Directed by
Joel Bender |
Writing Credits
Patrick Nash | ... | (screenplay) |
Cast (in credits order)
Produced by
Patrick Dillon | ... | associate producer (as Patrick David Dillon) |
Mike Edwards | ... | associate producer |
Sally Faile | ... | producer |
Music by
Harry Manfredini |
Cinematography by
Oliver Wood |
Editing by
Daniel Loewenthal |
Casting By
Deborah Hutchison | ... | (as Deborah Rosen) |
Art Direction by
Stephen Finkin |
Makeup Department
Lorraine Altamura | ... | makeup artist |
Loa Filiaga | ... | makeup artist: Ruth Warrick |
Larry Pennington | ... | special effects makeup |
Production Management
Mark Silverman | ... | executive in charge of production / production manager |
Second Unit Director or Assistant Director
Mary A. Kelly | ... | second assistant director |
Deborah Reinisch | ... | assistant director |
Art Department
Tommy Allen | ... | special effects props (as Tom Allen) |
Randele Beecher | ... | property master |
Marc Campbell | ... | property assistant |
Sandy Hamilton | ... | special effects props |
Sound Department
Emily Dillon Berry | ... | sound editor (as Emily Dillon) |
Michel Carton | ... | re-recording mixer |
Ron Harris | ... | location sound mixer |
Joe Judd | ... | boom operator |
Skip Lievsay | ... | sound effects consultant (as John 'Skip' Lievsay) |
Fred Szymanski | ... | synthesized effects |
Angela Tiseo | ... | assistant sound editor |
Visual Effects by
Sam Nicholson | ... | director of special effects |
Stunts
Rick Barker | ... | stunt coordinator |
Doug Coleman | ... | stunt double: Al Lyons (as Douglas Coleman) |
David Gardiner | ... | stunt double: Jason |
Rick Seaman | ... | stunt double: Al Lyons |
Camera and Electrical Department
Robert Chappell | ... | gaffer |
Paul Cheesman | ... | second assistant camera |
David M. Dunlap | ... | first assistant camera |
Rhett E. Fernsten | ... | second grip (as Rhett Fernsten) |
Greig Grover | ... | key grip (as Gregory Grover) |
Hall Hutchison | ... | location still photographer |
Bruce Mermelstein | ... | first assistant camera: New York City |
James Miller | ... | third grip |
H. Chris Sorensen | ... | best boy (as Chris Sorensen) |
Michael Strype | ... | third electric |
Costume and Wardrobe Department
Kathy McClellan | ... | wardrobe designer (as Catherine McClellan) |
Yvonne Peterson | ... | wardrobe assistant |
Editorial Department
Emily Dillon Berry | ... | first assistant editor (as Emily Dillon) |
Robert Riedener | ... | dailies supervisor |
Angelo Russo | ... | color grader |
Nancy C. Saunders | ... | assistant editor |
Ron Vitello | ... | negative matcher |
Location Management
George White | ... | locations: Moab, Utah |
Script and Continuity Department
Martha Mitchell | ... | script supervisor |
Additional Crew
Bruce Anderson | ... | production assistant |
Barbara Atkins | ... | production assistant |
Lyndal Cole | ... | production accountant |
Kevin Dowd | ... | production assistant |
J. Greg Evans | ... | production assistant |
Julie Fife | ... | production assistant |
Jose Gallardo | ... | main title design (as Jose V. Gallardo) |
Jane Harris | ... | assistant to producer / production coordinator |
Peggy McLain | ... | production office coordinator |
Matt Merritt | ... | production assistant (as J. Matt Merritt) |
John Michael Miller | ... | production assistant |
David Timothy | ... | production assistant |
Lynne Van Dam | ... | production assistant |
Janene Weddle | ... | production assistant |
Thanks
Jill Hixson | ... | special thanks |
Doug Miller | ... | special thanks: news director, KSL Radio, Salt Lake City |