Dark City (1998)

Director:

Alex Proyas

Writers (WGA):

Alex Proyas (story)
Alex Proyas (screenplay) ...

Release Date:

27 February 1998 (USA)

Genre:

Crime | Mystery | Sci-Fi | Thriller

Tagline:

They built the city to see what makes us tick. Last night one of us went off.

Plot:

A man struggles with memories of his past, including a wife he cannot remember, in a nightmarish world with no sun and run by beings with telekinetic powers who seek the souls of humans.

Plot Keywords:

Murder | Memory | Night | Soul | Hotel

Awards:

6 wins & 7 nominations

US TV Schedule:

Mon. Jan. 4	10:00 AM	FX
Tue. Jan. 5	8:00 AM	FX

Cast

Rufus Sewell	...	John Murdoch
William Hurt	...	Inspector Frank Bumstead
Kiefer Sutherland	...	Dr. Daniel P. Schreber
Jennifer Connelly	...	Emma Murdoch / Anna
Richard O'Brien	...	Mr. Hand
Ian Richardson	...	Mr. Book
Bruce Spence	...	Mr. Wall
Colin Friels	...	Det. Eddie Walenski
John Bluthal	...	Karl Harris
Mitchell Butel	...	Officer Husselbeck
Melissa George	...	May
Frank Gallacher	...	Chief Insp. Stromboli
Ritchie Singer	...	Hotel Manager / Vendor
Justin Monjo	...	Taxi Driver
Nicholas Bell	...	Mr. Rain

Also Known As:

Dark City (USA) (director's cut)
Dark Empire (USA) (working title)
Dark World (USA) (working title)

MPAA:

Rated R for violent images and some sexuality.

Runtime:

100 min | 111 min (director's cut)

Country:

Australia | USA

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital | SDDS | DTS

Certification:

Iceland:16 | Canada:13+ (Quebec) | Canada:14A (Alberta/British Columbia) | Canada:18 (Nova Scotia) | Canada:AA (Ontario) | Canada:PA (Manitoba) | Spain:18 | South Korea:15 (original rating) | South Korea:18 (DVD rating) | USA:Not Rated (director's cut) | Argentina:16 | Australia:M | Brazil:14 | Chile:18 | Finland:K-16 | France:-12 | Germany:16 | Hong Kong:IIB | Netherlands:16 | New Zealand:M | Norway:15 | Portugal:M/12 | Singapore:NC-16 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:15 | USA:R (certificate #34966)

Filming Locations:

Fox Studios, Moore Park, Sydney, New South Wales, Australia

Company:

Mystery Clock Cinema

Trivia:

An earlier draft of the script had Dr. Schreber (Kiefer Sutherland) being skinned alive during the finale.

Goofs:

Continuity: When on the fire escape, one of the Strangers opens the window and enters the building. In the next shot, all three Strangers are still on the fire escape.

Quotes:

[first lines]
Dr. Schreber: [voiceover] First there was darkness, then came the strangers.

Movie Connections:

Referenced in Be Kind Rewind (2008)

Soundtrack:

The Night Has 1000 Eyes

Matrix this is not...it much much better.

I will be part of the rabid throngs of people lining up to catch a spectacle as huge as Reloaded and Revolution. Despite(and maybe because of) Matrix sky high hype right now, my thoughts drift back to this overlooked classic...but a little on Neo and gang first below...

The Matrix just happened.

With an uncanny midas touch, The Warchowski bros launched this(then unknown film) at the the right place, in the right time. With an execution commercial enough to bring in the box office moola and a philosophical subtext accessible enough for the general public to latch on to, the rest, as they say...is history.

The philosophical under pinnings though, (of blue pills, red pills, the subreality of consciousness and all that mambo jambo etc), so successfully popularised by The Matrix, was infact neither originated by The Matrix nor as fully realised than in other more accomplished works.

Which leads me to....drumroll.....

As such, IMHO, the best execution on the concept of reality and perception was already explored in a much more unbelievably visual opus, one year earlier, the grossly overlooked, criminally under-rated,

"Dark City". (One of My Top 10 All time Favourite Films)

This scifi/ film noir hybrid was impactful both cinematically and ideologically. Most importantly, it rewarded my wildly abandoned reach for human imagination and thirst for ideas, by fulfilling as much promise a motion picture can ever hope to give.

On top of that, my background as a "trekkie" scifi nerd meant I instinctively respond to films which challenge me both intellectually and spiritually. Dark City was thus a near religious, life cleansing experience for me.

And any which way I look at it, this film soars to heights unseen since 2001: A Space Odyssey...

But due to its messed up(or near-absent) marketing campaign(positioning the film to resemble a horror film for the teenage crowd), the film did not find its intended audience and flopped unceremoniously. Of course it found its audience but by then its was too late...

That said, the thirst for something better than our run of the mill pop corn fare is still there, waiting to be quenched.

And The Matrix filled that void.

Too bad it wasn't this film. But in a ideal world, it would. Sad.