The Other Conquest (1998) User Reviews

An Epic story with an important message. A modern MUST SEE

[sibamedia · 8/10 · 26 November 2007]

This movie has the tone of an epic story and a universal message of tolerance. The beautiful shots and the storytelling grab you from the first image and bring the audience in a journey through history following the uneasy path of the main character. But the story is never easy to guess and the feeling to witness something real is what keeps you on the edge of your seat. The characters never feel one-dimensional or convenient, they are part of the story and their historical role is portrayed in details. But there is something more: the story behind the movie. The making of it is, per se, an amazing adventure that every aspiring filmmaker must see.

The battle of the religious fanatics is on.

[Billy Edwards · 8/10 · 17 June 2000]

La Otra Conquista is a contrast of two religions, one believes in sacrificing its own people to its Goddess and the other wants to seemingly sacrifice other peoples to the Mother of God. This makes for interesting contrast. It would have been far more interesting, had it delved further into how the Aztecs hid their religion inside the Catholic faith (Substituting their Goddess with the Virgin Mary, etc.), but this area was not fully explored. Damián Delgado shows, once again what an under appreciated actor he is and the beautiful Elpidia Carrillo gives another one of her performances that makes you wonder why the hell she isn't a household name. In fact, the whole cast does an exceptional job. In brief, it may not be as profound as it set out to be, but it's more than worth taking a look at.

Finally, a different point of view.

[Wassig · 8/10 · 21 December 2010]

What I found interesting about The Other Conquest is its ability to tell a story of colonization that relates to many, if not all cultures on some level. It not only tells the story from the point of view of the Spanish, but also from Aztecs that were being conquered. Coming from the Philippines, I have noticed several similarities between our culture, and that of Mexico. Not to mention, both have been conquered by Spain and Catholicism is the predominate religion in both countries.

Topilzin, the main character of the story, represents a conquest for one's identity. He battles between his own cultural beliefs and those instilled upon him by the Spanish invaders. In doing so, he becomes torn between two ideals, which ultimately leads to a compromise of the two. He accepts Christianity, but won't relinquish his own belief system.

In many ways, this story is symbolic for how cultures assimilate other cultures into their own. The Philippines, for example, is a fusion of many cultures. It is a mixture of many beliefs, knowledge, values, and ideas. And yet, they are still able to call it their own.

I would recommend this movie to anyone who is trying to get in touch with their roots. It tells an amazing story of facing adversity and still being able to recognize where you came from.

A very poignant critique of religion

[tgrudin · 5 October 2002]

This film explores the relationships between politics, religion, spirituality, and culture, focusing on some true and some fabricated events of the Spanish invasion of the Aztecs. Biting, the film charges with the idea that the nature of culture and the strength of a highly traditional belief system is not conquerable. Stressing the strength and perseverance of the human will, the film yields unforgettable images, some that stress the deep connection between humanity and religion. One immortal image is of a statue of the Virgin Mary being carefully supported down from a high place with ropes. In this image, the true condition of organized religion is viewed; one that is undeniably buttressed by the will of the people.

With this powerful look at cross-cultural interactions and the strong statements about the role of the missionary, the movie grips its audience, leaving us with a feeling that all human beliefs are related and filtered by our very similar eyes. The message that this movie sends about religious disputes is one of great importance and even greater shrewdness on the part of the movie's creators.

Great Expectations Unrealized

[filfy-2 · 6/10 · 28 April 2000]

The subject matter of this film--the forced "Christianization" of the Aztecs--is a provocative topic and could have been made into a compelling film. Unfortunately, "La Otra Conquista" is not that film.

What "La Otra Conquista" does well is presenting the richness of the Aztec culture in great detail. The director, Salvador Carrasco, spent much time researching the era to bring an authentic feel to this piece. The cinematography, production design, costumes, makeup, are all excellent. For further detail, just see the wonderful website created for the movie.

So what's wrong with this film? 1) The script. It needs to be more narrative and less didactic. It's too concerned with its message that the characterization suffers as a result. Furthermore, it felt as if the "look" of each scene determined how the characters were going to behave. As a result, the film is long and tedious. 2) The direction. This film needs to adapt a more direct narrative and avoid "arty" gimmicks (such as replicating Diego Rivera images) which take away from the purpose of the film. Because of Mexico's complex history, the subject matter can be difficult to understand (even for the informed), and the direction doesn't help much in this regard.

Looking at Mr. Carrasco's credits on the IMDB I noticed that this is his first film as a director. It is a remarkable achievement, however one that unfortunately does not do the subject matter justice. Hopefully he can do what Robert Rodriguez did with "El Mariachi" and be given the opportunity to remake his first film. 6/10

This is the most powerful, unforgettable and life-altering film I've seen in ages.

[Kate Egan · 10/10 · 5 April 2001]

This is the most powerful, unforgettable and life-altering film I've seen in ages. It's amazing that I'm Irish and I felt it was about the story of my people, even though it's about the Aztecs and Spanish. What's wrong with you distributors out there? Why isn't this film playing nationwide?!?!?

The Other Conquest

[drparrotofficial · 7/10 · 15 May 2023]

The film is a visually stunning and thought-provoking exploration of the cultural clash that ensued when the Spanish arrived in Mexico. It highlights the violence and oppression inflicted on the native people and their resistance to cultural assimilation. The performances are top-notch, especially by the actor of Topiltzin, who delivers a nuanced and emotionally charged performance that captures the character's inner turmoil and struggles as he navigates between his loyalty to his people and his curiosity about the Spanish. Specifically, Topiltzin, a young Aztec codex author, is taken captive by the Spanish conquistadors and forced to convert to Christianity. As he struggles to reconcile his old beliefs with his new faith, Topiltzin must also confront the brutal reality of the Spanish conquest and the destruction of his people's way of life. Ultimately, through this narrative, it challenges its viewers to confront the uncomfortable truths of history, while also celebrating the resilience and endurance of the Mexica.

I wanted to love it, but....

[travelintom · 5/10 · 29 May 2008]

It took me 10 years to see this film, finally, on Netflix. I am avid about Mexican culture, history and pre-Colombian history but the spirits must have revealed to me that there was no urgency to see this film. I wanted so much to love it.

There are about 70 previous comments about this film and some eloquent and personal connections about race, culture clash and what all. It evidently spoke to some in an harmonic-vibration, viva-la-raza way but I was disappointed.

The Virgin of Gualalupe, mother-goddess (Tonantzin) theme is nothing new. I don't fault the film for playing it again, only for doing it in such an artsy and mystic way. The script began to drag just when the culture conflict could have made this a great movie. It became unrealistic when it could have shown the true conflict the Coluha-Mexica (Aztec) experienced when their own gods deserted them.

And what a lame ending! What was this "miracle" the friar sent for Cortez to see anyway? I replayed it several times to see if the Virgin's eyes had turned brown, or his had turned blue, or if his bruises were roses..nada. Especially with the long, dramatic build-up for the "miracle" scene with the camera pan and the music and all but nada. Just the friar's assertion that the scene somehow depicted the racial harmony that understanding and compassion could bring. The film should somehow have revealed that, not just asserting it with dialogue; especially since it isn't a truth of Mexican history.

Okay, the cinematography and score were great. It got off to a good start. There was some wonderful dialogue, as discussed in other posts: the "They want to take our souls" mis-translation, for example. I don't really quibble, as some have, about the the historical inaccuracies. I personally would rather have seen constructed or generated sets that depicted the original beauty of the pre-Colombian architecture than modern-day ruins.

The film was too easy on the Spanish..they did monstrous things out of greed and soul-saving. Hundreds, maybe thousands, were literally burned at the stake for not forsaking the pagan gods, hundreds of thousands, perhaps millions, otherwise died as a consequence of the conquest. It was way easy on the Mexica, tens of thousands were sacrificed to their gods and they all didn't go as willingly as that sexy, naked virgin-babe. Many were children.

I wanted to like this film but I can't even recommend it except to neo-Nahua kooks. It beat all hell out of Apocalypto though.

See This Film! Veala!

[scotthelsper · 10/10 · 9 September 2001]

The Other Conquest is one of the best films that I have ever seen.BUT it is neither for the squeamish nor the prudish. It is based on the consequences of the Spanish Military Conquest of Mexico led by Hernán Cortés in the early sixteenth century. The Other Conquest is set against this backdrop and explores the religious conquest of Topiltzin, the son of the Aztec King, Montezuma, and his favorite mistress. It is powerful yet beautiful; educational yet entertaining; sexual yet romantic; brutal yet compassionate. The director, Salavdor Carrasco, expertly weaves these contrasts into a film that grabs your attention from the beginning and takes you on an astonishing E-Ticket ride. The photography is stunning and the music is captivating. You will not forget this film. The only problem will be finding it. As I write this in September 2001, I have been looking for it for almost a year. I only recently learned that a small number of videos (without English subtitles) are available. Hopefully Señor Carrasco will release an English subtitled version of this Great film very soon. This film deserves a much wider audience than it has had.

A Rarity Among Modern Films

[djtaylor114 · 7/10 · 7 June 2011]

La Otra Conquista, a film about the infamous Spanish conquest of the Aztec empire, manages to do something that few modern films are able to do- it has significant cultural and historical relevance, is based on a realistic script with meaningful dialogue and strong character growth, and has brilliant cinematography that has been obviously influenced by some of the greatest filmmakers throughout the history of international cinema. It is quite clear throughout the viewing of this film that the filmmakers, most notably virtuoso writer/director/editor Salvador Carrasco, had art- not mere entertainment- in mind when crafting it.

When viewing La Otra Conquista, the outstanding cinematography is perhaps the first thing the viewer will notice. From the very first opening still shots of the destruction wreaked on the Aztec people, which are reminiscent of some other great opening shot sequences (2001: A Space Odyssey comes to mind), the film continues to bombard the viewer with beautiful image after beautiful image. The religious iconography and symbolism used throughout the film is very powerful, and really highlights the irony of the poor treatment of the Aztecs at the hands of the devout Spanish Christians. One particularly affecting scene shows main character Topiltzin getting brutally whipped as he stares pleadingly into the eyes of a statue of the Virgin Mary. Several times throughout the film, the potent image of this same statue descending while bound in rope is shown, and it is one of the film's greatest and most symbolic shots. The quality of every aspect of the production is especially impressive given the small budget for such a grand period piece.

The story in La Otra Conquista is very emotional, and the viewer may automatically find that they are sympathizing with Topiltzin on a consistent basis. As I watched the film, I couldn't help but share in the intense sadness that Topiltzin felt while everything he had ever known and believed in was slowly stripped away. But what I really love about the film is that Carrasco maintains a hint of neutrality when taking a stance on the events that occur. Rather than show all of the Spaniards as nothing but bloodthirsty conquistadors, Carrasco does invoke some sense that not all of these men are evil- Fray Diego does seem to have a good heart within him, regardless of how potentially misguided he may be. Not all of the men seem as self-centered and guiltless as Hernando Cortes. This adds an extra layer of realism, as most men cannot be labeled so strictly as either "good" or "bad"; life is not so black and white.

Also worth mentioning is that the soundtrack is incredible. The mix of classical music with indigenous sounds and ambient noise adds a significant amount to the atmosphere of the events taking place in the film. And of course, the acting is always great. The actors are at every moment naturalistic and believable, which further adds to the immersion.

Overall, La Otra Conquista is a great film- one that can be studied, as well as appreciated for its art. If more films were made like this nowadays, perhaps people would have the ability to learn from the past mistakes made throughout history and would have more of an appreciation for the people and the world around them.

Comments on a film I didn't like

[Canguro · 4/10 · 3 April 1999]

Really, this movie can end up being amusing for the great public, although for any person that knows some history, will find big errors in it.

In the first place, why producers did not take care of the accent of the actors, which instead of speaking as Spaniards, looks like they were taken out of some private university of Mexico City.

In several scenes we watch Spaniards (three at most) loading with heavy gear, making an effort carry it, knowing that from the beginning of the conquest they had indigenous assistants. Anyone can recognize that the ruins that appears at the beginning are those of Monte Albán, in Oaxaca, belonging to the zapotec culture, quite far from the mexican culture.

Well we know about the pleasure of the natives to use fancy nose rings, to be perforated lips and earings, etc. what is not reflected in the film.

In the sacrifice ceremony, several characters that could not have been there appear. Well we know that the sacrifices were made by priests, colored and dresses of black that they never cut themselves the hair and they carried out the sacrifices in the high of the temples. The common ones saw the ceremony from the inferior part of the pyramids.

And the image of Virgin Mary is so strange, not realistic even now. It is not a proper representation of images of those times.

The Spirit of Mankind

[speedric · 10/10 · 19 January 2001]

La otra conquista, tells our story not only as a nation, but as the human race. The true spirit of will and resistance is achieved through the filmed story and through the story behind the film. The movie is about the memory of the past of Mexico and its memory of the future. The memory of the past, obviously is evident through this piece of art, but the memory of the future, is the reassurance of our inheritance as a culture, of our will, of our human spirit. Once I claimed that the author of the film leaved his homecountry, now I understand better in what sense he has contributed mayorly with our culture, with our country. He has sent a message of tolerance to eternity. As a mexican I am grateful for this. Could we remember this film for our own sake?

Informative and Intriguing

[kaylaspirit · 7/10 · 17 February 2009]

The Other Conquest was very interesting because I never knew about the Atec Indians and the history of Mexico and their culture. I thought it was very informative but at the same time the topic is so large that I would really have to do much more research to understand and relate to the characters even more.

The set design and detailed costumes in the film really brought the history of these people to life. The music really helped me understand how different the Indians were to the Spanish and its quality brought emotion to each scene. The variety of shots, angles, filters and lenses provided a rich quality to the film and the acting was nothing less than sincere passion on the screen.

There were misconceptions between the Catholic and Christian religion as being identical, however the fictional story of Tepulitzan and his inner obsession with his god was intriguing.

Terrible Film and Teacher exploiting students for reviews on this website is very misleading!

[danieluvzya · 1/10 · 18 November 2012]

The only reason there are reviews and decent ratings on this film is because the director gives his students credit for reviewing it on here. It's disgusting and pathetic. The school should not allow it and this site should not allow it.

The film was terrible, boring, cheesy, over-acted, and my least favorite film of all time. I don't think it's appealing to anyone in this day-and-age and one must consider that it's not hard to be a high grossing Mexican film, especially for the time it was made...

IMDb should discredit this films rating and reviews because they are obviously unfairly given and dishonest.

A brilliant first film that touches the viewer on many levels.

[filmbuffer · 27 December 2002]

Most of us see different films for different reasons; escape to other places or times, a couple of hours of laughter or beautiful cinematography, a chance to look at people who are like no one we know (or exactly like someone we know), a chance to hear some beautiful new music while watching an exciting drama unfold, or perhaps an important lesson about life or history or even about ourselves. Rarely do all these elements come together in one film, but this is the case with La Otra Conquista.

There is no need to belabor the narrative since so many others have done that here, but even that is refreshing since I don't remember another film that looks at the conquest of this continent from the point of view of those who were here first. It is one of the few times they are not portrayed as a bunch of happy slappy childlike natives or murderin' savages out to rape the virginal white women.

It is an amazing achievement in so many ways. After the years of struggle and the unbelievably huge obstacles in the path of this dramatization of the last days of the great Aztec empire it's a wonder it was ever completed. It's almost as if forces were still, even now, trying to stamp out their history and their story. But despite the small budget, the years of piece-by-piece shooting, and those who wanted the shameful, dead past to stay dead, La Otra Conquista was made.

I am listening to the soundtrack as I write this, and the music is as haunting as it was the first time I heard it. The theme that recurs throughout the film appears again and again, sometimes sounding like a monks' plainsong, sometimes like a sacred wise man's chant, until finally it becomes a painful, funereal dirge crying out for the lost past. The music alone made the film worth seeing; nothing like the voice of Placido Domingo to make people sit still and be quiet while the credits are rolling!

I can only add this: Unless you need your films dumb and lightweight and meaningless, you owe it to yourself to see what was Mexico's biggest home grown hit in history and should have been that country's entry in the Academy Awards. Ironically, the very subject of the film makes it clear why this didn't happen: Our past is always with us. See it if you're lucky enough.

Who Conquered Whom?

[bradwilcox · 7/10 · 8 June 2012]

Topiltzin, played by Damián Delgado, is a fictional character who walks a dark path over desecrated land in the very real world of the Aztecs in the 16th century. The Aztecs have had their lives and everything they know upended and destroyed by Spanish invaders. Their world is in ruin and their people slaughtered. This is how The Other Conquest begins; bodies are scattered and splayed out like they've been tossed around by a giant. One of them stirs, and from underneath it, our protagonist emerges. He is one of the few survivors, and also the illegitimate son of Emperor Moctezuma.

This is not the story of the victorious Spanish, although it is also not an entirely one-sided view of events. An important figure in this film, and very much the narrator, is the Spaniard Friar Diego (José Carlos Rodríguez) who, in a way, begins this story in a flash forward, by reflecting from his death bed in Spain, on the events that unfolded in the New World. He is racked with guilt and regret. He relives the moments with Topiltzin and his zealous need to save the native's soul before Diego himself passes to whatever next world there may be.

Elpidia Carrillo plays the noble (and non-fictional) Tecuichpo, daughter of Moctezuma, now forced to become Doña Isabel, lover, confidant and translator to Hernando Cortés (Iñaki Aierra). She survives her privileged captivity with careful cunning and stoicism, playing Cortés as best she can without revealing her true loyalties.

Although the story itself is largely fictional, the authentic feel and portrayal of the native Aztecs makes you feel like you are transported there with them. Even though some of their rituals may seem quite barbaric, director Salvador Carrasco gives us an insight that makes us question our judgment of them and better understand, not only their plight, but the plight of all oppressed and conquered peoples.

Friar Diego's desperate plight to convert Topiltzin continues, yet the Aztec has a conversion of a different kind in mind, embodied in his own quest to possess a statue of the Virgin Mary. Ultimately, this film leaves you asking the question, who really conquered whom? The answer is not black and white. After all, there was never a Virgin of Guadalupe in Spain. But we also know the Catholic church has a history of appropriating other non-Christian religious customs (Christmas tree, Easter Bunny, etc) in order to ease the conversion process. So perhaps the truth is somewhere in between.

All in all, this a wonderful, thought-provoking film. My only disappointment was that I was left feeling I wanted to return to Friar Diego's bedside, if only to see his fellow monks pulling the bed sheet over his body. Since the film established a sort of "present time" of Diego in Spain after his experience in the New World, I felt we, as viewers, should have been brought back to that time to say farewell to the man who was, in essence, telling us this story, if only through his agonized thoughts.

FABULOUS!

[jniblick · 10/10 · 14 May 2001]

This film is one that has been long overdue. As a retired captain/World War II veteran and professor, anyone would agree with me that this film was written, directed and produced by the eye of a genius. The location, the props, the set design and wardrobe, not excluding the actors were all outstanding. Furthermore, the message is one of tolerance, respect and peace for all of humanity. Where America is in the midst of youth violence, hatred and racial tension, truly this film is a must for all people who work towards peace and harmony for our future leaders. It is this type of film that delivers a message of unity---which can be spelled UNITED STATES, which is what we are and what we must be true to. Most importantly, it truly is a riveting piece of art, which triggers your imagination---it is a MUST see!!!

The untold story

[sofia-ehrich1995 · 7/10 · 12 February 2014]

La Otra Conquesta is the untold story of the Aztecs and Spaniards. The film is controversial and meaningful. The film perfectly grasps the universal theme of oppression; many cultures can relate. Most of the stories that are heard about this topic tell how the Indians and Spaniards got along and how the Indians willingly gave up their religion, but this film captures history in a different light. In this version, the Spaniards forcefully push their religion on the Indians as shown in a scene where the protagonist is whipped and burned until he believes in the Virgin Mary. The idea of being forced to believe in something we don't want to is not only scary (stripped of freedom) but also seems counter productive. Why would you believe in something that you are being negatively forced to believe in? This idea along with many others is what many people have taken away from the film. Some may not like the ending but I think the ending was perfect for showing the pride and love that Topiltzin had for his culture. He fought for it until the end.

Not worth the time

[mikehamilton · 5/10 · 4 September 2000]

Boy.....just manipulate history! Not good actors. Faky scenes. Not good dialogue. Plain NOT GOOD. Save your money!

I was so disappointed. I had a few expectations of seeing some beautiful and painful history. I was very saddened when I saw this film.

what they never taught us in high school...

[graceism22 · 9/10 · 21 December 2010]

La Otra Conquista is a brilliant film directed by Salvador Carrasco. It's rare to find a film like this where it tells the other side of the story, in this case of the Aztecs. Carrasco does not however bore us with a historical documentary styled drama but paints a very honest picture of the conquest. We feel so powerfully about this film because the message is so universal. Whatever background (nationality, race, culture, ideology, etc.) you come from, we have all experience some sort of "conquest", and we have all raised some kind of resistance to such conquest. Topiltzin, the protagonist embodies this resistance and we feel an immediate connection to him. It was very interesting that the actor casted for Topiltzin was actually a dancer and casted for that very reason. It was a risky but very brave choice for Carrasco to cast Damian Delgado as the protagonist rather than a "brand name" actor. Delgado does deliver a memorable performance especially for a first-time actor. One thing I felt that did not quite work was the dialogue. I don't know if it was just the translation, but sometimes I felt the dialogue was very didactic and slow. I do however understand that the reason for this was probably because most of the story was told through the imagery and mise en scene of the scenes. Maybe Carrasco wanted to redirect the attention from what's being said to what's being shown. Overall, the film is beautifully shot, especially on such a tight budget. Carrasco actually commented that the scenes showing the Aztec ruins is actually smack in the center of a very urban city, but the cinematographer was able to cleverly conceal the anachronistic elements behind the ruins. Carrasco also commented that the scenes showing the inside of the ruins were actually shot few years apart but through the flawless editing of the film, it's undetectable.

The Other Conquest

[melissastarr90059 · 7/10 · 12 December 2010]

"The Other Conquest" 1998 by Salvador Carrasco was a good movie in terms of learning about the Spaniards and the Aztecs. It was very intense and i began to realize that I didn't know much about the Spaniards and the Aztecs in middle school or high school. The movie gives the viewers a better understanding on how the world affects us socially and religiously. The movie definitely show clashes in terms of culture. It was really complicated to watch because I don't know much history about it to understand the concept of the movie. But the work of art in the film definitely relate to the era of the 1520's. This would be a good movie to show to high school students.

Soap opera vignettes

[Oslo_Jargo · 3/10 · 6 May 2008]

Most of the film is tedious because it doesn't take the issue very seriously, instead, it wants to rely on absurd set-pieces where the Spanish are yelling obscenities at the indians, or symbolic art vignettes.

The acting is torrid, looking like a very dismal and cheap soap opera.

The sets are too well lit, the actors too clean, and it is too sympathetic with the Catholic church, which in actuality at the time of the conquest, was a brutal, oppressive and dominant force with its own army, Inquisition and wealth.

The intentions are there, but there is no drama, no story and no interest for the educated viewer. It might be good for people easily manipulated to tears, or those who don't know about history, but lovers of great film should stay clear except to watch, on "how not to make a film".

The search for identity

[hendrik_lisna · 10/10 · 11 November 2004]

This movie is beautifully put together, considering how low budget it is.Much to my surprise, this movie is focused more on the phsycological side of a colonisation rather than the plundering, scorching earth that we usually saw in this type of movie.

The movie is well acted, considering this is the lead role's first movie. There is just enough violence/sex to titillate and arouse the mind without feeling it's just for the "shock value".

8.5 out of 10 I can see that with a bigger budget, this movie could be more visually stunning.

Interesting but a tad slow

[matt-wong-761-567967 · 7/10 · 10 June 2010]

Having watched this movie in a class taught the director we got a unique perspective of this film. I really enjoyed the subject matter and lengths the movie went to be as authentic as possible. From using native actors and their own language to the realistic portrayal (burning of Tomas' feet) of the violence, you get a good sense of the Aztec culture and what they went through during the conquest. That being said, I did find some parts dragged a bit. However, I didn't find that took away from the overall enjoyment of the film. If you like historical pieces and want to learn about a moment in history not everyone knows about then I suggest you track this film down.

The other conquest

[Laetitiaa · 3/10 · 11 December 2011]

This movie by Salvador Carrasco show us the other side of the Spanish conquest of Mexico. I did not really like this movie but I do give credit for the movie for trying to show us fusion between the Aztecs and the Spaniards on screen. This movie reminds me of the old and recent war and genocide in my country. When people of my ethnicity in my own country where hunted and killed. The movie was to dry for my taste. I wanted to see more and understand more. I felt that the movie did not explain the violence surrounding the Spanish conquest of Mexico in 1521 nor the loss and horror when the entire cities were destroyed. I think the movie fail to capture a deeper exploration into the historic moment of the fusion between Aztecs and the Spaniards. The end of the film left me confused because the director in a way fails to explain why the film ended they way it did. I mean why does Topiltzin, son of Moctezuma played by Damian Delgado decided to steal the Virgin Mary and then dies with it on top of him? I though that he left the spiritual conquest unexplained. It did not make any sense to me until we discussed it in class. When we talk about the film in class I got to hear that at the ritual, when they where about the sacrifices Topiltzin they made him look at the Virgin Mary. This made him hate her, but his feelings and spiritual belief changed when he started to see the Virgin as something good and a mother figure. This made me connect why he stole and wanted to die in peace next to Virgin Mary that he saw as a mother. If you paid enough attention you could see blood flowed out came from the Virgins wrist not from Topiltzin. You could also see tears from the virgin. This shows that she was in pain of loosing her "child". If we had not talk about this in our class I would not have connected. And this is exactly what I mean, that you do not really get an explanation. I also did not see how this connects with what the story of the film which is the fusion of the two religion. The cast however, did a great job specially the character Topiltzin, son of Moctezuma played by Damian Delgado considering that it was one of his first movies. I also felt that the light and quality of the movie was very poor. It might had been the directors intention or because this was low-budget film.