Code inconnu: Récit incomplet de divers voyages (2000)

Director:

Michael Haneke

Writer:

Michael Haneke (writer)

Release Date:

15 November 2000 (France)

Genre:

Drama

Tagline:

Love has a language all its own

Plot:

Jean, a farm lad, wants to escape his silent father; he runs to Paris to his older brother, Georges...

Plot Keywords:

Beggar | Play | Farm | Police | Gypsy

Awards:

1 win & 2 nominations

Cast

Juliette Binoche	...	Anne Laurent
Thierry Neuvic	...	Georges
Josef Bierbichler	...	The Farmer (as Sepp Bierbichler)
Alexandre Hamidi	...	Jean
Maimouna Hélène Diarra	...	Aminate
Ona Lu Yenke	...	Amadou
Djibril Kouyaté	...	The Father
Luminita Gheorghiu	...	Maria
Crenguta Hariton	...	Irina (as Crenguta Hariton Stoica)
Bob Nicolescu	...	Dragos
Bruno Todeschini	...	Pierre
Paulus Manker	...	Perrin
Didier Flamand	...	The Director
Walid Afkir	...	The Young Arab (as Walide Afkir)
Maurice Bénichou	...	The Old Arab

Also Known As:

Cod Necunoscut (Romania)
Code - Unbekannt (Germany)
Code Unknown (Canada: English title)
Code Unknown: Incomplete Tales of Several Journeys (International: English title)
Code inconnu (France) (short title)
Projet inconnu (France) (working title)

Runtime:

France:118 min | Netherlands:117 min

Country:

France | Germany | Romania

Language:

Malinka | Romanian | French | German | English | Arabic | French Sign Language

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Singapore:PG | Singapore:NC-16 (DVD rating) | Australia:M | France:U | Germany:12 (w) | Italy:T | Norway:11 | Spain:T | Sweden:11 | UK:15

Filming Locations:

Mali

Company:

Bavaria Film

Trivia:

When the film was shot in August 1999, Juliette Binoche was pregnant. To disguise her condition she wore loose "unkept" clothes.

Movie Connections:

Referenced in Femme Fatale (2002)

Be prepared to be confused

This is not a conventional film in the sense that the narrative is not complete. The myriad, unconnected short scenes from the lives of various characters that are presented to us have no beginning and no resolution. We come away having gained an insight into the lives of the various people we have seen, but wanting to know more about all of them. This makes for an incomplete experience, and if that is what you want or need then this is not a film for you. If on the other hand, a glimpse into the lives of people so every day and matter of factly portrayed, in a film so realistically set that suspension of disbelief is never an issue then this is a film for you. I came away, emotionally drained, without having had my emotions manipulated. On reflection (I think)this is a film about how cities dehumanise us, and on how we move together without connecting or communicating.