Amazon.com reviews for
American History X (1998)

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American History X (Spanish) (vhs):

Amazon.com video review: Perhaps the highest compliment you can pay to Edward Norton is that his Oscar-nominated performance in American History X nearly convinces you that there is a shred of logic in the tenets of white supremacy. If that statement doesn't horrify you, it should; Norton is so fully immersed in his role as a neo-Nazi skinhead that his character's eloquent defense of racism is disturbingly persuasive--at least on the surface. Looking lean and mean with a swastika tattoo and a mind full of hate, Derek Vinyard (Norton) has inherited racism from his father, and that learning has been intensified through his service to Cameron (Stacy Keach), a grown-up thug playing tyrant and teacher to a growing band of disenfranchised teens from Venice Beach, California, all hungry for an ideology that fuels their brooding alienation.

The film's basic message--that hate is learned and can be unlearned--is expressed through Derek's kid brother, Danny (Edward Furlong), whose sibling hero-worship increases after Derek is imprisoned (or, in Danny's mind, martyred) for the killing of two black men. Lacking Derek's gift of rebel rhetoric, Danny is easily swayed into the violent, hateful lifestyle that Derek disowns during his thoughtful time in prison. Once released, Derek struggles to save his brother from a violent fate, and American History X partially suffers from a mix of intense emotions, awkward sentiment, and predictably inevitable plotting. And yet British director Tony Kaye (who would later protest against Norton's creative intervention during post-production) manages to juggle these qualities--and a compelling clash of visual styles--to considerable effect. No matter how strained their collaboration may have been, both Kaye and Norton can be proud to have created a film that addresses the issue of racism with dramatically forceful impact. --Jeff Shannon

American History X (vhs):

Amazon.com video review: Edward Norton was nominated for a 1998 Best Actor Oscar for his role as Derek Vinyard, a thoughtful kid turned neo-Nazi after his father is slain. Edward Furlong plays his younger brother, Danny, determined to follow in his brother's footsteps. The easy routes the film seems prepared to take never materialize. It continually makes Derek's transformation both in and out of his racist beliefs believable and persuasive. Stacy Keach is given the head vampire role of the local skinhead chapter, Cameron, and he's the closest this film comes to an overt overstatement. Norton, however, is fantastic, embodying a person who roller-coasters through hatred like he can't wait to ride again. His diatribes are not unlike what can be heard on any given conservative radio station on any given day, but he doesn't spew them as cant or screed. Only when his violent emotions take charge, negating any sense or stand, is the underlying fallacy and nature of his beliefs made plain. This film was undermined by the film's own director, Tony Kaye, who made such a braying ass of himself and his work that it distorted the public's view of what is an interesting social and psychological lesson in the war between ideas and ideologues, reason and racism. --Keith Simanton