In the upcoming episode of “The Patrick Star Show,” viewers are in for a rollercoaster of emotions as the enemies of the Star family join forces to seek revenge. The tension reaches new heights as old rivalries resurface and schemes are set in motion. Fans can expect a thrilling showdown as the stakes are raised and alliances are tested.
Meanwhile, amidst the chaos, Bunny finds herself in a sticky situation as she discovers that she has lost a precious tattoo. This unexpected turn of events leads to a series of hilarious and heartwarming moments as Bunny embarks on a quest to reclaim what is rightfully hers. The episode promises to deliver a mix of action, comedy, and heartwarming moments that will keep viewers on the edge of their seats.
Tune in at 3:30 Pm on Wednesday, June 19, 2024, on Nickelodeon to witness the drama unfold in “Best Served Cold; Tattoo Hullabaloo.
Meanwhile, amidst the chaos, Bunny finds herself in a sticky situation as she discovers that she has lost a precious tattoo. This unexpected turn of events leads to a series of hilarious and heartwarming moments as Bunny embarks on a quest to reclaim what is rightfully hers. The episode promises to deliver a mix of action, comedy, and heartwarming moments that will keep viewers on the edge of their seats.
Tune in at 3:30 Pm on Wednesday, June 19, 2024, on Nickelodeon to witness the drama unfold in “Best Served Cold; Tattoo Hullabaloo.
- 6/12/2024
- by Jules Byrd
- TV Everyday
George Maharis, a big TV star in the sixties but probably best known to JoBlo readers from his role in Albert Pyun’s The Sword and the Sorcerer, is dead at 94. According to social media posts via the actor’s caretaker, he actually passed away on Wednesday, with the cause of death not revealed. Maharis was a pretty trendy leading man in his day, with him having starred in the hip TV series Route 66, in which he co-starred with Martin Milner as two young men driving across the United States, getting involved in adventures. Taking a page from Jack Kerouac, the show made Maharis a star, but he left it prematurely due to being diagnosed with hepatitis. In 1965 he starred in a pretty good spy thriller called The Satan Bug, which came from the director of The Magnificent Seven and The Great Escape, John Sturges, in which he played...
- 5/28/2023
- by Chris Bumbray
- JoBlo.com
Ever since “Once Upon a Time in Hollywood” touched down at the Cannes Film Festival, much has been made over Margot Robbie’s lack of dialogue as Sharon Tate. Robbie’s low word count prompted Time magazine this week to count every word ever spoken by Tarantino’s female characters, much to the annoyance of Tarantino fans and surely the moviegoers sitting next to that reporter. As IndieWire’s Kate Erbland has explained, Robbie’s lack of dialogue does not diminish Tate’s overwhelming presence in “Hollywood.” One of Robbie’s most spirited moments occurs when Tate attends a party at the Playboy Mansion, her infectious dancing doing more to showcase her lively optimism and spirit than any dialogue could.
The New York Times recently spoke with Toni Basil, the 1960s dancing “it” girl Tarantino hired to choreograph the massive Playboy Mansion party. Basil knew Sharon Tate personally and has...
The New York Times recently spoke with Toni Basil, the 1960s dancing “it” girl Tarantino hired to choreograph the massive Playboy Mansion party. Basil knew Sharon Tate personally and has...
- 8/8/2019
- by Zack Sharf
- Indiewire
By Jonathan Weichsel
MoreHorror.com
Horror director Kansas Bowling (B.C. Butcher) is a huge music fan, and she recently sent me a tip about a cool new rock album that was literally fifty years in the making. In 1965 five boys, aged fifteen to seventeen, some students at Beverly Hills High, some dropouts, formed a garage rock band called The Sloths. After playing at venues around Hollywood such as The Stratford, Sea Witch, The Hullabaloo, Hollywood Palladium, The Whiskey, Bito Lidos, and The Galaxy, and sharing bills with The Doors, Love, Iron Butterfly, The Seeds, Pink Floyd and The Animals, The Sloths were approached by Impression Records and recorded two original songs; “Makin’ Love” and “You Mean Everything To Me.” The band made the rounds of the major radio stations, hoping to have their record played. But “Makin’ Love” was considered too controversial, and “You Mean Everything To Me’” was only played on air once.
MoreHorror.com
Horror director Kansas Bowling (B.C. Butcher) is a huge music fan, and she recently sent me a tip about a cool new rock album that was literally fifty years in the making. In 1965 five boys, aged fifteen to seventeen, some students at Beverly Hills High, some dropouts, formed a garage rock band called The Sloths. After playing at venues around Hollywood such as The Stratford, Sea Witch, The Hullabaloo, Hollywood Palladium, The Whiskey, Bito Lidos, and The Galaxy, and sharing bills with The Doors, Love, Iron Butterfly, The Seeds, Pink Floyd and The Animals, The Sloths were approached by Impression Records and recorded two original songs; “Makin’ Love” and “You Mean Everything To Me.” The band made the rounds of the major radio stations, hoping to have their record played. But “Makin’ Love” was considered too controversial, and “You Mean Everything To Me’” was only played on air once.
- 7/9/2016
- by admin
- MoreHorror
The Coen brothers' new film about a 1960s folk singer in Greenwich Village is a reminder of how authenticity became the rod that folk music made for its own back
The new film by the Coen brothers, Inside Llewyn Davis, evokes Greenwich Village at the beginning of the American folk boom. The date is February 1961. Metropolitan young Americans sit in smoky clubs listening reverently to music that they believe is purer, more honest and more heartfelt and therefore more elevating than the commercial mainstream of Sinatra, Buddy Holly and Doris Day. Folk music is still mainly a process of discovery and renewal rather than invention; singers tend to see themselves as curators of tradition. Lines such as: "Here's a song I first heard Leadbelly sing," remain the staple fare of introductions in a form that awaits the great singer-songwriter. Bob Dylan has just arrived in town but is still a...
The new film by the Coen brothers, Inside Llewyn Davis, evokes Greenwich Village at the beginning of the American folk boom. The date is February 1961. Metropolitan young Americans sit in smoky clubs listening reverently to music that they believe is purer, more honest and more heartfelt and therefore more elevating than the commercial mainstream of Sinatra, Buddy Holly and Doris Day. Folk music is still mainly a process of discovery and renewal rather than invention; singers tend to see themselves as curators of tradition. Lines such as: "Here's a song I first heard Leadbelly sing," remain the staple fare of introductions in a form that awaits the great singer-songwriter. Bob Dylan has just arrived in town but is still a...
- 1/18/2014
- by Ian Jack
- The Guardian - Film News
Frank Peppiatt, co-creator of Hee Haw and one of television’s top variety show producers during the 1960s and ’70s, has died. Peppiatt passed away Wednesday in Ponte Vedra Beach, Florida, after battling bladder cancer, his family tells the La Times. He was 85. The Canadian-born Peppiatt and his writing partner and producer John Aylesworth were responsible for several memorable projects, including Perry Como’s Kraft Music Hall, The Judy Garland Show, The ABC Comedy Hour and the teen dance show Hullabaloo. But their greatest success came with Hee Haw. The CBS show, developed as a country version of Rowan & Martin’s Laugh-In, was co-hosted by Roy Clark and Buck Owens and showcased top country stars including Loretta Lynn, George Jones and Tammy Wynette. Hee Haw initially was scheduled as a summer replacement in 1969 for The Smothers Brothers Comedy Hour, but it surged to the top of the ratings and was...
- 11/9/2012
- by THE DEADLINE TEAM
- Deadline TV
. With Paul Lynde on the set of Bye Bye Birdie Normal 0 false false false En-us X-none X-none MicrosoftInternetExplorer4 If you came of age during the Sixties, you may well remember the name Lada Edmund, Jr. who was one of the original gyrating, mini-skirted go-go girls who danced in a cage on NBC-tv’s music program, Hullabaloo 1965-66. Similar to ABC’s Shindig, Hullabaloo featured a different celebrity host each week to introduce some of the most popular musical performers of the day. However, the show received most of its press not for the rock groups or vocalists that guest starred but for Lada and fellow dancers who bumped, grinded and twisted their way into the homes of teenagers every week. So popular was she that she landed on the cover of TV Guide magazine.
Before she found TV fame, Lada began her career dancing on Broadway. She was one of...
Before she found TV fame, Lada began her career dancing on Broadway. She was one of...
- 9/19/2009
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Neal Hefti, composer of the memorable Batman television theme music, passed away on October 11. He was 85 and had been in poor health for some time his son Paul reported.
In a career spanning many decades, the big band trumpeter was finally known for the theme in addition to other memorable film and television scores including The Odd Couple.
Hefti’s catchy “Batman Theme” was released as a single and went as high as #35 on the Billboard Hot 100 chart. A version by the Marketts did better, cracking the Top 20 at #17. The theme song has been covered throughout the years by the Who, the Kinks, and virtually every surf-band on Earth.
A 1966 episode of the television series Hullabaloo, hosted by George Hamilton, featured two dozen girls dressed in faux-Batman costumes dancing to the LP version of the theme song.
His career began with writing musical charts for Nat Towles before moving...
In a career spanning many decades, the big band trumpeter was finally known for the theme in addition to other memorable film and television scores including The Odd Couple.
Hefti’s catchy “Batman Theme” was released as a single and went as high as #35 on the Billboard Hot 100 chart. A version by the Marketts did better, cracking the Top 20 at #17. The theme song has been covered throughout the years by the Who, the Kinks, and virtually every surf-band on Earth.
A 1966 episode of the television series Hullabaloo, hosted by George Hamilton, featured two dozen girls dressed in faux-Batman costumes dancing to the LP version of the theme song.
His career began with writing musical charts for Nat Towles before moving...
- 10/15/2008
- by Robert Greenberger
- Comicmix.com
Neal Hefti, composer of the memorable Batman television theme music, passed away on October 11. He was 85 and had been in poor health for some time his son Paul reported.
In a career spanning many decades, the big band trumpeter was finally known for the theme in addition to other memorable film and television scores including The Odd Couple.
Hefti’s catchy “Batman Theme” was released as a single and went as high as #35 on the Billboard Hot 100 chart. A version by the Marketts did better, cracking the Top 20 at #17. The theme song has been covered throughout the years by the Who, the Kinks, and virtually every surf-band on Earth.
A 1966 episode of the television series Hullabaloo, hosted by George Hamilton, featured two dozen girls dressed in faux-Batman costumes dancing to the LP version of the theme song.
His career began with writing musical charts for Nat Towles before moving...
In a career spanning many decades, the big band trumpeter was finally known for the theme in addition to other memorable film and television scores including The Odd Couple.
Hefti’s catchy “Batman Theme” was released as a single and went as high as #35 on the Billboard Hot 100 chart. A version by the Marketts did better, cracking the Top 20 at #17. The theme song has been covered throughout the years by the Who, the Kinks, and virtually every surf-band on Earth.
A 1966 episode of the television series Hullabaloo, hosted by George Hamilton, featured two dozen girls dressed in faux-Batman costumes dancing to the LP version of the theme song.
His career began with writing musical charts for Nat Towles before moving...
- 10/15/2008
- by Robert Greenberger
- Comicmix.com
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