Out of Sight (1998)

User Rating:

7.2/10   

Director:

Steven Soderbergh

Writers (WGA):

Elmore Leonard (novel)
Scott Frank (screenplay)

Release Date:

26 June 1998 (USA)

Genre:

Comedy | Crime | Romance | Thriller

Tagline:

Opposites attract.

Plot:

A career bank robber breaks out of jail and shares a moment of mutual attraction with a US Marshall he has kidnapped.

Plot Keywords:

Prison | Bank Heist | Eyeglasses | Undressing | .45 Automatic

Awards:

Nominated for 2 Oscars. Another 11 wins & 6 nominations

Cast

George Clooney	...	Jack Foley
Jim Robinson	...	Bank Employee
Mike Malone	...	Bank Customer (as Elgin Marlowe)
Donna Frenzel	...	Bank Teller
Manny Suárez	...	Bank Cop (as Manny Suarez)
Dennis Farina	...	Marshall Sisco
Keith Hudson	...	Bank Cop
Luis Guzmán	...	Chino (as Luis Guzman)
Paul Soileau	...	Lulu
Isaiah Washington	...	Kenneth
Scott Allen	...	Pup
Catherine Keener	...	Adele
Ving Rhames	...	Buddy Bragg
Susan Hatfield	...	Parking Lot Woman
Jennifer Lopez	...	Karen Sisco

MPAA:

Rated R for language and some strong violence.

Runtime:

123 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS-Stereo | DTS | Dolby Digital | SDDS

Certification:

Iceland:16 | Singapore:NC-16 (re-rating) | Singapore:PG (cut) | France:Unrated | Philippines:PG-13 | Argentina:13 | Australia:M | Canada:14 (Nova Scotia) | Canada:PA (Manitoba) | Finland:K-11 (DVD rating) | Finland:K-12 (original rating) | Germany:12 (w) | Hong Kong:IIB | Ireland:15 | Italy:T | Netherlands:12 | Peru:14 | Portugal:M/12 | South Korea:15 (original rating) | South Korea:18 (DVD rating) | Spain:13 | Sweden:15 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:15 | USA:R

Filming Locations:

Angola, Louisiana, USA

Company:

Jersey Films

Trivia:

The elderly man who gets into the elevator with Jack and Buddy (when Karen sees Jack at Buddy's apartment building) is Philip Perlman, producer Danny DeVito's father-in-law.

Goofs:

Continuity: In the hotel room, when Jack and Karen are together, the bed sheets go from green to white to green again.

Quotes:

Kenneth: Bitch, what do you want to listen to?
Midge: I like Schubert.
Kenneth: Schubert? Well, I don't!

Movie Connections:

Referenced in Under the Bunker: On the Set of 'Three Kings' (2000) (V)

Soundtrack:

The Girl from Ipanema

Yes, that's right...this movie is "Out of Sight".

When released in 1998, "Out of Sight" was Steven Soderburgh's most mainstream film to date, after he burst onto the indie scene a decade earlier with "Sex, Lies, and Videotape". Based upon the novel by Elmore Leonard ("Get Shorty", "Jackie Brown"), the movie tells the tale of odd couple Jack Foley (George Clooney), a career criminal, and federal marshall Karen Sisco (Jennifer Lopez). After a unique first encounter, their paths continue intersecting, with various degrees of intent, to comprise the bulk of the story.

Similar to the Soderburgh-helmed "Ocean's Eleven", "Out of Sight" blends the standard apples and oranges of genres into a delicious smoothie. This is a drama, minus the driving intensity, light-hearted enough to pass as a comedy. It's a comedy, but not of the HAHA sort. The humor lies in things like Clooney's glances, JLo's relationship dilemmas, the paradox of Ving Rhames' self-righteous thief, and the sheer absurdity of Don Cheadle's gangsta. It's also a romance and a cop-and-robber story, but neither love nor crime is the whole point. All of these pieces unite to form a fantastic puzzle of a picture.

The tasty complexity is further deepened by the non-linear storytelling technique. Flashing backward here and there throughout the film is a good choice because the viewer can only fully understand the previous events with the 20/20 vision of hindsight. Plus it eliminates what could have been a painful first half hour of exposition, instead spreading the backstory through the rest of the film.

The stylistic singular color palettes for different locations that Soderburgh later used magnificently in "Traffic" are present here as well. From bright sun-drenched Florida to the ice cold blues of Detroit, this technique serves as virtual atmosphere, allowing one to determine the geography even without the convenience of titles. In a non-linear film like this, that ease in recognizing time and place facilitates comprehension of what is happening when. Unique among Soderburgh's work (to my recollection) is the film's use of occasional freeze frames. Stopping the picture for just a second or two, Soderburgh gently identifies poignant moments, obvious or not, allowing an extra moment to deservedly linger on them.

With the high technical accomplishments, the acting almost doesn't matter, but the slightly understated method works wonders. Clooney is his usual suave self, complete with snappy dialogue and a cornucopia of confidence. In a role that "Enough" can only dream about, JLo almost looks like a real actress (joke). She is absent her too-common ditziness and easily holds her own, despite being a tad too glamorous. Rhames, Cheadle, and Albert Brooks are their usual solid selves, playing parts both similar and drastically different from their wheelhouses. Everyone seems to have perspective in their parts, not utilizing excessive gravity or levity, but rather hitting the appropriate notes as they inhabit their roles to perfection. Ultimately you believe all of these actors in their parts, even if JLo's skirts are entirely too short for a federal agent.

Like "Ocean's Eleven", "Out of Sight" is a very good film, merging quality in all aspects of film-making into a fully enjoyable two hour experience. The main themes of crime and love are basic, so the movie doesn't soar to remarkable heights. But if you're looking for a brilliantly made film that you might have missed on its theatrical run, espy Out of Sight and settle in for a quirkily involving night. If you saw it a few years back, check it out again to see Soderburgh's foundation for his own excellence.

Bottom Line: A wholly absorbing movie that serves as a film-making clinic of brilliance. 8 of 10.