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Bless the Child (2000)
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Overview
User Rating:
Release Date:
11 August 2000 (USA) moreTagline:
Fear the Darkness. Fight the Evil. Bless the Child. morePlot:
Omens and concepts of good vs. evil have no place in Maggie O'Connor's well-ordered, practical universe... more | add synopsisAwards:
1 win & 4 nominations moreNewsDesk:
(10 articles)
Opening Case 39 (From Fangoria. 5 October 2009, 9:19 AM, PDT)
Drag Me To Hell soundtrack hits stores
(From Fangoria. 17 August 2009, 9:42 AM, PDT)
User Comments:
A most underrated movie, unfairly condemned by others more (178 total)Cast
(Cast overview, first billed only)| Kim Basinger | ... | Maggie O'Connor | |
| Jimmy Smits | ... | Agent John Travis | |
| Holliston Coleman | ... | Cody O'Connor | |
| Rufus Sewell | ... | Eric Stark | |
| Angela Bettis | ... | Jenna O'Connor | |
| Christina Ricci | ... | Cheri Post | |
| Michael Gaston | ... | Det. Frank Bugatti | |
| Lumi Cavazos | ... | Sister Rosa | |
| Dimitra Arliss | ... | Dahnya (as Dimitra Arlys) | |
| Eugene Lipinski | ... | Stuart | |
| Anne Betancourt | ... | Maria | |
| Ian Holm | ... | Reverend Grissom | |
| Helen Stenborg | ... | Sister Joseph | |
| Matthew Lemche | ... | New Dawn Kid at Van | |
| Dan Warry-Smith | ... | New Dawn Kid |
Additional Details
MPAA:
Rated R for violence, drug content and brief language.Parents Guide:
View content advisory for parentsRuntime:
107 minLanguage:
EnglishColor:
ColorAspect Ratio:
2.35 : 1 moreCertification:
Portugal:M/16 | Finland:K-15 | South Korea:15 | Philippines:PG-13 | Argentina:13 | Australia:MA | Canada:14A | Chile:14 | France:-12 | Germany:16 | Hong Kong:IIB | Ireland:18 | Mexico:C | Netherlands:16 | New Zealand:R16 | Peru:14 | Singapore:PG | Spain:13 | UK:15 | USA:R (certificate #37491) | Iceland:16Fun Stuff
Trivia:
"Ego fum papa" roughly translates as "I am the Pope". moreGoofs:
Revealing mistakes: As Maggie and Cody are driving to Vermont it is supposed to be the day before Easter Sunday (March or April) and yet mid-autumn foliage can been seen outside. moreQuotes:
Good Samaritan Janitor: Well you'll catch him, I got a good feeling about this.John Travis: You do, huh?
Good Samaritan Janitor: You're wrong about one thing, though.
John Travis: What's that?
Good Samaritan Janitor: You're not working alone tonight. A good man is never alone in this world.
more
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This FAQ is empty. Add the first question.more (178 total)
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I have been going to the movies for 55 years now. And I have been writing novels for nearly 30 years, with 38 published thus far. One of my favorite genres as a moviegoer is the horror thriller, which is one in which I have written also, usually within a Christian context.
BLESS THE CHILD is unquestionably one of the finest genre movies I have ever seen, the kind that combine Christian themes and thriller techniques. I like it because it is relatively subdued, with sincere underplayed acting, and a minimum of Hollywood hocus-pocus.
The themes are:
1) The triumph of God over the devil, instead of the reverse. 2) The power of prayer. 3) The depiction of angels of light. 4) Brief but effective moments when demonic creatures, normally in an unseen supernatural existence, are revealed starkly. 5) No attempt to make evil seem other than loathsome, destructive. 6) Child-like faith enables us to resist Satan.
The direction by Chuck Russell was excellent, involving; no wonder he came close to directing the screen version of THIS PRESENT DARKNESS. There was almost no foul language, and the brutal episodes were less in number than usual.
I notice the Christian moments were referred to as "propaganda". Why is it propaganda when biblical references are used but not propaganda when humanism, nihilism, abortion, homosexuality, adultery and such are similarly promoted?
I showed BLESS THE CHILD to a neighbor couple, folks who are not especially religious. They were enthralled by it, reacting nervously when the suspense is intensified, rejoicing at the more inspiring moments.
BLESS THE CHILD is not a toweringly great movie but, rather, an intensely reverent one, directed with intelligence, acted with conviction, without nude scenes, and thankfully lacking a tidal wave of vulgarity,
Roger Elwood