In a coma, a cartoonist finds himself trapped within his own underground creation and must find a way to get back, while racing against his popular but treacherous character, Monkeybone.In a coma, a cartoonist finds himself trapped within his own underground creation and must find a way to get back, while racing against his popular but treacherous character, Monkeybone.In a coma, a cartoonist finds himself trapped within his own underground creation and must find a way to get back, while racing against his popular but treacherous character, Monkeybone.
- Awards
- 3 nominations
John Turturro
- Monkeybone
- (voice)
Amy Higgins
- Clarissa
- (as Amy D. Higgins)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaCartoon Network later went to make their hit late night block Adult Swim after receiving criticism from parents for supporting the movie and its marketing during its regular run time blocks.
- GoofsStu's hands, which were covered in cake, are totally clean in the next scene, when he jumps away from the dog.
- Quotes
Stephen King: How about that nightlight I asked you for?
Edgar Allen Poe (to King): King You Pussy!
Stephen King: Bite me Poe!
- Crazy creditsFollowing the credits a stop-motion animated statue, which gave Stu Miley his pajamas earlier in the film, is seen for a few seconds holding two flags. One reads THE and the other reads END.
- Alternate versionsAn Alternate ending was filmed which follows the scene when Stu Miley tries to stop Monkeybone from giving the world nightmares but the difference in this ending is that he was unsuccesful in doing so and thus gets trapped in Downtown forever while Monkeybone continues to take over his life on Earth.
- ConnectionsFeatured in Troldspejlet: Troldspejlet Special: Stop Motion (1999)
Featured review
Deserved to do better
Henry Selick's first feature, "The Nightmare Before Christmas", was a modern classic. His next, "James and the Giant Peach", had most of the things that made "Nightmare" great - heavily diluted. One thing that weakened Selick's second movie was his decision to begin and end with live action footage, when the glory of both "Nightmare" and "Peach" lay in skilful, sharp, gorgeous stop-motion animation.
In "Monkeybone" Selick has watered the original batch of Nightmare juice still more (note to Selick: it's time to stop mining this lode - if you make a fourth feature, get a new look), with at least half of the footage lacking the visual trademarks that were probably the reason for making the film in the first place. There WAS some stop-motion footage thrown in, probably it's for old time's sake.
Still, this is a better, more memorable movie than Selick's last one, and certainly not nearly as bad as the miserable box-office returns and scathing reviews would lead you to believe. Yes, the film has its flaws, but if you were to judge from its reception you'd think it didn't have ANY virtues - which simply isn't true. There's Brendan Fraser, for a start. How can you not like Stu Miley, or the way Fraser plays him? (If you want to see Fraser's charm wasted, see "Bedazzled".) At one point Stu is forced to temporarily occupy another body (Chris Kattan), and we instantly transfer our affections to the new actor without giving the matter a second thought - which is more remarkable than it sounds, and shows that Fraser really had been WORKING to get us to like Stu.
Then there's Downtown, which you must admit, looks good. It's more of a visual hodgepodge than Selick's previous two worlds (the first of which owes its look largely to Tim Burton), partly because it was realised through an ill-chosen mixture of costume, CGI, stop-motion and set design ... our eyes must constantly adjust, yet the overall look is strong enough to make it worth the effort.
As for the film's flaws, well, they've been greatly exaggerated. I suppose there were (as several American critics complained) some bodily-function-based jokes, but I can't recall that many - certainly not as many or as witless as in "Shrek", and besides, at least some of the jokes in "Monkeybone" are actually funny. That's because they're character-based, and not solely reliant on the alleged shock value of someone suddenly farting or burping.
All that's really wrong with "Monkeybone" is that it lacks the brilliance a premise this bizarre demands. Yeah, well, big deal. So unlike Selick's first feature it's not a masterpiece. It's still an entertaining, competently made film with a good, solid story, more than inventive enough to justify having been made.
In "Monkeybone" Selick has watered the original batch of Nightmare juice still more (note to Selick: it's time to stop mining this lode - if you make a fourth feature, get a new look), with at least half of the footage lacking the visual trademarks that were probably the reason for making the film in the first place. There WAS some stop-motion footage thrown in, probably it's for old time's sake.
Still, this is a better, more memorable movie than Selick's last one, and certainly not nearly as bad as the miserable box-office returns and scathing reviews would lead you to believe. Yes, the film has its flaws, but if you were to judge from its reception you'd think it didn't have ANY virtues - which simply isn't true. There's Brendan Fraser, for a start. How can you not like Stu Miley, or the way Fraser plays him? (If you want to see Fraser's charm wasted, see "Bedazzled".) At one point Stu is forced to temporarily occupy another body (Chris Kattan), and we instantly transfer our affections to the new actor without giving the matter a second thought - which is more remarkable than it sounds, and shows that Fraser really had been WORKING to get us to like Stu.
Then there's Downtown, which you must admit, looks good. It's more of a visual hodgepodge than Selick's previous two worlds (the first of which owes its look largely to Tim Burton), partly because it was realised through an ill-chosen mixture of costume, CGI, stop-motion and set design ... our eyes must constantly adjust, yet the overall look is strong enough to make it worth the effort.
As for the film's flaws, well, they've been greatly exaggerated. I suppose there were (as several American critics complained) some bodily-function-based jokes, but I can't recall that many - certainly not as many or as witless as in "Shrek", and besides, at least some of the jokes in "Monkeybone" are actually funny. That's because they're character-based, and not solely reliant on the alleged shock value of someone suddenly farting or burping.
All that's really wrong with "Monkeybone" is that it lacks the brilliance a premise this bizarre demands. Yeah, well, big deal. So unlike Selick's first feature it's not a masterpiece. It's still an entertaining, competently made film with a good, solid story, more than inventive enough to justify having been made.
helpful•3910
- Spleen
- Oct 25, 2001
- How long is Monkeybone?Powered by Alexa
Details
Box office
- Budget
- $75,000,000 (estimated)
- Gross US & Canada
- $5,411,999
- Opening weekend US & Canada
- $2,685,078
- Feb 25, 2001
- Gross worldwide
- $7,622,365
- Runtime1 hour 33 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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