| Photos (see all 41 | slideshow) | Videos (see all 9) |
| Cecilia Roth | ... | Manuela | |
| Marisa Paredes | ... | Huma Rojo | |
| Candela Peña | ... | Nina | |
| Antonia San Juan | ... | Agrado | |
| Penélope Cruz | ... | Hermana Rosa | |
| Rosa Maria Sardà | ... | Madre de Rosa (as Rosa María Sardá) | |
| Fernando Fernán Gómez | ... | Padre de Rosa | |
| Toni Cantó | ... | Lola | |
| Eloy Azorín | ... | Esteban | |
| Carlos Lozano | ... | Mario | |
| Fernando Guillén | ... | Doctor en 'Un tranvía llamado Deseo' | |
| Manuel Morón | ... | Doctor 1 | |
| José Luis Torrijo | ... | Doctor 2 | |
| Juan José Otegui | ... | Ginecólogo | |
| Carmen Balagué | |||
| Malena Gutiérrez | ... | Malena | |
| Yael Barnatán | ... | Yael (as Yael Bernatán) | |
| Carmen Fortuny | ... | Carmen | |
| Patxi Freytez | ... | Farmacéutico | |
| Juan Márquez | |||
| Michel Ruben | |||
| Daniel Lanchas | |||
| Rosa Manaut | |||
| Carlos García Cambero | (as Carlos G. Cambero) | ||
| Agustín Almodóvar | ... | Taxista | |
| Paz Sufrategui | |||
| Lola García | |||
| Esther García | |||
| Inmaculada Subira | |||
| rest of cast listed alphabetically: | |||
| Cayetana Guillén Cuervo | ... | Mamen (uncredited) | |
| Fito Páez | ... | Espectador (uncredited) | |
| Lluís Pasqual | ... | (uncredited) | |
| Dolors Pozzan | ... | Verónica Forqué Double (uncredited) | |
Directed by | |||
| Pedro Almodóvar | |||
Writing credits | ||
| Pedro Almodóvar | (writer) | |
Produced by | |||
| Agustín Almodóvar | .... | executive producer | |
| Michel Ruben | .... | associate producer | |
Original Music by | |||
| Alberto Iglesias | |||
Cinematography by | |||
| Affonso Beato | (director of photography) | ||
Film Editing by | |||
| José Salcedo | |||
Casting by | |||
| Sara Bilbatúa | |||
Art Direction by | |||
| Antxón Gómez | |||
Set Decoration by | |||
| Federico G. Cambero | (as Federico García Cambero) | ||
| Enrique García | (settings) | ||
Costume Design by | |||
| Bina Daigeler | |||
| José María De Cossío | |||
Makeup Department | |||
| Jorge Hernández | .... | makeup artist | |
| Juan Pedro Hernández | .... | makeup artist | |
| Jean-Jacques Puchu | .... | hair stylist | |
Production Management | |||
| Sergio Díaz | .... | assistant production manager | |
| Esther García | .... | production manager | |
| Xavier Guallar | .... | assistant production manager | |
| Juan de Haro | .... | assistant production manager trainee | |
| Toni Novella | .... | assistant production manager | |
| Carlos Pastor | .... | assistant production manager trainee | |
| Tino Pont | .... | production manager | |
| Borja Rodríguez Gamboa | .... | assistant production manager trainee | |
Second Unit Director or Assistant Director | |||
| Álvaro de Armiñán | .... | second assistant director | |
| Ignacio Charrabe | .... | second second assistant director | |
| Susana Fernández | .... | third assistant director | |
| Covadonga R. Gamboa | .... | second assistant director | |
| Pedro Lazaga | .... | co-assistant director | |
| Luisfer Machi | .... | second second assistant director (as Luis Fernando Machi) | |
Art Department | |||
| Luis Aferré | .... | assistant set decorator | |
| Marcos de Aguilar | .... | storyboard | |
| José Altit | .... | props | |
| Gonzalo Anso | .... | props | |
| Pedro Luis Arias | .... | laborer | |
| Jesús Arroyo | .... | laborer | |
| Tomás Corbacho | .... | laborer | |
| Viuda de Ruiz | .... | false pieces artist | |
| Raúl Fernández | .... | laborer | |
| Emilio García | .... | laborer | |
| Vázquez Hermanos | .... | property master | |
| Adelaida Huete | .... | laborer | |
| Jesús Mateos | .... | property master | |
| Ricardo Mengíbar | .... | property master | |
| Alberto Pereira | .... | laborer | |
| Juan Vicente Riuve | .... | props | |
| Javier Rodríguez | .... | assistant set decorator trainee | |
| Mari Carmen Rodríguez | .... | laborer | |
| Juan Ignacio Viñuales | .... | props | |
Sound Department | |||
| José Antonio Bermúdez | .... | sound mixer | |
| Luis Castro | .... | sound effects | |
| Jaime Fernández-Cid Buscató | .... | boom operator (as Jaime Fernández) | |
| Diego Garrido | .... | sound mixer | |
| Miguel Rejas | .... | sound | |
| David Rodríguez | .... | assistant sound editor trainee | |
| Iván Mayoral | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Antonio Molina | .... | special effects | |
Stunts | |||
| Antonio Lemos | .... | stunt coordinator | |
| Ismael Martínez | .... | stunts | |
Camera and Electrical Department | |||
| Enrique Bello | .... | gaffer | |
| Fernando Beltrán | .... | electrician | |
| Rafael Castro | .... | electrician | |
| José Ramón Delgado | .... | first assistant camera | |
| Roberto de Miguel | .... | second assistant camera | |
| Álvaro Gómez | .... | electrician | |
| Ángel Gómez | .... | electrician | |
| Luis Hidalgo | .... | electrician | |
| Teresa Isasi | .... | still photographer | |
| Joaquín Manchado | .... | second camera operator | |
| Raúl Manchado | .... | assistant camera trainee | |
| Eugenio Martínez | .... | electrician | |
| José Luis Martínez | .... | electrician | |
| Carlos Miguel | .... | key grip | |
| Alberto Poveda | .... | video technician | |
| Aurelio Sánchez Herrera | .... | third assistant camera | |
Casting Department | |||
| Macarena Pombo | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Inma Artigas | .... | wardrobe | |
| Humberto Cornejo | .... | wardrobe | |
Editorial Department | |||
| Felisa Catalinas | .... | negative cutter | |
| Manolo Laguna | .... | assistant editor | |
| Rosa Ortiz | .... | assistant editor | |
Music Department | |||
| Alfredo Anaya | .... | musician | |
| Paco Bastante | .... | musician | |
| José Luis Crespo | .... | music recordist | |
| Fernando Egozcue | .... | musician | |
| Lucio Godoy | .... | music producer | |
| Patrick Goraguer | .... | musician | |
| Alberto Iglesias | .... | musician | |
| Marc Johnson | .... | musician: "Gorrión" and "Coral para mi pequeño y lejano pueblo" | |
| Mario Klemens | .... | conductor | |
| Iñaki del Olmo | .... | assistant music mixer | |
| Enrique Pérez | .... | musician | |
| Dino Saluzzi | .... | composer: songs "Gorrión" and "Coral para mi pequeño y lejano pueblo" | |
| José Saluzzi | .... | musician: "Gorrión" and "Coral para mi pequeño y lejano pueblo" | |
| Manuel Tobar | .... | musician | |
| Patxi Urtegui | .... | musician | |
Transportation Department | |||
| Ángel Frutos | .... | driver | |
| Juan Luis Grande | .... | driver | |
| Julián Hernández | .... | driver | |
| Miguel Ángel López | .... | driver | |
| Ángel Megino | .... | transportation | |
| Carmelo Morón | .... | driver | |
| Agustín Ruiz | .... | driver | |
| Javier Sánchez | .... | driver | |
| Bernardino Villanueva | .... | driver | |
Other crew | |||
| Alfonso Aguirre | .... | laboratory director | |
| Emilio Ardura | .... | tapestry | |
| Yuyi Beringola | .... | script supervisor | |
| Yolanda Cáceres | .... | tuning key | |
| Sergio Díaz | .... | production assistant | |
| Adela Donamaría | .... | administration staff | |
| Lola García | .... | assistant to director | |
| Miguel Ángel García | .... | production coordinator | |
| Beatriz Gordo | .... | administration staff | |
| Alfonso Holguín | .... | location manager | |
| Carlos Machi | .... | location manager | |
| Óscar Mariné | .... | title designer | |
| Pablo Núñez | .... | opticals | |
| Pedro Paz | .... | assistant to director | |
| Jorge Pérez | .... | stage manager: Barcelona | |
| Francisco Javier Prieto | .... | location manager | |
| María Rodríguez | .... | stage manager | |
| Ana Sanz | .... | administration staff | |
| Luis Miguel Segura | .... | store agent | |
| Rosa María Serrano | .... | administration staff | |
| Paz Sufrategui | .... | press attache | |
| Paz Sufrategui | .... | unit publicist | |
| Nicolás Tapia | .... | production assistant | |
| Amaya Valero | .... | administration staff | |
| Óscar Valero | .... | administrator | |
| Miguel Ángel Vivas | .... | location manager: Barcelona | |
Thanks | |||
| Aline | .... | thanks | |
| Elena Benarroch | .... | thanks | |
| Solán de Cabras | .... | thanks | |
| Bette Davis | .... | dedicatee | |
| María Díaz Laviada | .... | thanks | |
| Pierre Edelman | .... | thanks | |
| Cayetana Guillén Cuervo | .... | thanks | |
| Gregorio Martínez | .... | thanks | |
| Momi Mokuba | .... | thanks | |
| Nachy | .... | thanks | |
| Rodolfo Olmedo | .... | thanks | |
| Lluís Pasqual | .... | thanks | |
| Teresa Ramallal | .... | thanks | |
| Helena Rohner | .... | thanks | |
| Gena Rowlands | .... | dedicatee | |
| Romy Schneider | .... | dedicatee | |
| Mamen Segovia | .... | thanks | |
| Reni Zanundio | .... | thanks | |
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| Giant | Ceux qui m'aiment prendront le train | La hija del caníbal | Slaughterhouse-Five | Gone with the Wind |
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Very few directors, since Bunuel, Fassbinder, Lindsay Anderson and Roman Polanski, have been able to translate their own, very private universes, to the screen. That is why, it divides audiences in such a radical way.
You love it or you hate it. I think, that is the final objective of an artist, to express their view, to give us their own version of the world we live in. It enriches us, it makes us more aware of the million faces of human nature. Thanks to Almodovar we're allowed to feel identified with, what we may consider, marginal characters. What a different experience is to sit through an Almodovar film and a Ron Howard film for instance. Almodovar remains, becomes part of us, Ron Howard's vanishes as we're leaving the movie theater.