The End of Violence (1997)

Director:

Wim Wenders

Writers:

Nicholas Klein (story) &
Wim Wenders (story) ...

Release Date:

12 September 1997 (USA)

Genre:

Drama | Thriller

Tagline:

Nothing Lasts Forever

Plot:

Mike Max is a Hollywood producer who became powerful and rich thanks to brutal and bloody action films...

Plot Keywords:

Typewriter | Observatory | Lost Identity | Surveillance Camera | Film Making

Awards:

1 win & 4 nominations

Cast

  (Cast overview, first billed only)

Traci Lind	...	Cat
Rosalind Chao	...	Claire
Bill Pullman	...	Mike Max
Andie MacDowell	...	Page
K. Todd Freeman	...	Six O One
Gabriel Byrne	...	Ray Bering
Chris Douridas	...	Technician
Pruitt Taylor Vince	...	Frank Cray
John Diehl	...	Lowell Lewis
Soledad St. Hilaire	...	Anita
Nicole Ari Parker	...	Ade (as Nicole Parker)
Daniel Benzali	...	Brice Phelps
Samuel Fuller	...	Louis Bering (as Sam Fuller)
Marshall Bell	...	Sheriff Call
Frederic Forrest	...	Ranger MacDermot

Also Known As:

Am Ende der Gewalt (Germany) (informal literal title)
Am.Ende.der.Gew@lt. (Germany)

MPAA:

Rated R for language.

Runtime:

122 min

Country:

France | Germany | USA

Language:

English | Spanish

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby | DTS

Certification:

Iceland:12 (video rating) | Iceland:L | Singapore:NC-16 | Australia:M | Finland:K-12 | France:U | Germany:12 (w) | Hungary:14 | Mexico:B | Portugal:M/12 | Spain:13 | UK:15 | USA:R

Filming Locations:

Bronson Canyon, Griffith Park - 4730 Crystal Springs Drive, Los Angeles, California, USA

Company:

CiBy 2000

Trivia:

There is a scene in the film where we see a live recreation of the painting "Nighthawks" by Edward Hopper.

Goofs:

Revealing mistakes: When Page is holding Mike at gunpoint she holds the gun upward with the bottom of the handle facing outward and the ammo clip is clearly missing. Yet when Mike exits through the patio door she fires the gun and shatters the glass.

Quotes:

Ray Bering: I'm a computer scientist. This is Hollywood. What's not strange?

Movie Connections:

Referenced in Edward Hopper (2007) (V)

Soundtrack:

Bailare (El Merecumbe)

A game for pseudo-intellectuals - and it's terrible!

A movie about the business of making movies in all its vacuity and of recording things on camera. This is Wim Wenders' "Le Mepris" and his "Rear Window", (it's all about looking and not about seeing), and it's full of movie references. Sometimes they are about the only thing to distract you from all the ennui and the lack of anything remotely interesting happening up on the screen. In place of believable characters and a decent script or lines you might want to listen to Wenders fills his screen with images that are supposed to engage us on a movie-buff level. The film's like a game pseudo-intellectuals play; you fill in the blanks and if you can guess the better film the blanks come from, all the better, you get brownie points. In other words, this is pretty terrible, the kind of unmitigated disaster only a great director could make when he starts believing his own hype. I mean, Wenders can't lay the blame entirely on the cack-handed script; after all, he co-wrote the original story with script writer Nicholas Klein. I was going to say it goes deeper than that, (or aspires to), but deep isn't really a word you want to use when reviewing this pile of horse dung. OK, it looks terrific; what more can I say? Oh, except he talked the legendary Samuel Fuller into appearing in it and he's terrible, too.