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Mike Judge (Milton animated shorts)
Mike Judge (screenplay)
19 February 1999 (USA) more
Work Sucks. more
Comedic tale of company workers who hate their jobs and decide to rebel against their greedy boss. full summary | full synopsis
2 nominations more
Livingston Marries Dewitt
(From WENN. 12 November 2009, 12:06 AM, PST)
Ron Livingston and Rosemarie DeWitt Get Hitched
(From Aceshowbiz. 11 November 2009, 8:58 PM, PST)
"Uh, Yeaaah, Peter...What's Happening?..." more (555 total)
Directed by | |||
| Mike Judge | |||
Writing credits(WGA) | ||
| Mike Judge | (Milton animated shorts) | |
| Mike Judge | (screenplay) | |
Produced by | |||
| Daniel Rappaport | .... | producer | |
| Guy Riedel | .... | executive producer | |
| Michael Rotenberg | .... | producer | |
| Mike Judge | .... | producer (uncredited) | |
Original Music by | |||
| John Frizzell | |||
Cinematography by | |||
| Tim Suhrstedt | (director of photography) | ||
Film Editing by | |||
| David Rennie | |||
Casting by | |||
| Nancy Klopper | |||
Production Design by | |||
| Edward T. McAvoy | (as Edward McAvoy) | ||
Art Direction by | |||
| Adele Plauche | |||
Set Decoration by | |||
| Carla Curry | |||
Costume Design by | |||
| Melinda Eshelman | |||
Makeup Department | |||
| Felicity Bowring | .... | key makeup artist | |
| Bonnie Clevering | .... | key hair stylist | |
| Melissa Forney | .... | additional hair stylist | |
| Kalen Hoyle | .... | additional makeup artist | |
| Julie Janes | .... | assistant hair stylist | |
| Shelley Tanner | .... | assistant makeup artist | |
Production Management | |||
| Udi Nedivi | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Christina Fong | .... | second assistant director | |
| Phil Hardage | .... | second second assistant director (as Philip Hardage) | |
| Rip Murray | .... | first assistant director (as James W. 'Rip' Murray Jr.) | |
Art Department | |||
| Michael Bayer | .... | set dresser | |
| Kevin Berve | .... | additional props | |
| Randy Bilski | .... | propmaker | |
| Chris Buchinsky | .... | storyboard illustrator | |
| John V. Burson | .... | construction coordinator | |
| Tom Christopher | .... | lead man | |
| Brian Cross | .... | propmaker | |
| April Crump | .... | set dresser (as April L. Crump) | |
| Marc Dabrusin | .... | set dresser | |
| Travis Dean | .... | propmaker | |
| Bill Dunagin | .... | propmaker | |
| Stanford Gilbert | .... | property master (as Stanford S. Gilbert) | |
| Austin Gorg | .... | graphic artist | |
| Donald Gross | .... | property maker (as Don Gross) | |
| Kelley A. Hankins | .... | painter | |
| Joseph Hendrix | .... | greensman | |
| Joseph D. Hendrix | .... | propmaker | |
| Roy G. Huth | .... | set dresser | |
| Thomas V. Johnson | .... | painter (as Thomas Johnson) | |
| Melinda Pharr | .... | buyer | |
| DeLayne Rasmussen | .... | construction accountant (as Delayne Barnett) | |
| Virle S. Reid | .... | additional props | |
| Jerry Riddles | .... | propmaker | |
| Felix Rosales III | .... | laborer | |
| E. Colleen Saro | .... | on-set dresser | |
| Steve Sawhill | .... | set dresser | |
| Charles Seale | .... | laborer | |
| Coridon Steele | .... | construction foreman | |
| Paul Steele | .... | laborer | |
| Ric Trzeciak | .... | assistant property master | |
| Ronnie White | .... | shop foreman | |
| Phillip Williams | .... | labor foreman | |
| Jeri Woodward | .... | paint foreman (as Jeri Lowe) | |
| Randal Woodward | .... | lead scenic | |
| Terri Wright | .... | buyer (as Terri L. Wright) | |
| Bob 'Boom Boom' Zaborski | .... | propmaker | |
Sound Department | |||
| Michael Axinn | .... | assistant sound editor | |
| Christopher Barrick | .... | sound re-recordist (as Christopher 'Bear' Barrick) | |
| Chris Barron | .... | digital audio transferer | |
| Karen Brocco | .... | supervising assistant sound editor (as Karen A. Brocco) | |
| Stacy Brownrigg | .... | sound mixer (as Stacy F. Brownrigg) | |
| Tony Eckert | .... | foley mixer | |
| Stan Ginsel | .... | sound transferer | |
| Jonathan Greber | .... | transfer supervisor | |
| Bruce Lacey | .... | adr editor | |
| David Lucarelli | .... | adr recordist | |
| Frank 'Pepe' Merel | .... | foley recordist | |
| Tom Myers | .... | sound re-recording mixer | |
| Jonathan Null | .... | dialogue editor | |
| Larry Oatfield | .... | sound effects editor (as E. Larry Oatfield) | |
| Brandon Proctor | .... | machine room operator | |
| Charleen Richards | .... | adr mixer | |
| Gary Rizzo | .... | sound re-recording mixer (as Gary A. Rizzo) | |
| Steve Romanko | .... | machine room operator | |
| Ronald G. Roumas | .... | machine room supervisor | |
| Brooke Satrazemis | .... | cable person | |
| Larry Schalit | .... | adr editor | |
| Jurgen Scharpf | .... | sound mix technician | |
| Dee Selby | .... | digital audio transferer | |
| Michael Semanick | .... | sound re-recording mixer | |
| Robert Shoup | .... | supervising sound editor | |
| David A. Smith | .... | boom operator (as David Allen Smith) | |
| Dennie Thorpe | .... | foley artist | |
| Jana Vance | .... | foley artist | |
| Joan Malloch | .... | digital audio transferer (uncredited) | |
| Philip Rogers | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Robert Calvert | .... | special effects (as Bob Calvert) | |
| Steve Dearth | .... | special effects | |
| Paul J. Lombardi | .... | special effects coordinator (as Paul Lombardi) | |
| Rick Peterson | .... | special effects | |
| Shane Scott | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Robert W. Morgenroth | .... | video effects supervisor: E=mc² Inc. (as Bob Morgenroth) | |
| Paul Le Blanc | .... | CGI supervisor (uncredited) | |
| Reid Paul | .... | digital artist (uncredited) | |
Stunts | |||
| Rob King | .... | stunt coordinator | |
| Eric Norris | .... | stunts | |
| Don Pike | .... | stunts | |
| Gary Pike | .... | stunts (as Gary T. Pike) | |
Camera and Electrical Department | |||
| Jeff Andrus | .... | company grip | |
| Marc Andrus | .... | key grip | |
| Abby Antweil | .... | electrician | |
| Arthur Blum | .... | dolly grip | |
| Jose F. Cruz | .... | electrician | |
| Debra Dotts-Sladek | .... | second assistant camera (as Debra Dotts Sladek) | |
| Paul V. Ferrazzi | .... | first assistant camera (as Paul 'Cancun' Ferrazzi) | |
| Bob Field | .... | gaffer | |
| Kory Funk | .... | electrician | |
| Robert Hicks | .... | company grip (as Rob Hicks) | |
| Emily Pedraza Hudson | .... | camera loader | |
| Key Kolb | .... | best boy grip (as Key Kolb III) | |
| James 'Buz' Maloy | .... | company grip (as Buz Maloy) | |
| Mark Mims | .... | electrician | |
| Richard Nance | .... | company grip | |
| Charles Papert | .... | camera operator | |
| Gabe Proctor | .... | video assist operator | |
| Van Redin | .... | still photographer | |
| Wally Rowell | .... | electrician | |
| Troy Sneed | .... | electrician | |
| Jason B. Thorpe | .... | company grip | |
| Tim Travis | .... | electrician | |
| Troy Webb | .... | best boy electric (as Troy D. Webb) | |
| Sean Wright | .... | company grip (as Sean R. Wright) | |
Casting Department | |||
| Laura C. Auldridge | .... | casting assistant: Texas | |
| Jo Edna Boldin | .... | casting: Texas | |
| Kira Burns | .... | extras casting assistant | |
| Hillary Sachs | .... | casting associate | |
| Beth Sepko | .... | extras casting | |
| Elana Wakeman | .... | extras casting assistant | |
Costume and Wardrobe Department | |||
| Alix Friedberg | .... | assistant costume designer | |
| Kimmie Furlong | .... | set costumer | |
| Lee Hunsaker | .... | set costumer | |
| Janice Janacek | .... | costume supervisor | |
Editorial Department | |||
| Damon Botsford | .... | post-production assistant | |
| Aaron Brock | .... | apprentice editor | |
| Gary Burritt | .... | negative cutter | |
| Kim Jorgensen | .... | apprentice editor | |
| Cherie King | .... | assistant editor | |
| Eric A. Lewy | .... | first assistant editor | |
| Dennis McNeill | .... | color timer | |
| Myra A. Minchew | .... | editorial intern | |
| Warren Paeff | .... | associate editor | |
| Elizabeth Peters | .... | assistant editor: avid | |
| Kathy Thomson | .... | digital colorist | |
| Kurt Leitner | .... | post-production coordinator (uncredited) | |
Music Department | |||
| Heidi Arnold | .... | assistant music editor | |
| Allen Dameron | .... | conductor: orchestra | |
| Simon James | .... | orchestra contractor | |
| Andrew Kinney | .... | orchestrator | |
| Micha Liberman | .... | score coordinator | |
| Micha Liberman | .... | score recordist | |
| Gabriel Mann | .... | featured vocalist (as Gabe Rutman) | |
| Robert Puff | .... | music preparation | |
| Reed Ruddy | .... | score recordist | |
| Abby Treloggen | .... | music editor | |
| Rick Winquest | .... | score mixer | |
| Jay B. Richardson | .... | music editor (uncredited) | |
Transportation Department | |||
| Greg Faucett | .... | transportation captain | |
| James Lowder | .... | transportation coordinator (as James R. Lowder) | |
| Rick Damazio | .... | driver (uncredited) | |
| Patrick A. Reynolds Jr. | .... | driver (uncredited) | |
Cubiculos de la oficina (USA: Spanish title)
more
Rated R for language and brief sexuality.
89 min
1.85 : 1 more
Iceland:L | USA:TV-MA (TV rating) | Canada:14 (Nova Scotia) | Canada:14A (Alberta/British Columbia/Manitoba) | Canada:AA (Ontario) | Canada:G (Quebec) | Brazil:Livre | Singapore:NC-16 | Argentina:Atp | Australia:M | Chile:TE | Finland:S | France:U | Germany:12 | Ireland:15 | Netherlands:AL | Norway:7 | Peru:PT | Portugal:M/12 | Spain:T | Sweden:Btl | UK:15 | USA:R
Director Cameo: [Mike Judge]Stan, Joanna's boss at Chotchkie's. He's listed in the credits as "William King." more
Continuity: When Samir, Peter, and Mike beat on the fax machine, the top of it is thrown off. When the shot changes to Peter and Samir pulling Mike off and back again, the machine's top is back on. more
Bob Porter:
Looks like you've been missing a lot of work lately.
Peter Gibbons:
I wouldn't say I've been *missing* it, Bob.
more
Referenced in "Who Wants to Be a Millionaire: (#8.10)" (2009) more
Beautiful Dreamer more
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There's something about a study of life in a `cubicle' to which just about everyone can relate; at least everyone who has ever had to get up every day, go to work and punch a time clock, then go home and wait to do it all over again the next day. In `Office Space,' writer/director Mike Judge (the guy who gave us `Beavis and Butthead') captures the essence of the work-a-day world, in this case in an office setting, though it could be on any job anywhere, from the largest conglomerate to the smallest business concern; anywhere a `corporate structure' is in place and employed. The subtle humor of Judge's vision is funny, and often downright hilarious, and all with very little exaggeration of the way things really are, from the weekly `motivational' talks from the boss, to staff meetings, corporate `mission statements' and the protocol of cover sheets and memos, all of which-- as portrayed here-- have a sterling ring of truth to them. The central character of Judge's story is a guy named Peter Gibbons (Ron Livingston), a software analyst for `Initech,' who after working with a therapist finds himself in something of a transcendental state of mind, whereupon he divulges to a pair of consultants-- `efficiency experts' sent in to streamline the company's operation-- that he does only about `fifteen minutes of real work' a week, due to the very structure (or lack thereof) of the company itself. And his refreshingly honest candor in outlining his job description soon has quite an unexpected effect on his life, as well as that of a couple of co-workers. Judge perceptively expands the satire to encompass facets of Peter's life outside the office, as well, which gives the audience even more with which to identify, like driving to work in bumper to bumper freeway traffic that has slowed to a stop-- in Peter's lane-- while the cars in the next lane going flying by; and when he changes into THAT lane, IT comes to a standstill while the cars in the lane he just left start to whiz on by. It's an application of Murphy's Law that -- while certainly nothing new-- works well within the context of this particular story, in which the humor is derived from emphasizing the annoying, mundane things that happen to us all on a daily basis. Like getting in the shortest line at the supermarket and taking longer than anyone else to get checked out. Livingston gives a notable performance, giving Peter that sense of the `everyman' who'd like nothing better than to break free of the rigors of the 8 to 5 existence. He brings an affable presence to the screen that perfectly communicates what Judge is attempting to say, and does it in such a way that it validates Peter's being selected as `Champion of the Cause' as it were. Also turning in memorable performances are Stephen Root (a terrific character actor), as Milton, a guy whose very existence seems to be a study in suffering abuse and degradation; and Gary Cole, as Peter's boss, Bill Lumbergh, whose impudent, laconic methods of intimidation, delivered in such a droll manner, make him the boss everybody loves to hate. The supporting cast includes Jennifer Aniston as Joanna, the waitress with a minimum of `flare' who has trouble `expressing' herself, according to her boss; Ajay Naidu (Samir); David Herman (Michael Bolton); Richard Riehle (Tom); Joe Bays (Dom); John C. McGinley (Bob Slydell); Paul Wilson (Bob Porter) and Diedrich Bader (Lawrence). Reminiscent of the world portrayed in the `Dilbert' comic strip, `Office Space' works because it effectively puts real people in real situations, and brings you into contact with some characters you're going to recognize; I guarantee that no matter what you do to live, thrive and survive, you've run into these people, worked for them, and alongside them. It's a case of art reflecting reality, and to Judge's credit he's succeeded in making a funny movie that really hits close to home, without resorting to any gross or infantile humor to do it. It's a film that simply puts the `corporate experience' in the spotlight and gives you a chance to laugh at `the boss,' and maybe even a little bit at yourself along the way. I rate this one 8/10.