| Photos (see all 48 | slideshow) | Videos (see all 5) |
Danielle Alexandra (story)
David Twohy (screenplay) ...
(more)
22 August 1997 (USA) more
Failure is not an option.
A female Senator succeeds in enrolling a woman into Navy SEALS training where everyone expects her to fail. full summary | add synopsis
1 win & 2 nominations more
'Eclipse' Actress' Site Gets Hacked, U2 And More Halloween Costumes In Today's Twitter-Wood
(From MTV Movies Blog. 26 October 2009, 3:30 PM, PDT)
Elizabeth Taylor's Heart Surgery, Brett Favre And 'A Serious Man' In Today's Twitter-Wood
(From MTV Movies Blog. 6 October 2009, 3:30 PM, PDT)
Maybe Demi Moore does have what it takes more (110 total)
| Demi Moore | ... | Jordan O'Neill | |
| Viggo Mortensen | ... | Master Chief John James Urgayle | |
| Anne Bancroft | ... | Lillian DeHaven | |
| Jason Beghe | ... | Royce | |
| Daniel von Bargen | ... | Theodore Hayes (as Daniel Von Bargen) | |
| John Michael Higgins | ... | Chief of Staff | |
| Kevin Gage | ... | Instructor Pyro | |
| David Warshofsky | ... | Instructor Johns | |
| David Vadim | ... | Cortez | |
| Morris Chestnut | ... | McCool | |
| Josh Hopkins | ... | Flea | |
| James Caviezel | ... | Slovnik | |
| Boyd Kestner | ... | Wickwire | |
| Angel David | ... | Newberry | |
| Stephen Ramsey | ... | Stamm | |
| Gregg Bello | ... | Miller | |
| Scott Wilson | ... | C.O. Salem | |
| Lucinda Jenney | ... | Blondell | |
| Ted Sutton | ... | Flag Officer | |
| Gary Wheeler | ... | Flag Officer | |
| Donn Swaby | ... | Yeoman Davis | |
| Jack Gwaltney | ... | Goldstein | |
| Neal Jones | ... | Duty Officer | |
| Rhonda Overby | ... | Civilian Secretary | |
| Stephen Mendillo | ... | Admiral O'Connor | |
| Dan DePaola | ... | Cook Compliments (as Dan De Paola) | |
| Susan Aston | ... | Civilian Girl | |
| John Seitz | ... | J.A.G. | |
| Kent Lindsey | ... | J.A.G. | |
| Bob Moore | ... | WNM Reporter | |
| Harry Humphries | ... | Artillery Instructor | |
| Michael Currie | ... | Commission Speaker | |
| Steve Gonzales | ... | Press Hound | |
| Arthur Max | ... | Barber | |
| Billy Dowd | ... | Photographer | |
| Duffy Gaver | ... | Instructor | |
| Scott Helvenston | ... | Instructor | |
| Phil Neilson | ... | Hostile Rat | |
| Dimitri Diatchenko | ... | Trainee | |
| David Bruce | ... | Trainee | |
| David Overton | ... | Trainee | |
| Hashem Shaalan | ... | Trainee | |
| Chris Soule | ... | Trainee | |
| Joseph Makkar | ... | Libyan Sentry (as Joseph Merzak Makkar) | |
| rest of cast listed alphabetically: | |||
| Rick Cramer | ... | Scorpion Leader (uncredited) | |
| Dani Englander | ... | DeHaven Aide (uncredited) | |
| Joseph Epinette | ... | Commando (uncredited) | |
| Lee Eskey | ... | Treasury Lawyer (uncredited) | |
| Rocky Essex | ... | Humvee Vehicle Operator (uncredited) | |
| Larry Guardino | ... | Older soldier (uncredited) | |
| Rodney J. Hobbs | ... | C-SPAN technician (uncredited) | |
| Raymond H. Johnson | ... | Senator (uncredited) | |
| Diandra Newlin | ... | Jane's neighbor (uncredited) | |
| Jim Pearson | ... | SEAL Instructor (uncredited) | |
| Thomas Reid | ... | DC Police Officer (uncredited) | |
| Courtney Talbot | ... | Bar Tender (uncredited) | |
| Michael Wayne Thomas | ... | C-SPAN Reporter (uncredited) | |
| Irene Ziegler | ... | DeHaven's Aide (uncredited) | |
Directed by | |||
| Ridley Scott | |||
Writing credits(WGA) | ||
| Danielle Alexandra | (story) | |
| David Twohy | (screenplay) and | |
| Danielle Alexandra | (screenplay) | |
Original Music by | |||
| Trevor Jones | |||
Cinematography by | |||
| Hugh Johnson | (director of photography) | ||
Film Editing by | |||
| Pietro Scalia | |||
Casting by | |||
| Louis DiGiaimo | (as Louis Di Giaimo) | ||
| Brett Goldstein | |||
Production Design by | |||
| Arthur Max | |||
Art Direction by | |||
| William Hiney | (supervising art director) (as Bill Hiney) | ||
| Richard L. Johnson | (as Richard Johnson) | ||
Set Decoration by | |||
| Cindy Carr | |||
Costume Design by | |||
| Marilyn Vance | |||
Makeup Department | |||
| Diana Acrey | .... | key hair stylist: California | |
| Enzo Angileri | .... | hair stylist: Ms. Moore | |
| Kylie Bell | .... | assistant makeup artist | |
| Dorothy D. Fox | .... | chief hair stylist (as Dorothy Fox) | |
| Joanne Gair | .... | makeup artist: Ms. Moore | |
| Rodger Jacobs | .... | makeup artist | |
| Barbara Lacy | .... | makeup artist | |
| Cheryl Markowitz | .... | key makeup artist: California (as Cheryl Ann Markowitz) | |
| Cheri Minns | .... | chief makeup artist | |
| Brad Wilder | .... | makeup artist | |
| Sherri Bramlett | .... | hair stylist (uncredited) | |
| Jane Alexandra Foster | .... | makeup artist: end credits sequence (uncredited) | |
| Stephen Robinette | .... | hair stylist (uncredited) | |
Production Management | |||
| Daneen Lagrone Conroy | .... | production supervisor (as Daneen Conroy) | |
| Donald Heitzer | .... | production manager: California (as Don Heitzer) | |
| Michele Imperato | .... | unit production manager | |
| Pat Rand | .... | post-production manager: Caravan Pictures | |
| Michael Solinger | .... | post-production supervisor | |
| Nigel Wooll | .... | unit production manager | |
Sound Department | |||
| Campbell Askew | .... | supervising sound editor | |
| Jeremy Child | .... | sound editor | |
| John Cochrane | .... | dialogue editor | |
| Sarah Dane | .... | assistant sound editor (as Sara Dane) | |
| Graham Daniel | .... | sound re-recording mixer | |
| Robert Gavin | .... | adr editor | |
| John Ireland | .... | foley editor | |
| Derek Lomas | .... | assistant sound editor | |
| Ray Merrin | .... | sound re-recording mixer | |
| Randy Nielsen | .... | utility sound technician (as Randy L. Nielsen) | |
| David M. Ronne | .... | sound mixer: California (as David Ronne) | |
| Timothy P. Salmon | .... | boom operator | |
| Jules Strasser | .... | boom operator: California | |
| Adrian Trent | .... | assistant sound editor | |
| Keith A. Wester | .... | production sound mixer | |
| Laura Evans | .... | assistant sound editor (uncredited) | |
Special Effects by | |||
| Philip Beck Jr. | .... | special effects | |
| Chris Brenczewski | .... | special effects | |
| Jeff Frink | .... | special effects | |
| Steve Galich | .... | special effects coordinator | |
| Ken Gorrell | .... | special effects | |
| Morgan Guynes | .... | special effects | |
| Allen Peppy Richardson | .... | special effects | |
| Jeff Sparks | .... | special effects | |
| Ray Svedin | .... | special effects | |
| Joe Barden | .... | special effects (uncredited) | |
| David Fletcher | .... | special effects foreman (uncredited) | |
| Mike Gerzevitz | .... | underwater effects rigger (uncredited) | |
| Michael J. Hudson | .... | special effects technician (uncredited) | |
| Scott Mobley | .... | special effects propmaker (uncredited) | |
| Scott Mobley | .... | special effects technician (uncredited) | |
| Howard Allen Richardson | .... | special effects (uncredited) | |
Visual Effects by | |||
| David Sewell | .... | visual effects artist (uncredited) | |
Stunts | |||
| Steve Bolan | .... | utility stunts | |
| Duffy Gaver | .... | utility stunts | |
| Scott Helvenston | .... | utility stunts | |
| Leigh Hennessy | .... | stunt double: Demi Moore | |
| G. Peter King | .... | utility stunts (as Peter King) | |
| Mark Lonsdale | .... | utility stunts | |
| Phil Neilson | .... | stunt coordinator | |
| Keith Woulard | .... | co-stunt coordinator | |
| Matthew R. Anderson | .... | safety diver (uncredited) | |
| Brian Finn | .... | stunts (uncredited) | |
| Charles Grisham | .... | stunts (uncredited) | |
| Cinda-Lin James | .... | stunt double (uncredited) | |
| Jim Pearson | .... | boat stunts (uncredited) | |
| Darrin Prescott | .... | stunts (uncredited) | |
| Hash Shallan | .... | stunts (uncredited) | |
| Keith Woulard | .... | stunt double: Morris Chestnut (uncredited) | |
| Keith Woulard | .... | stunts (uncredited) | |
Casting Department | |||
| Billy Dowd | .... | extras casting | |
| John Strawbridge | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Nancy Cone | .... | costumer: Ms. Moore | |
| Ed Fincher | .... | costume supervisor: California | |
| Joe McCloskey | .... | key costumer | |
| David Rawley | .... | costume supervisor | |
| Anthony J. Lipin | .... | costumer (uncredited) | |
| Tony Lipin | .... | costumer (uncredited) | |
| Annalisa Strickland | .... | set costumer: California (uncredited) | |
Editorial Department | |||
| John Bickford | .... | laboratory liaison: Technicolor, US | |
| Paul Elman | .... | assistant editor | |
| John Ensby | .... | laboratory liaison: Technicolor, UK | |
| Paul Ensby | .... | color timer | |
| Chris Innis | .... | associate editor | |
| Marisa Johnston | .... | post-production coordinator: Caravan Pictures | |
| Tristan Mullane | .... | assistant editor | |
| Pamela Power | .... | additional editor (as Pam Power) | |
| Mark Sale | .... | assistant editor | |
| Lee 'Flea' Shulman | .... | post-production intern (as Lee Shulman) | |
| Fulvio Valsangiacomo | .... | apprentice editor | |
| Jason Wheeler | .... | negative cutter | |
| Chisako Yokoyama | .... | assistant editor | |
| John Marston | .... | assistant editor: Washington D.C. (uncredited) | |
Music Department | |||
| Geoff Alexander | .... | orchestrator | |
| Giles Baker | .... | assistant music editor | |
| Paul Clarvis | .... | musician: ethnic percussion | |
| Clem Clempson | .... | musician: guitar | |
| Peter Cobbin | .... | additional music recordist | |
| Andrew Glen | .... | music editor | |
| Isobel Griffiths | .... | orchestral contractor | |
| Nick Ingman | .... | orchestrator | |
| Trevor Jones | .... | orchestrator | |
| Julian Kershaw | .... | orchestrator | |
| Alex Marcou | .... | music editing engineer | |
| Jill Meyers | .... | music business affairs | |
| Charlie Morgan | .... | musician: drum kit | |
| Kathy Nelson | .... | music supervisor | |
| Simon Rhodes | .... | music recording mixer | |
| Victoria Seale | .... | music coordinator | |
| Belinda Sykes | .... | orchestral voice | |
| Phil Todd | .... | musician: ewi solo | |
| Kirsty Whalley | .... | synthesizer programmer | |
| Gavyn Wright | .... | orchestra leader (as Gavin Wright) | |
Transportation Department | |||
| Lee Garibaldi | .... | transportation captain | |
| Gene Johnson | .... | transportation coordinator: Virginia | |
| Russell McEntyre | .... | transportation coordinator: California (as Russ McEntyre) | |
| Danny Mortenson | .... | transportation captain: Florida/South Carolina (as Daniel Mortenson Jr.) | |
| Robert W. Simpson | .... | transportation captain: Virginia (as Rob Simpson) | |
| Tommy Tancharoen | .... | transportation coordinator | |
| Doug Wilson | .... | driver | |
| Gilbert Young | .... | transportation captain: Washington D.C. | |
| Don Baer | .... | driver (uncredited) | |
| Robert aaron Brown | .... | driver (uncredited) | |
| Richard Curry | .... | driver: Ms. Moore (uncredited) | |
| Bo Falck | .... | transportation captain (uncredited) | |
| William Hogue | .... | driver (uncredited) | |
| Anthony J. Mignano | .... | driver (uncredited) | |
| Ron Parsell | .... | talent driver (uncredited) | |
| Jerry Sidwell | .... | driver (uncredited) | |
| John H. Stephens | .... | driver (uncredited) | |
| Robert Van Apeldoorn | .... | transportation (uncredited) | |
Thanks | |||
| Isabel Hill | .... | thanks: The South Carolina Film Commission | |
| Jeff Monks | .... | thanks: The South Carolina Film Commission | |
| Susan Simms | .... | thanks: Florida Entertainment Commission | |
A Matter of Honor (USA) (working title)
In Pursuit of Honor (USA) (working title)
Navy Cross (USA) (working title)
Pursuit of Honor (USA) (working title)
Undisclosed (USA) (working title)
more
Rated R for language and combat violence.
124 min
Color (Technicolor)
2.35 : 1 more
Iceland:14 | Iceland:16 (video rating) | USA:R (certificate #35019) | Canada:14A (Ontario) | Brazil:14 | Philippines:PG-13 | Argentina:13 | Australia:M | Finland:K-16 | France:U | Germany:16 | Mexico:B | Netherlands:12 | Norway:15 | Portugal:M/12 | Singapore:NC-16 | South Korea:15 | Spain:18 | Sweden:15 | UK:15
Ridley Scott's brother Tony Scott supplied some footage of submarines left over from his film Crimson Tide (1995). more
Revealing mistakes: When O'Neil exits the Hummer upon arriving at base, she closes the door behind her but the door does not latch shut. You can see it swinging back open just as the vehicle is leaving the cameras view. more
Master Chief John Urgayle: Remember, there are no bad crews, only bad leaders. more
Referenced in The Chaos Factor (2000) more
The Future Is a War more
|
|
|
|
|
| Opposing Force | Tears of the Sun | Courage Under Fire | Tora! Tora! Tora! | The General's Daughter |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
| Add this title to MyMovies |
I fully admit I am not the biggest Demi Moore fan in the world. As a matter of fact, she's been in some of my least favorite movies of the decade (A FEW GOOD MEN, INDECENT PROPOSAL, THE SCARLET LETTER, THE JUROR, STRIPTEASE), and she really hasn't been good in any of those. But she did win me over in this movie, because she lives up to her character's line, "Look, I'm not trying to make any sort of statement here." And she isn't. Instead of letting vanity get in the way, or injecting pathos, she lets her actions speak for her, just like her character does in trying to win acceptance as a SEAL. The haircut scene is a good example; though it's directed with cinematic flourish, she does it matter-of-fact.
Moore's performance is one of the two performances that elevate this from your standard grunts-become-soldiers movie. The other is the riveting Viggo Mortenson as the Master Chief, who's the drill instructor. He doesn't play the role as a sadistic tyrant, but rather as a subtle manipulator who gradually recognizes Jordan O'Neill(Moore) is someone worth taking seriously. He also avoids going for pathos.
The movie is best when it concentrates on the training. Ironically, making just a standard grunts-become-soldiers movie makes its message work, because like O'Neill's superiors, we take her seriously because she becomes no different than anyone else. The beginning is bad, and the climatic battle at the end is overblown, which weakens the movie. Still, it's worth a look, and I maintain Moore was only given a Razzie Award for this movie and performance because of her past work, and the naysayers really weren't paying attention to her performance here.