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Gods and Monsters (1998)
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Overview
User Rating:
Director:
Writers (WGA):
Release Date:
4 November 1998 (USA)
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Plot:
Plot Keywords:
Frankenstein
|
Friendship
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Gardener
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Homosexual
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Stroke
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Awards:
Won Oscar.
Another 32 wins
&
23 nominations
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NewsDesk:
(38 articles)
Clash Of The Titans Crew Returns for Reshoots. Possibly 3D Release?
(From Collider.com. 20 December 2009, 7:47 AM, PST)
Tracking Shot November 2009: Beginners, Black Swan, Let Me In
(From ioncinema. 12 December 2009, 6:25 PM, PST)
(From Collider.com. 20 December 2009, 7:47 AM, PST)
Tracking Shot November 2009: Beginners, Black Swan, Let Me In
(From ioncinema. 12 December 2009, 6:25 PM, PST)
User Comments:
Not always easy to watch, but worth it...
more (213 total)
Cast
(Cast overview, first billed only)| Ian McKellen | ... | James Whale | |
| Brendan Fraser | ... | Clayton Boone | |
| Lynn Redgrave | ... | Hanna | |
| Lolita Davidovich | ... | Betty | |
| David Dukes | ... | David Lewis | |
| Kevin J. O'Connor | ... | Harry | |
| Mark Kiely | ... | Dwight | |
| Jack Plotnick | ... | Edmund Kay | |
| Rosalind Ayres | ... | Elsa Lanchester | |
| Jack Betts | ... | Boris Karloff | |
| Matt McKenzie | ... | Colin Clive | |
| Todd Babcock | ... | Leonard Barnett | |
| Cornelia Hayes O'Herlihy | ... | Princess Margaret | |
| Brandon Kleyla | ... | Young Whale | |
| Pamela Salem | ... | Sarah Whale |
Additional Details
Also Known As:
The Father of Frankenstein (USA) (working title)
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MPAA:
Rated R for sexual material and language.
Parents Guide:
Runtime:
105 min
Language:
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
Canada:13+ (Quebec) |
Canada:14A (Alberta) |
Canada:18 (Nova Scotia) |
Canada:AA (Ontario) |
Canada:PA (Manitoba) |
Canada:PG (British Columbia) |
Iceland:12 |
Singapore:R(A) |
Philippines:PG-13 |
Argentina:16 |
Australia:M |
Chile:18 |
Germany:12 |
Norway:11 |
Portugal:M/16 |
Spain:13 |
Sweden:11 |
Switzerland:14 (canton of Geneva) |
Switzerland:14 (canton of Vaud) |
UK:15 |
USA:R |
South Korea:18 |
New Zealand:M
Filming Locations:
Company:
Fun Stuff
Trivia:
As of 2007, one of only three films since the advent of the Best Adapted Screenplay Oscar to win the award without receiving a Best Picture nomination as well. The first was The Bad and the Beautiful (1952), the second was Sling Blade (1996).
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Goofs:
Continuity: Before starting his line about James wanting "to draw him like a statue" Clayton tosses away his towel. James turns from the window and Clayton punctuates the end of his line by tossing his towel away again.
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Quotes:
James Whale:
[about the Frankenstein monster] He's noble. Noble and misunderstood.
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Soundtrack:
Bride of Frankenstein
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FAQ
This FAQ is empty. Add the first question.more (213 total)
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I resisted seeing this film at first, but agreed to see it at a second run house with a group of people. At the film's conclusion, I found that I liked it much more than any other person I went with. I found "Gods and Monsters" to be a thoughtful, intelligent, sensitive-yet-harsh study of later life and the reflections one experiences as death approaches. I was also very pleased to see the film draw Whale's Great War experiences into focus (although in less detail than I would have liked), and make them the central point to his life and career, and, as he is dying, his misery. The rather exquisitely torturous method of his wasting lends veracity to his ultimate actions. The film is also an excellent rumination on the vagaries of fame, artistic or professional control of one's work, and the value of work. Whale also bitterly recalls his youth and the feeling of being trapped in the English caste system in several scenes during a prior "family values" generation.
The film is well-filmed but slow in spots, contains some cliches or scenes that are too "easy", but is highly rewarding, and is driven by excellent performances from Redgrave and McKellan and, to a lesser extent, Fraser. The film's final scene is great, too. I eagerly awaited the premiere of "The Thin Red Line", and having seen it, I would say that this film addresses the issues of individual humanity, social decay, and the horror of war much better. This film should be an Oscar sleeper. 8* out of 10*.