Dr T and the Women (2000)

User Rating:

4.7/10   

Director:

Robert Altman

Writer (WGA):

Anne Rapp (written by)

Release Date:

13 October 2000 (USA)

Genre:

Comedy | Romance | Drama

Plot:

Dr. Sullivan Travis "Dr. T." is a wealthy Dallas gynecologist for some of the wealthiest women in Texas...

Plot Keywords:

Texas | Gynecologist | Golf | Wedding | Lesbian

Awards:

2 nominations

Cast

Richard Gere	...	Dr. T
Helen Hunt	...	Bree
Farrah Fawcett	...	Kate
Laura Dern	...	Peggy
Shelley Long	...	Carolyn
Tara Reid	...	Connie
Kate Hudson	...	Dee Dee
Liv Tyler	...	Marilyn
Robert Hays	...	Harlan
Matt Malloy	...	Bill
Andy Richter	...	Eli
Lee Grant	...	Dr. Harper
Janine Turner	...	Dorothy Chambliss
Holly Pelham	...	Joanne (as Holly Pelham-Davis)
Jeanne Evans	...	First Exam Patient

Also Known As:

Dr. T and the Women (Germany) (USA) (alternative spelling)

MPAA:

Rated R for graphic nudity and some sexuality.

Runtime:

122 min

Country:

USA | Germany

Language:

English | German | Spanish

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS | Dolby Digital

Certification:

Iceland:L | Singapore:M18 | Argentina:13 | Canada:14A (Alberta) | Canada:14 (Nova Scotia) | Canada:G (Quebec) | Chile:14 | Denmark:7 | Finland:K-11 | France:U | Germany:12 (bw) | Hong Kong:IIB | Netherlands:AL | Norway:15 | Peru:14 | Spain:7 | Sweden:15 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:12 | USA:R (certificate #37516) | Canada:PG (British Columbia/Manitoba/Ontario)

Filming Locations:

Dallas Arboretum & Botanical Garden - 8617 Garland Road, Dallas, Texas, USA

Company:

Sandcastle 5 Productions

Trivia:

The first major Hollywood feature movie to show a medically explicit scene of a baby being born.

Goofs:

Continuity: The webcam on top of the computer monitor on Dr T's receptionist's desk disappears between shots.

Quotes:

Dr. Sullivan "Sully" Travis, "Dr. T": Nothin' more appealing than a woman who's proud to be in her own body.

Movie Connections:

Referenced in The Truth as I Know It (2001) (V)

Soundtrack:

She's Already Made Up Her Mind

Scrambled Ovaries

Robert Altman is frustratingly inconsistent, and here is at his worst. His very personal style has three characteristics:

1. Many-threaded storylines and characters, many of which raise questions that are not answered in the play. When done well, you get the impression of moving through the world with a curious voyeurism, dipping into many lives which are intriguing enough to learn more about. Except for the youngest daughter, none of these women are worth digging more into. The misogynism could have been an advantage; here it is cheap.

2. Spontaneous acting. Altman doesn't tell his actors what to do, trusting them to bring something fresh. In the best case, the differing visions of the actors add to the manyhued effect described above. But you need powerful actors like he had in "Cookie's Fortune." These folks, some of whom are fine when given direction, simply can't synthesize.

3. Wonderful tracking shots (which move from character to character so enhance the two effects noted above). Check out the first shot in "The Player." That alone is worth the admission. Here, we have a busily choreographed shot at the beginning and a dizzy pullback at the end, but neither to any useful effect.

Avoid this film. The master was asleep.