A woman is murdered, and Rona Anderson may have taken a picture of the event. This much is known, so John Bentley winds up protecting her.
Bentley enters the proceedings when her boss asks him to find her. He works for Garry Marsh. Marsh is the best thing about the whole movie, complaining about expenses, telling murderous thugs they can't do that, and so forth; he's quite funny in his pomposity. Otherwise, director John Gilling fails to do anything, either in the way of suspense or sexual tension between the two leads. It is a thorough-going disappointment, and a clear sign of the downturn in their careers.