reveal the objects and the people.
I do not hesitate to say that this is really one of the best films of the year 2001. I am still waiting to watch Le fabuleux destin d'Amélie Poulain, La stanza del figlio, The shipping news, The hours and Italiensk for begyndere, but I know it will remain amongst those at the top. A 10/10 is really fair for a film that has it all, a perfect machinery that arrives at a time when we seriously need intelligent films and not blockbuster deceptions. I can only say I hope its director won't jump to Hollywood in search of big-time projects that waste his potential.
It is a film to feast on.. to savour, to enjoy, to remember....