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Directed by | |||
| Rob Sitch | |||
Writing credits | ||
| Santo Cilauro | (conceived and written by) & | |
| Tom Gleisner | (conceived and written by) & | |
| Jane Kennedy | (conceived and written by) and | |
| Rob Sitch | (conceived and written by) | |
Produced by | |||
| Debra Choate | .... | line producer | |
| Santo Cilauro | .... | producer | |
| Tom Gleisner | .... | producer | |
| Michael Hirsh | .... | producer | |
| Jane Kennedy | .... | producer | |
| Rob Sitch | .... | producer | |
Original Music by | |||
| Edmund Choi | |||
Cinematography by | |||
| Graeme Wood | (director of photography) | ||
Film Editing by | |||
| Jill Bilcock | |||
Casting by | |||
| Jane Kennedy | |||
Production Design by | |||
| Carrie Kennedy | |||
Art Direction by | |||
| Ben Morieson | |||
Costume Design by | |||
| Kitty Stuckey | |||
Makeup Department | |||
| Simone Albert | .... | makeup artist | |
| Jill Fischer | .... | prostethics makeup artist: Creative Audience Productions Inc. | |
| Ian Loughnan | .... | makeup artist | |
| Caroline Styles | .... | hair designer | |
| Caroline Styles | .... | makeup designer | |
| Noriko Watanabe | .... | makeup artist: old man sequence | |
| Noreen Wilkie | .... | hair stylist: Sam Neill | |
| Noreen Wilkie | .... | makeup artist: Sam Neill | |
| Wesley Wofford | .... | key prostethics makeup artist | |
| Mark Nieman | .... | silicone prosthetic technician (uncredited) | |
Production Management | |||
| Andrew Osboldstone | .... | unit manager | |
| Sylvia Walker-Wilson | .... | post-production supervisor | |
Art Department | |||
| Liam Adam | .... | art department assistant | |
| Jane Burns | .... | props buyer | |
| Robert Elliott | .... | storyboard artist | |
| Sandy Grant | .... | stand-by props | |
| Troy Hardy | .... | art department runner | |
| Carrie Kennedy | .... | model maker | |
| Ben Morieson | .... | model maker | |
| Andre Potappel | .... | technical supervisor | |
| Stephen Travers | .... | additional art department (as Steve Travers) | |
| Darren Unsgaard | .... | set dresser | |
| Warren Vigor | .... | additional art department | |
| Lisa Wang | .... | art department coordinator | |
| Richard Wenzel | .... | props buyer | |
Sound Department | |||
| Philippe Decrausaz | .... | sound recordist | |
| Tony Dickinson | .... | boom operator | |
| Bruce Emery | .... | stereo sound consultant: Dolby | |
| Helen Field | .... | coordinator: Soundfirm Australia | |
| Richard Girvan | .... | sound engineer: ABC | |
| Francis Ward Lindsay | .... | foley artist | |
| Gerry Long | .... | foley artist | |
| John McKerrow | .... | additional boom operator | |
| Damien Montalto | .... | sound recording engineer | |
| Andrew Neil | .... | assistant sound mixer | |
| Andrew Neil | .... | foley recordist | |
| Skye Ritchie | .... | special sound effects editor | |
| Livia Ruzic | .... | dialogue editor | |
| Roger Savage | .... | sound mixer | |
| Danny Sullivan | .... | sound recording engineer | |
| Jenny Sutcliffe | .... | additional boom operator | |
| Gareth Vanderhope | .... | special sound effects editor | |
Special Effects by | |||
| Aaron Beaucaire | .... | special effects | |
Visual Effects by | |||
| Paul Cross | .... | optical effects | |
| Murray Curtis | .... | visual effects: Complete Post | |
| Andrea Parkes | .... | visual effects: Complete Post | |
| Tim Parrington | .... | visual effects: Complete Post | |
| Peter Webb | .... | visual effects: Complete Post | |
Camera and Electrical Department | |||
| Tov Belling | .... | focus puller: second unit | |
| Dan Carr | .... | fourth electrician | |
| Joanne Donahoe | .... | camera operator: epk | |
| Craig Dusting | .... | key grip | |
| Warwick Field | .... | aerial camera operator: second unit | |
| Anthony Gerrish | .... | grip | |
| Richard Hosking | .... | camera operator: second unit | |
| Marin Johnson | .... | clapper loader | |
| Trish Keating | .... | focus puller | |
| Adam Litchfield | .... | video split operator | |
| Jude Lovatt | .... | focus puller: second unit | |
| Lex Martin | .... | third electrician | |
| Peter Moloney | .... | electrician | |
| Josh Moore | .... | additional grip | |
| Timothy Morrison | .... | best boy electric (as Tim Morrison) | |
| Harry Panagiotidis | .... | Steadicam operator (as Harry Panogiotidis) | |
| Peter Stockley | .... | additional grip | |
| Lisa Tomasetti | .... | still photographer | |
| Colin Williams | .... | gaffer | |
Casting Department | |||
| Rachel Bailey | .... | casting assistant: Australia | |
| Richard Hicks | .... | casting consultant: USA | |
| Yeskel Hicks | .... | casting consultant: USA | |
| Leesa Scheller | .... | casting assistant: Australia | |
Costume and Wardrobe Department | |||
| Michael Davies | .... | stand-by wardrobe | |
| Maida Jereb | .... | costume maker | |
| Gabrielle Travers | .... | costume supervisor | |
Editorial Department | |||
| Arthur Cambridge | .... | color grader | |
| Robert Hall | .... | second assistant editor | |
| Noel Hansen | .... | telecine dailies | |
| Julia MacLeod | .... | negative matcher (as Julia Macleod) | |
| Rochelle Oshlack | .... | first assistant editor | |
| Bill Daly | .... | post-production executive (uncredited) | |
| Justin Heitman | .... | telecine colorist (uncredited) | |
Music Department | |||
| Noel Ancell | .... | artistic director: choir | |
| Doug Brady | .... | music editor | |
| Edmund Choi | .... | conductor: Melbourne Symphony Orchestra | |
| Lynette Clarkson | .... | liaison: choir | |
| Graeme Evans | .... | musician: horn solo | |
| Barb Glaser | .... | orchestra manager (as Barbara Glaser) | |
| Jane Kennedy | .... | music producer | |
| Michael Kisin | .... | concert master | |
| Sonny Kompanek | .... | orchestrator | |
| Ron Layton | .... | orchestra contractor | |
| Lawrence Manchester | .... | score mixer | |
| Lawrence Manchester | .... | score recordist | |
| Geoffrey Payne | .... | musician: trumpet solo | |
| Markus Stenz | .... | artistic director: music | |
| Markus Stenz | .... | chief conductor | |
| Peter Sullivan | .... | composer: additional music | |
| Christine Woodruff | .... | music licensing | |
Transportation Department | |||
| Maurice Randall | .... | vehicle supervisor | |
Other crew | |||
| Brett Anderson | .... | safety supervisor | |
| Ian Anderson | .... | liaison: Cinevex | |
| Jim Atkins | .... | engineer: ABC | |
| Cassandra Barbour | .... | rights and clearances | |
| Tony Bartuccio | .... | choreographer: dance hall | |
| Bernadette Breitkreuz | .... | assistant accountant | |
| Tom Dillon | .... | production runner | |
| Greg Duncombe | .... | helicopter pilot: second unit | |
| Jeanette Fisher | .... | caterer: Sweet Seduction | |
| Sarah Gilligan | .... | unit assistant | |
| Jeremy Gray | .... | insurance: AON insurance | |
| Wendy Gregory | .... | production assistant | |
| Gordon Gribbin | .... | copyist | |
| Nikki Hamilton | .... | second production assistant | |
| Foster Hart | .... | legal | |
| Pauline Hirsh | .... | second unit coordinator | |
| Pauline Hirsh | .... | unit publicist | |
| Mika Holliday | .... | researcher: stock footage | |
| Jane Manning | .... | researcher: stock footage | |
| Susannah Mott | .... | production coordinator | |
| Vanitha Naidu | .... | production accountant | |
| Chris Peters | .... | safety supervisor | |
| Arch Roberts | .... | safety supervisor (as Archie Roberts) | |
| Ian Russell | .... | liaison: Atlab Australia | |
| Antonetta Russo | .... | accounting assistant | |
| Laura Sevier | .... | rights and clearances | |
| Greg Sitch | .... | legal | |
| Kate Thomson | .... | assistant production coordinator | |
| Sophie Vickers-Willis | .... | catering: office | |
| Sophie Vickers-Willis | .... | food stylist | |
| Brenda Vincent | .... | assistant: Sam Neill | |
| Polly Watkins | .... | assistant to executive producer | |
| Anne Went | .... | continuity (as Annie Went) | |
Thanks | |||
| Dr. Miriam Baltuck | .... | grateful acknowledgment | |
| Nicholas Bell | .... | thanks: assistance | |
| Rupert Burns | .... | grateful acknowledgment | |
| Kristen Coney | .... | grateful acknowledgment | |
| Brian Coote | .... | grateful acknowledgment | |
| Walter Cronkite | .... | thanks: assistance | |
| Davids Darzins | .... | grateful acknowledgment | |
| Mike Dinn | .... | grateful acknowledgment | |
| Prof. Ron Ekers | .... | grateful acknowledgment | |
| Derek Fellows | .... | grateful acknowledgment | |
| Lynn Gailey | .... | thanks: assistance (as Lynne Gailey) | |
| Frederic N. Gaines | .... | thanks: assistance | |
| Lorraine Hall | .... | thanks: assistance | |
| Mr. Will Houghton | .... | grateful acknowledgment (as Mr. Will Houghton QC) | |
| Yvonne Hutton | .... | grateful acknowledgment | |
| Ben Lam | .... | thanks: assistance | |
| Fox Mason | .... | grateful acknowledgment | |
| John Masterson | .... | thanks: assistance | |
| Billy Pinnell | .... | thanks | |
| Greg Ross | .... | grateful acknowledgment | |
| John Saxon | .... | thanks: assistance | |
| John Scott | .... | grateful acknowledgment | |
| Sharon Scott | .... | thanks: assistance | |
| Cliff Smith | .... | thanks: assistance | |
| Jeff Stilson | .... | thanks | |
| Helen Stuckey | .... | grateful acknowledgment | |
| Bruce MacA Thomas | .... | grateful acknowledgment | |
| Noriko Watanabe | .... | thanks: assistance | |
| David Williams | .... | grateful acknowledgment | |
| Alan Woodruff | .... | thanks: assistance | |
| Company credits | Box office and business | Technical specifications |
| Soundtrack listing | Crazy credits | Main details |