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Directed by | |||
| Terence Davies | |||
Writing credits | ||
| Edith Wharton | (novel "The House of Mirth") | |
| Terence Davies | (written by) | |
Produced by | |||
| Pippa Cross | .... | executive producer | |
| Bob Last | .... | executive producer | |
| Olivia Stewart | .... | producer | |
| Alan J. Wands | .... | co-producer | |
Cinematography by | |||
| Remi Adefarasin | (director of photography) | ||
Film Editing by | |||
| Michael Parker | |||
Casting by | |||
| Kerry Barden | |||
| Billy Hopkins | |||
| Suzanne Smith | |||
Production Design by | |||
| Don Taylor | |||
Art Direction by | |||
| Diane Dancklefsen | |||
Set Decoration by | |||
| John Bush | |||
Costume Design by | |||
| Monica Howe | |||
Makeup Department | |||
| Paul Huntley | .... | wig maker | |
| Renate Leuschner | .... | wig maker (as Renata) | |
| Eva Marieges Moore | .... | hair stylist: Gillian Anderson | |
| Eva Marieges Moore | .... | makeup artist: Gillian Anderson | |
| Dianne Millar | .... | hair stylist | |
| Dianne Millar | .... | makeup artist | |
| Christine Powers | .... | hair stylist (as Chrissie Powers) | |
| Christine Powers | .... | makeup artist (as Chrissie Powers) | |
| Jan Harrison Shell | .... | hair designer | |
| Jan Harrison Shell | .... | makeup designer | |
| Meg Speirs | .... | hair stylist (as Meg Spiers) | |
| Meg Speirs | .... | makeup artist (as Meg Spiers) | |
Production Management | |||
| Wendy Broom | .... | production manager | |
| Tony Hood | .... | unit manager | |
| Sarah Lee | .... | post-production supervisor | |
Sound Department | |||
| Tony Cook | .... | boom operator | |
| Paul Hamblin | .... | sound re-recording mixer | |
| Stewart Henderson | .... | dialogue editor | |
| Stuart Hilliker | .... | assistant dubbing mixer | |
| Catherine Hodgson | .... | supervising sound editor | |
| Louis Kramer | .... | sound recordist | |
| Richard Lewis | .... | assistant sound re-recording mixer | |
| Sandy Miller | .... | cable person | |
| Michael Redfern | .... | foley editor | |
| Ted Swanscott | .... | adr mixer | |
| Ted Swanscott | .... | foley mixer | |
| Nick Watson | .... | sound consultant: Dolby | |
| Paul Hamblin | .... | production sound mixer (uncredited) | |
| Steve Hancock | .... | studio sound technician (uncredited) | |
| Stewart Henderson | .... | adr editor (uncredited) | |
Special Effects by | |||
| Perry Costello | .... | rigging supplier | |
| Ricky Farns | .... | special effects: second unit | |
| Stuart Murdoch | .... | special effects supervisor (as Stuart Murdock) | |
| Daniel Wright | .... | special effects assistant | |
Visual Effects by | |||
| Steve Cutmore | .... | digital compositor: Peerless Camera | |
| John Paul Docherty | .... | visual effects supervisor: Peerless Camera | |
| Tim Ollive | .... | computer animator: Peerless Camera | |
| Susi Roper | .... | visual effects producer: Peerless Camera | |
| Mark Spevick | .... | digital compositor: Peerless Camera (as Mark Spevik) | |
| John Swinnerton | .... | digital compositor: Peerless Camera | |
| Marc Twinam-Cauchi | .... | computer animator: Peerless Camera | |
| Pat Wong | .... | digital compositor: Peerless Camera | |
Camera and Electrical Department | |||
| John Arnold | .... | key grip | |
| Harry Bowers | .... | clapper loader | |
| Jaap Buitendijk | .... | still photographer | |
| Stuart Bunting | .... | additional grip | |
| Ian Franklin | .... | best boy | |
| Alex Howe | .... | focus puller: second unit | |
| Joanne Lee | .... | assistant camera: second unit | |
| Charlie Macher | .... | rigger: second unit | |
| Steve Macher | .... | rigger: second unit | |
| Gordon McMillan | .... | assistant camera | |
| Gordon McMillan | .... | video assistant | |
| Mark Milsome | .... | focus puller | |
| Mark Milsome | .... | focus puller: second unit | |
| Barrie More | .... | rigging gaffer | |
| Peter Muncey | .... | grip: second unit | |
| Paul Murphy | .... | generator operator | |
| Chris Plevin | .... | photographer: second unit | |
| Freddie Polombo | .... | generator operator | |
| Esther Sellem | .... | assistant camera: second unit | |
| Robin Stone | .... | grip: second unit | |
| Brian Sullivan | .... | electrician | |
| Ian Townsend | .... | grip: second unit | |
| Jimmy Wilson | .... | gaffer | |
Casting Department | |||
| Mark Bennett | .... | casting assistant (as Marc Bennett) | |
| Deborah Maxwell Dion | .... | casting assistant | |
| Julia Duff | .... | additional casting | |
| Gemma Hancock | .... | casting assistant (as Jemma Hancock) | |
| Jennifer McNamara | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Kate Burnett | .... | wardrobe assistant | |
| Ann Taylor Cowan | .... | wardrobe supervisor | |
| Tom Hornsby | .... | wardrobe assistant | |
| Anna Lau | .... | crowd wardrobe coordinator | |
| Adrian Ratley | .... | wardrobe assistant | |
| Guy Speranza | .... | wardrobe assistant | |
| Jackie Thomas | .... | wardrobe assistant | |
Editorial Department | |||
| Martin Brinkler | .... | additional editor | |
| Steve Farman | .... | negative cutter | |
| Celia Haining | .... | first assistant editor | |
| Lea Morement | .... | second assistant editor | |
| Anita M. Patel | .... | post-production coordinator | |
| Dan Roberts | .... | lightworks assistant | |
| Michael Solinger | .... | post-production consultant | |
Music Department | |||
| Nigel Acott | .... | music recording engineer | |
| Heather Bownass | .... | music supervisor | |
| Terry Davies | .... | conductor | |
| Isobel Griffiths | .... | music contractor | |
| Adrian Johnston | .... | musical director | |
| Adrian Johnston | .... | music adaptor (uncredited) | |
Transportation Department | |||
| Andy Bell | .... | unit driver | |
| Jas Brown | .... | unit driver | |
| Tommy Bryce | .... | unit driver | |
| Jimmy Coutts | .... | facilities driver | |
| Jeff Derby | .... | transportation captain | |
| Robert Etherson | .... | driver: camera car | |
| Graham Gordon | .... | driver: props | |
| William Laidler | .... | unit driver | |
| Neil McMahon | .... | unit driver | |
| Charlie Morris | .... | facilities driver | |
| Bill Stevenson | .... | unit driver | |
| Vick Todd | .... | driver: props (as Vic Todd) | |
| Scott Weir | .... | unit driver | |
| Keith West | .... | driver: props | |
Other crew | |||
| Brian Adams | .... | additional crew | |
| Nicky Agnew | .... | caterer: Thistle Catering | |
| Anne Maria Antzac | .... | additional crew | |
| Lucy Aronica | .... | assistant to producer | |
| Candice Banks | .... | additional crew | |
| Heather Bownass | .... | assistant to executive producer | |
| Mark Brennan | .... | additional crew | |
| Mhairi Brennan | .... | assistant to producer | |
| Valerie Bresso | .... | location manager: second unit | |
| Neil Cairns | .... | assistant production accountant | |
| Kim Roper Caldbeck | .... | trainee location assistant | |
| John Cameron | .... | additional crew | |
| Billy Campbell | .... | additional crew | |
| Fraser Campbell | .... | additional crew | |
| Lorna Carmichael | .... | additional crew | |
| Brian Carrington | .... | additional crew | |
| Steve Casey | .... | additional crew | |
| Carol Chambers | .... | additional crew | |
| Victoria Christensen | .... | crowd coordinator | |
| Denise Coombes | .... | additional crew | |
| Louise Coulter | .... | production accountant | |
| Luke Coulter | .... | accounts trainee | |
| Gloria Delmonte | .... | additional crew | |
| Brendan Diver | .... | caterer: Thistle Catering (as Brendan Divers) | |
| Alan Doyle | .... | additional crew | |
| Polly Duncan | .... | additional crew | |
| Lloret Dunn | .... | location scout | |
| Sonya Dunwoodge | .... | production secretary | |
| Kate Elliot-Muir | .... | additional crew (as Kate Elliot Muir) | |
| John Ferguson | .... | additional crew | |
| Claire Finlay | .... | additional crew | |
| Jacky Fitt | .... | assistant to executive producer | |
| Graham Gardener | .... | additional crew | |
| Diana Gehriger | .... | assistant: Gillian Anderson | |
| Robert Gillan | .... | additional crew | |
| Gary Grey | .... | additional crew | |
| Tarn Harper | .... | post-production accountant | |
| Roddy Hogg | .... | additional crew | |
| Tony Hood | .... | location manager: second unit | |
| Penny Hunt | .... | additional crew | |
| Jessica Hurles-Laws | .... | production runner (as Jessica Hurles) | |
| Steve Hutton | .... | stand-in | |
| Debbie Kaye | .... | horses and carriages | |
| Johanna Kenyon | .... | crowd coordinator | |
| Dennis Knotts | .... | additional crew | |
| Joanne Lee | .... | runner: second unit | |
| Sarah Lee | .... | location manager | |
| Sarah Lee | .... | second unit supervisor | |
| Delia Letham | .... | additional crew | |
| Ella MacLean | .... | continuity trainee | |
| Duncan McAllister | .... | additional crew | |
| Charles Mcdonald | .... | publicist: McDonald & Rutter (as Charles McDonald) | |
| Mark McGuiness | .... | additional crew | |
| Mandy McKay | .... | production coordinator | |
| Lou McLoughlan | .... | additional crew | |
| James Miller | .... | additional crew | |
| Sonia Moore | .... | additional crew | |
| Catherine Muir | .... | additional crew | |
| David Murray | .... | additional crew | |
| Rosalind Nashashibi | .... | stand-in | |
| Glen O'Brien | .... | additional crew | |
| Gerry Ogden | .... | additional crew | |
| Danny Oji | .... | additional crew | |
| Karen Osterburgh | .... | additional crew | |
| Martin Palmer | .... | additional crew | |
| John Parks | .... | additional crew | |
| Chris Paton | .... | unit publicist: McDonald & Rutter | |
| Roger Phillips | .... | title designer | |
| Samantha Print | .... | additional crew | |
| Alex Purbrick | .... | assistant to director | |
| Pat Rambaut | .... | script supervisor | |
| Derrick Ritchie | .... | additional crew | |
| Patsy Rodenburg | .... | voice coach | |
| David Roy | .... | additional crew | |
| Paul Roy | .... | additional crew | |
| Esther Sellem | .... | runner: second unit | |
| Steve Senior | .... | additional crew | |
| Brian Shemmings | .... | health and safety: H & S Advisory Services | |
| Dave Sherwyn | .... | additional crew | |
| Catherine Shirley | .... | additional crew | |
| Paul Shirley | .... | additional crew | |
| James Shovlen | .... | additional crew | |
| Kenny Skey | .... | caterer: Thistle Catering | |
| Paul Smythe | .... | floor runner (as Paul Smyth) | |
| Elaine Stewart | .... | additional crew | |
| Stef Swiatek | .... | unit nurse | |
| Beverley Syme | .... | assistant location manager (as Bev Syme) | |
| George Tarbuck | .... | additional crew | |
| William Tracey | .... | additional crew | |
| Thomas Urquart | .... | caterer: Thistle Catering | |
| John Watt | .... | additional crew | |
| Julia Wilson Dickson | .... | dialect coach (as Julia Wilson Dixon) | |
| Andy Younger | .... | additional crew | |
Thanks | |||
| David Alwin | .... | thanks | |
| Kerry Barden | .... | thanks | |
| Hercules Bellville | .... | thanks (as Hercules Belville) | |
| Laurie Borg | .... | thanks | |
| Helen Boyes | .... | thanks | |
| Nigel Britten | .... | thanks | |
| Leonard Crooks | .... | thanks (as Lenny Crooks) | |
| Graham Easton | .... | thanks | |
| Connie Freiburg | .... | thanks | |
| Karen Friedman | .... | thanks | |
| Neil Harris | .... | thanks | |
| Norma Heyman | .... | thanks | |
| Lorraine Jarvie | .... | thanks: Arthouse Hotel, Glasgow | |
| Terry Lansbury | .... | thanks | |
| Peter Levine | .... | thanks | |
| Lilene Mansell | .... | thanks | |
| Cate Marvin | .... | thanks | |
| Scott Meek | .... | thanks | |
| Kevin O'Shea | .... | thanks | |
| Lady Palmer | .... | thanks: Manderston House | |
| Lord Palmer | .... | thanks: Manderston House | |
| Vanessa Pereira | .... | thanks | |
| Kenny Skey | .... | thanks: Arthouse Hotel, Glasgow | |
| Julian Slomon | .... | thanks | |
| Sue Bruce Smith | .... | thanks | |
| Lady Wemyss | .... | thanks: Gosford House | |
| Jenny Wilkes | .... | thanks | |
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This is a slow paced mesmerising film. If your only knowledge of Gillian Anderson is as Dana Scully in the X-Files then you are in for a big surprise. Firstly the lady can act, and secondly with great subtlety. If you have read the book then clearly the writer/director Terence Davies has taken a few liberties. But so much script has been lifted word for word from the novel that I think he can be forgiven any eccentricities. This is a story of manners in early twentieth century New York and environs. Everyone seems so decent and 'proper', but each plays their own manipulative game. No-one (with the exception of Sim Rosedale) tells the truth. As a morality tale it seems as relevant today as when Edith Wharton wrote it. Davies has succeeded in losing none of its mood or punch by transferring it to screen. Unfortunately I think this is a film that requires watching more than once as some explanatory scenes appear to have ended up on the cutting room floor. Generally the acting is excellent throughout though I felt that at times Davies's enthusiasm for detail hamstrung some actors where others appeared to have relished the close direction. This is a film to add to your personal collection.