With the news that Ron Howard is taking over the production of Lucasfilm’s young Han Solo movie, the IndieWire team traded emails about the shift.
Anne Thompson: Lucasfilm czar Kathleen Kennedy is siding with the writer — long-time “Star Wars” consigliere Lawrence Kasdan —over a carefully-selected director team with a strong voice. Phil Lord and Chris Miller, if you think about it, have become accustomed to running their own show. They have a little production studio humming along at Bricksburg in Hollywood, born from the blockbuster “The Lego Movie,” and they’re used to being in charge. They are stars. And they know it.
Whatever went wrong here, it’s clear who Lord and Miller are, what they can do. For one thing they are comedy directors — “21 Jump Street,” “Cloudy with a Chance of Meatballs,” “The Lego Movie” — not to mention the upcoming “Lego Ninjago Movie,” “America: The Motion Picture,” “Mib 23,” the Untitled Spider-Man Project, and a gaggle of TV series. They’re running their own factory parallel to the Lucasfilm universe and ran headlong into the juggernaut that is “Star Wars.” Kennedy’s purpose is to stay on course — as Kevin Feige does with Marvel — and keep the “Star Wars” universe humming and intact as it spins into many orbits. She can take responsibility for miscasting in this case, because Lord and Miller are who they are and, once hired, should be able to do what they do.
Read More: ‘Star Wars’: The Han Solo Movie We Will Never Get to See
When less established indie hire Gareth Edwards went off track on “Rogue One,” he had to step aside as “Bourne” franchise writer-director Tony Gilroy helped to reshoot and reorganize the final product. The trick with Jj Abrams or Rian Johnson or Colin Trevorrow is selecting directors who are team players capable of keeping the larger goals in mind, and not drawing outside the lines. That, apparently, Lord and Miller did not do—running with a different interpretation of Han Solo than Kasdan. In this case, a reinvention of the Han Solo character for a new generation was not in the cards. Of course Ron Howard is a superb competent director (“Apollo 13,” “A Beautiful Mind,” “Rush”) who can execute with the best of them. He knows what to do and will do it well. But like Edgar Wright’s “Ant Man,” I suspect the movie we will never see was more exciting and unexpected than the one that will hit global screens in 2018.
Kate Erbland: There’s no question that after the massive upheaval of Lord and Miller leaving the project with just a few weeks left to go in principal photography, Lucasfilm is desperate for anything resembling stability. Howard is a good guy for that, a seasoned professional with plenty of blockbuster experience and two Oscars to boot, and he’ll likely be able to soothe frazzled nerves and get the mechanics of the filmmaking process running smoothly in no time. That’s the draw here: He’s a safe choice, and what was so exciting about the initial hiring of Lord and Miller was that they weren’t.
Howard will surely make a perfectly serviceable feature, delivered on time and with a minimum of drama, but the fallout from this will always eclipse that final product. Not just in terms of the Han Solo movie we’ll never see — though that stings, too — but because it shows that Lucasfilm and “Star Wars” aren’t ready to take a real gamble on unique talents just yet, even when they seem so happy to keep telling us that they are.
Zack Sharf: It’s also worth pointing out that Howard’s a Hollywood veteran, so fans should rest assured this will remain a polished, maybe even elegant production. But he’s also an old-fashioned, traditional storyteller, which means anyone hoping for some narrative edge to this spinoff will most likely wind up disappointed.
But given all the news that has broken since Lord and Miller’s firing earlier this week, the real question isn’t whether or not Ron Howard is a good replacement, it’s whether or not his hiring even matters. It’s become apparent that Kennedy and Kasdan are the real directors at play here, even though their titles may not official indicate such a job. It’s why Lord and Miller were fired. It’s why Tony Gilroy was brought on to oversee Gareth Edwards’ massive “Star Wars: Rogue One” reshoots. The latter was no fluke, and the former is an alarming new wake up call to the real people calling the shots on these movies.
Directors often come and go from projects — just look what’s happening with “The Flash” over at Warner Bros. — but very rarely are they fired months into production. It makes you wonder how much these movies can have any real directorial signature. Whether it was Ron Howard or Guillermo del Toro, for instance, we might wind up with the same end product. Kennedy and Kasdan may have the perfect template for this movie, but that doesn’t mean it requires a talented filmmaker.
Chris O’Falt: I think the big thing with Howard is he can have a light touch when necessary. He’s the rare studio director who can do intense drama, action, but is more than capable of doing comedy or building in comedic elements. He’s the best choice for preserving — and salvaging — some element of Lord and Miller’s comedic elements and while delivering a component action-adventure film. Howard is congenial and beloved, in addition to being a component producer and respected presence on set.
Read More: Han Solo Upheaval: Here’s Everything You Need to Know About Phil Lord and Chris Miller’s ‘Star Wars’ Exit
As Kate said, when this movie comes out, Lord and Miller will be part of the story. Who would you rather have out front with your “it all worked out” version of things? Who do you want sitting with Colbert or on the Today Show rehashing this awkward situation? Howard knows how to diffuse a bomb.
Eric Kohn: There’s a bigger question behind all this: What do we want from our “Star Wars” movies? Personally, I was satiated a long time ago (in a movie theater far, far away, on the other side of the country, watching the original trilogy in its late-nineties rerelease). This franchise has been with us for so long that we take its existence for granted. Say what you want about George Lucas’ prequels, but this former aspiring experimental filmmaker was constantly thinking outside the box. The latest “Star Wars” movies, while proficient as entertainment, have also shown a kind of conservatism with respect to mainstream entertainment. Give the audience what they want — a big, slick space opera that’s easy to consume and loaded with relatable characters. The only thing truly daring about “Rogue One” was its grim finale – and I bet the Lucasfilm execs won’t let the franchise go that direction ever again.
I love the idea of hiring visionary filmmakers to play around with studio dollars, but frankly am more intrigued by the wacky possibilities of Luc Besson’s “Valerian and the City of a Thousand Planets” than Han Solo’s backstory. (For what it’s worth: The “Star Wars” comics, which are canon, already do a fine job of filling in some of those details.) The more I consider the possibilities of a Han Solo prequel, the less exciting they become; this character has become such a fully-formed pop culture icon that the very idea of more cinematic adventures strikes me as redundant.
Here’s an idea: Take Han Solo’s name out of the script and let Ron Howard make a fast, fun space western about characters who have barely received much attention in the past. Why not give Lando Calrissian top billing? Donald Glover’s overdue for action stardom. Or, for that matter, maybe Howard could channel his penchant for music films into a concert film about Mos Eisely cantina fixtures Figrin D’an and the Modal Nodes. I’d be first in line.
Wishful thinking, I know. We’re getting a Ron Howard movie about young Han Solo. As others have said, it’s a safer bet, and not the least bit surprising. Maybe it’ll be fine. But I have a strong feeling that will also be familiar.
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Related storiesHow Controversies Can Hurt Movies Before They're Released -- IndieWire's Movie Podcast (Screen Talk Episode 154)'Star Wars': Ron Howard Set to Take Over as Director of Embattled Han Solo Spinoff'Star Wars': The Han Solo Movie We Will Never Get to See...
Anne Thompson: Lucasfilm czar Kathleen Kennedy is siding with the writer — long-time “Star Wars” consigliere Lawrence Kasdan —over a carefully-selected director team with a strong voice. Phil Lord and Chris Miller, if you think about it, have become accustomed to running their own show. They have a little production studio humming along at Bricksburg in Hollywood, born from the blockbuster “The Lego Movie,” and they’re used to being in charge. They are stars. And they know it.
Whatever went wrong here, it’s clear who Lord and Miller are, what they can do. For one thing they are comedy directors — “21 Jump Street,” “Cloudy with a Chance of Meatballs,” “The Lego Movie” — not to mention the upcoming “Lego Ninjago Movie,” “America: The Motion Picture,” “Mib 23,” the Untitled Spider-Man Project, and a gaggle of TV series. They’re running their own factory parallel to the Lucasfilm universe and ran headlong into the juggernaut that is “Star Wars.” Kennedy’s purpose is to stay on course — as Kevin Feige does with Marvel — and keep the “Star Wars” universe humming and intact as it spins into many orbits. She can take responsibility for miscasting in this case, because Lord and Miller are who they are and, once hired, should be able to do what they do.
Read More: ‘Star Wars’: The Han Solo Movie We Will Never Get to See
When less established indie hire Gareth Edwards went off track on “Rogue One,” he had to step aside as “Bourne” franchise writer-director Tony Gilroy helped to reshoot and reorganize the final product. The trick with Jj Abrams or Rian Johnson or Colin Trevorrow is selecting directors who are team players capable of keeping the larger goals in mind, and not drawing outside the lines. That, apparently, Lord and Miller did not do—running with a different interpretation of Han Solo than Kasdan. In this case, a reinvention of the Han Solo character for a new generation was not in the cards. Of course Ron Howard is a superb competent director (“Apollo 13,” “A Beautiful Mind,” “Rush”) who can execute with the best of them. He knows what to do and will do it well. But like Edgar Wright’s “Ant Man,” I suspect the movie we will never see was more exciting and unexpected than the one that will hit global screens in 2018.
Kate Erbland: There’s no question that after the massive upheaval of Lord and Miller leaving the project with just a few weeks left to go in principal photography, Lucasfilm is desperate for anything resembling stability. Howard is a good guy for that, a seasoned professional with plenty of blockbuster experience and two Oscars to boot, and he’ll likely be able to soothe frazzled nerves and get the mechanics of the filmmaking process running smoothly in no time. That’s the draw here: He’s a safe choice, and what was so exciting about the initial hiring of Lord and Miller was that they weren’t.
Howard will surely make a perfectly serviceable feature, delivered on time and with a minimum of drama, but the fallout from this will always eclipse that final product. Not just in terms of the Han Solo movie we’ll never see — though that stings, too — but because it shows that Lucasfilm and “Star Wars” aren’t ready to take a real gamble on unique talents just yet, even when they seem so happy to keep telling us that they are.
Zack Sharf: It’s also worth pointing out that Howard’s a Hollywood veteran, so fans should rest assured this will remain a polished, maybe even elegant production. But he’s also an old-fashioned, traditional storyteller, which means anyone hoping for some narrative edge to this spinoff will most likely wind up disappointed.
But given all the news that has broken since Lord and Miller’s firing earlier this week, the real question isn’t whether or not Ron Howard is a good replacement, it’s whether or not his hiring even matters. It’s become apparent that Kennedy and Kasdan are the real directors at play here, even though their titles may not official indicate such a job. It’s why Lord and Miller were fired. It’s why Tony Gilroy was brought on to oversee Gareth Edwards’ massive “Star Wars: Rogue One” reshoots. The latter was no fluke, and the former is an alarming new wake up call to the real people calling the shots on these movies.
Directors often come and go from projects — just look what’s happening with “The Flash” over at Warner Bros. — but very rarely are they fired months into production. It makes you wonder how much these movies can have any real directorial signature. Whether it was Ron Howard or Guillermo del Toro, for instance, we might wind up with the same end product. Kennedy and Kasdan may have the perfect template for this movie, but that doesn’t mean it requires a talented filmmaker.
Chris O’Falt: I think the big thing with Howard is he can have a light touch when necessary. He’s the rare studio director who can do intense drama, action, but is more than capable of doing comedy or building in comedic elements. He’s the best choice for preserving — and salvaging — some element of Lord and Miller’s comedic elements and while delivering a component action-adventure film. Howard is congenial and beloved, in addition to being a component producer and respected presence on set.
Read More: Han Solo Upheaval: Here’s Everything You Need to Know About Phil Lord and Chris Miller’s ‘Star Wars’ Exit
As Kate said, when this movie comes out, Lord and Miller will be part of the story. Who would you rather have out front with your “it all worked out” version of things? Who do you want sitting with Colbert or on the Today Show rehashing this awkward situation? Howard knows how to diffuse a bomb.
Eric Kohn: There’s a bigger question behind all this: What do we want from our “Star Wars” movies? Personally, I was satiated a long time ago (in a movie theater far, far away, on the other side of the country, watching the original trilogy in its late-nineties rerelease). This franchise has been with us for so long that we take its existence for granted. Say what you want about George Lucas’ prequels, but this former aspiring experimental filmmaker was constantly thinking outside the box. The latest “Star Wars” movies, while proficient as entertainment, have also shown a kind of conservatism with respect to mainstream entertainment. Give the audience what they want — a big, slick space opera that’s easy to consume and loaded with relatable characters. The only thing truly daring about “Rogue One” was its grim finale – and I bet the Lucasfilm execs won’t let the franchise go that direction ever again.
I love the idea of hiring visionary filmmakers to play around with studio dollars, but frankly am more intrigued by the wacky possibilities of Luc Besson’s “Valerian and the City of a Thousand Planets” than Han Solo’s backstory. (For what it’s worth: The “Star Wars” comics, which are canon, already do a fine job of filling in some of those details.) The more I consider the possibilities of a Han Solo prequel, the less exciting they become; this character has become such a fully-formed pop culture icon that the very idea of more cinematic adventures strikes me as redundant.
Here’s an idea: Take Han Solo’s name out of the script and let Ron Howard make a fast, fun space western about characters who have barely received much attention in the past. Why not give Lando Calrissian top billing? Donald Glover’s overdue for action stardom. Or, for that matter, maybe Howard could channel his penchant for music films into a concert film about Mos Eisely cantina fixtures Figrin D’an and the Modal Nodes. I’d be first in line.
Wishful thinking, I know. We’re getting a Ron Howard movie about young Han Solo. As others have said, it’s a safer bet, and not the least bit surprising. Maybe it’ll be fine. But I have a strong feeling that will also be familiar.
Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.
Related storiesHow Controversies Can Hurt Movies Before They're Released -- IndieWire's Movie Podcast (Screen Talk Episode 154)'Star Wars': Ron Howard Set to Take Over as Director of Embattled Han Solo Spinoff'Star Wars': The Han Solo Movie We Will Never Get to See...
- 6/22/2017
- by Eric Kohn, Zack Sharf, Kate Erbland, Chris O'Falt and Anne Thompson
- Indiewire
Irish actor Liam Neeson made his feature debut in 1978 in the big screen adaptation of Paul Bunyon’s Pilgrim’s Progress. It was the beginning of a varied and celebrated career which has seen the actor appear in action films such as The Delta Force (1986), The Grey (2012) and The A-Team (2010), biopics such as Michael Collins (1996), Kinsey (2004) and Schindler’s List (1993) (for which he was Oscar-nominated), as well as lending his distinctive voice to projects such as Ponyo (2009), The Lego Movie (2014), and The Chronicles Of Narnia (2005). Neeson has also had key roles in huge franchises such as Batman Begins (2005), Star Wars (1999) and Taken (2008). In Taken 3, Neeson returns as Bryan Mills, Special Forces agent and family man, who faces new threats to his loved ones.
French director Olivier Megaton made his feature debut with the sci-fi thriller Exit (2000), a Luc Besson production. Megaton and Besson have enjoyed a close working relationship,...
French director Olivier Megaton made his feature debut with the sci-fi thriller Exit (2000), a Luc Besson production. Megaton and Besson have enjoyed a close working relationship,...
- 6/1/2015
- by Phil Wheat
- Nerdly
3rd Update, Monday, 1.45 Pm and 3:15 Pm: All major titles are updated, including opener Teenage Mutant Ninja Turtles which has tallied $94.5M worldwide, Guardians of the Galaxy (now at $313M ww), openers Into the Storm, Step Up All In, and holdovers Hercules, Dawn of the Planet of the Apes, Lucy, Boyhood, Neighbors, The Purge: Anarchy, The Fault in Our Stars, How Train Your Dragon 2, X-Men: Days of Future Past, Rurouni Kenshin: Kyoto Inferno, Blended, and Transformers: Age of Extinction. Just received Sony’s final numbers on Sex Tape and 22 Jump Street a little after 3 p.m.
2nd Update, Sunday 2:00 Pm: We’ve added openers Into the Storm and about 15 more titles from Universal, Fox, Warner Bros. and others, including Dawn of the Planet of the Apes, which opened in Germany as No. 1 in the marketplace. It has yet to bow in China and has already passed the lifetime...
2nd Update, Sunday 2:00 Pm: We’ve added openers Into the Storm and about 15 more titles from Universal, Fox, Warner Bros. and others, including Dawn of the Planet of the Apes, which opened in Germany as No. 1 in the marketplace. It has yet to bow in China and has already passed the lifetime...
- 8/11/2014
- by Anita Busch and Nancy Tartaglione
- Deadline
Football has the Super Bowl, baseball has the World Series, soccer has the World Cup and movies have the Academy Awards. Each year, Hollywood's schedule more or less culminates with the Academy of Motion Picture Arts and Sciences handing out Oscars for the year's best films and Sunday, for the 83rd straight time, it happened again. Hosts James Franco [1] and Anne Hathaway [2] helped some of the most famous actors and actresses [3] in the world hand out the hardware for the best of 2010. Leading the pack with twelve total nominations [4] was The King's Speech, followed by True Grit with ten, Inception and The Social Network with eight, The Fighter with seven, 127 Hours with six, Black Swan and Toy Story 3 with five and The Kids Are all Right and Winter's Bone with four. And those just so happen to be the 10 films nominated for Best Picture. Did your favorite film take home an Oscar?...
- 2/27/2011
- by Germain Lussier
- Slash Film
Jason Statham reprises his role as the "Transporter" that everybody loves so much. We now have two new clips available for the next actioner which includes François Berléand, Natalya Rudakova, Robert Knepper, Jeroen Krabbe, Alex Kobold, David Atrakchi, Yann Sundberg, Eriq Ebouaney, David Kammenos, Silvio Simac, Justin Rodgers Hall and Katia Tchenko. Release is on November 26th with Olivier Megaton ("Exit," "The Red Siren") helming from the writing by Europa Corp boss Luc Besson as well as Robert Mark Kamen. The second film wasn't up to scratch quality-wise as far as the favorite first release, this however, may just redeem itself. The third film follows marting who has been pressured into transporting the kidnapped daughter of the Ukraine's Epa from Marseilles, Stuttgart and Budapest until Odessa on the Black Sea.
- 11/19/2008
- Upcoming-Movies.com
Jason Statham reprises his role as the "Transporter" that everybody loves so much. We now have two new clips available for the next actioner which includes François Berléand, Natalya Rudakova, Robert Knepper, Jeroen Krabbe, Alex Kobold, David Atrakchi, Yann Sundberg, Eriq Ebouaney, David Kammenos, Silvio Simac, Justin Rodgers Hall and Katia Tchenko. Release is on November 26th with Olivier Megaton ("Exit," "The Red Siren") helming from the writing by Europa Corp boss Luc Besson as well as Robert Mark Kamen. The second film wasn't up to scratch quality-wise as far as the favorite first release, this however, may just redeem itself. The third film follows marting who has been pressured into transporting the kidnapped daughter of the Ukraine's Epa from Marseilles, Stuttgart and Budapest until Odessa on the Black Sea.
- 11/19/2008
- Upcoming-Movies.com
Jason Statham reprises his role as the "Transporter" that everybody loves so much. We now have two new clips available for the next actioner which includes François Berléand, Natalya Rudakova, Robert Knepper, Jeroen Krabbe, Alex Kobold, David Atrakchi, Yann Sundberg, Eriq Ebouaney, David Kammenos, Silvio Simac, Justin Rodgers Hall and Katia Tchenko. Release is on November 26th with Olivier Megaton ("Exit," "The Red Siren") helming from the writing by Europa Corp boss Luc Besson as well as Robert Mark Kamen. The second film wasn't up to scratch quality-wise as far as the favorite first release, this however, may just redeem itself. The third film follows marting who has been pressured into transporting the kidnapped daughter of the Ukraine's Epa from Marseilles, Stuttgart and Budapest until Odessa on the Black Sea. Along the way, with the help of Inspector Tarconi, Frank has to contend with the people who strong armed him to take the job,...
- 11/19/2008
- Upcoming-Movies.com
Jason Statham reprises his role as the "Transporter" that everybody loves so much. We now have two new clips available for the next actioner which includes François Berléand, Natalya Rudakova, Robert Knepper, Jeroen Krabbe, Alex Kobold, David Atrakchi, Yann Sundberg, Eriq Ebouaney, David Kammenos, Silvio Simac, Justin Rodgers Hall and Katia Tchenko. Release is on November 26th with Olivier Megaton ("Exit," "The Red Siren") helming from the writing by Europa Corp boss Luc Besson as well as Robert Mark Kamen. The second film wasn't up to scratch quality-wise as far as the favorite first release, this however, may just redeem itself. The third film follows marting who has been pressured into transporting the kidnapped daughter of the Ukraine's Epa from Marseilles, Stuttgart and Budapest until Odessa on the Black Sea.
- 11/19/2008
- Upcoming-Movies.com
We've got some awesome late night delight today! A full trailer for Transporter 3 has popped up just in time for the release late next month. I guess the only trailers we saw before this were all just teasers. Let me just say that hot damn this looks fuckin' awesome! Why was I not a fan of the earlier Transporter movies? I don't know, but that's all going to change this November. Our resident badass actor Jason Statham takes on thugs left and right in his sleek new Audi in this trailer, which involves everything a perfect action movie should: hot women, car chases, fist fights, guns, and whatever else they've stuffed in this movie! Watch the full trailer for Transporter 3: [flv:http://media2.firstshowing.net/firstshowing/transporter3-trailer2.flv http://media2.firstshowing.net/firstshowing/transporter3-trailer2.jpg 480 206] Transporter 3 is directed by French filmmaker Olivier Megaton, of Exit, The Red Siren, and Angie previously, with a script penned by both Robert Mark Kamen and...
- 10/10/2008
- by Alex Billington
- firstshowing.net
Check out trailer 1b from the next actioner starring Jason Statham - "Transporter 3." Directed by Olivier Megaton, the helmer of 2000's "Exit" sci-fi crime thriller starring Patrick Fontana and Feodor Atkine. Luc Besson writes the script alongside Robert Mark Kamen. The film sees release on November 26th this year from distributor Lionsgate. Also in the cast are Robert Knepper ("Prison Break"), François Berléand ("A Girl Cut in Two"), Justin Rodgers Hall ("G.I. Joe," "The Soloist," "Star Trek") and Erique Ebouaney from "Ca$h." Jason Statham reprises his role as Frank Martin, the ex-Special Forces operative who specializes in high-risk deliveries.
- 8/27/2008
- Upcoming-Movies.com
Check out trailer 1b from the next actioner starring Jason Statham - "Transporter 3." Directed by Olivier Megaton, the helmer of 2000's "Exit" sci-fi crime thriller starring Patrick Fontana and Feodor Atkine. Luc Besson writes the script alongside Robert Mark Kamen. The film sees release on November 26th this year from distributor Lionsgate. Also in the cast are Robert Knepper ("Prison Break"), François Berléand ("A Girl Cut in Two"), Justin Rodgers Hall ("G.I. Joe," "The Soloist," "Star Trek") and Erique Ebouaney from "Ca$h." Jason Statham reprises his role as Frank Martin, the ex-Special Forces operative who specializes in high-risk deliveries.
- 8/27/2008
- Upcoming-Movies.com
Check out trailer 1b from the next actioner starring Jason Statham - "Transporter 3." Directed by Olivier Megaton, the helmer of 2000's "Exit" sci-fi crime thriller starring Patrick Fontana and Feodor Atkine. Luc Besson writes the script alongside Robert Mark Kamen. The film sees release on November 26th this year from distributor Lionsgate. Also in the cast are Robert Knepper ("Prison Break"), François Berléand ("A Girl Cut in Two"), Justin Rodgers Hall ("G.I. Joe," "The Soloist," "Star Trek") and Erique Ebouaney from "Ca$h." Jason Statham reprises his role as Frank Martin, the ex-Special Forces operative who specializes in high-risk deliveries. Also, we have a single image from the film with Jason in action and, for fans of Robert Knepper in "Prison Break," we have an interview with Wentworth Miller about the show.
- 8/27/2008
- Upcoming-Movies.com
Check out trailer 1b from the next actioner starring Jason Statham - "Transporter 3." Directed by Olivier Megaton, the helmer of 2000's "Exit" sci-fi crime thriller starring Patrick Fontana and Feodor Atkine. Luc Besson writes the script alongside Robert Mark Kamen. The film sees release on November 26th this year from distributor Lionsgate. Also in the cast are Robert Knepper ("Prison Break"), François Berléand ("A Girl Cut in Two"), Justin Rodgers Hall ("G.I. Joe," "The Soloist," "Star Trek") and Erique Ebouaney from "Ca$h." Jason Statham reprises his role as Frank Martin, the ex-Special Forces operative who specializes in high-risk deliveries.
- 8/27/2008
- Upcoming-Movies.com
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