| Photos (see all 67 | slideshow) |
| Roberto Benigni | ... | Guido Orefice | |
| Nicoletta Braschi | ... | Dora | |
| Giorgio Cantarini | ... | Giosué Orefice | |
| Giustino Durano | ... | Eliseo Orefice | |
| Sergio Bini Bustric | ... | Ferruccio Papini (as Sergio Bustric) | |
| Marisa Paredes | ... | Madre di Dora | |
| Horst Buchholz | ... | Doctor Lessing (as Horst Bucholz) | |
| Lidia Alfonsi | ... | Guicciardini | |
| Giuliana Lojodice | ... | School Principal | |
| Amerigo Fontani | ... | Rodolfo | |
| Pietro De Silva | ... | Bartolomeo | |
| Francesco Guzzo | ... | Vittorino | |
| Raffaella Lebboroni | ... | Elena | |
| Claudio Alfonsi | ... | Amico Rodolfo | |
| Gil Baroni | ... | Prefect | |
| Massimo Bianchi | ... | Man with Key | |
| Jürgen Bohn | ... | German Orderly at Party (as Jurgen Bohn) | |
| Verena Buratti | ... | German Auxilliary | |
| Robert Camero | ... | German Executioner | |
| Ennio Consalvi | ... | General Graziosi | |
| Giancarlo Cosentino | ... | Ernesto - Waiter | |
| Aaron Craig | ... | U.S. Tank Soldier | |
| Alfiero Falomi | ... | King | |
| Daniela Fedke | ... | German Auxilliary | |
| Antonio Fommei | ... | School Janitor | |
| Stefano Frangipani | ... | Card Player | |
| Ernst Frowein Holger | ... | German Sergeant | |
| Alessandra Grassi | ... | Teacher | |
| Hannes Hellmann | ... | German Corporal | |
| Wolfgang Hillinger | ... | German Major at Party | |
| Margarita Lucia Krauss | ... | Female Soldier at Children's Dinner | |
| Patrizia Lazzarini | ... | Woman #1 at Grand Hotel | |
| Maria Letizia | ... | Woman #2 at Grand Hotel | |
| Concetta Lombardo | ... | Gigliola | |
| Maria Rita Macellari | ... | Queen | |
| Carlotta Mangione | ... | Eleonora | |
| Franco Mescolini | ... | School Inspector | |
| Francesca Messinese | ... | Woman at the Opera | |
| Inger Lise Middelthon | ... | German Auxilliary | |
| Andrea Nardi | ... | Tappezziere | |
| Günther Pfanzelter | ... | German Soldier | |
| Cristiana Porchiella | ... | Old-Maid Teacher | |
| Antonio Prester | ... | Bruno (as Nino Prester) | |
| Gina Rovere | ... | Governante Dora | |
| Laura Susanne Ruedeberg | ... | German Auxilliary | |
| Massimo Salvianti | ... | Bookstore Polceman | |
| Richard Sammel | ... | German Lieutenant at Station | |
| James Schindler | ... | Tedesco - German Guard | |
| Andrea Tidona | ... | Grand Hotel Doorman | |
| Dirk K. van den Berg | ... | German Soldier (as Dirk Karsten van den Berg) | |
| Giovanna Villa | ... | City Hall Secretary |
Directed by | |||
| Roberto Benigni | |||
Writing credits | ||
| Vincenzo Cerami | (story and screenplay) & | |
| Roberto Benigni | (story and screenplay) | |
Produced by | |||
| Gianluigi Braschi | .... | producer | |
| Mario Cotone | .... | executive producer | |
| John M. Davis | .... | producer (English language version) | |
| Elda Ferri | .... | producer | |
| Agnès Mentre | .... | executive producer (english dubbed version) (as Agnes Mentre) | |
| John Rogers | .... | executive producer (english dubbed version) (as John S. Rogers Jr.) | |
Original Music by | |||
| Nicola Piovani | |||
Cinematography by | |||
| Tonino Delli Colli | (director of photography) | ||
Film Editing by | |||
| Simona Paggi | |||
Casting by | |||
| Shaila Rubin | |||
Production Design by | |||
| Danilo Donati | |||
Set Decoration by | |||
| Luigi Urbani | |||
Costume Design by | |||
| Danilo Donati | |||
Makeup Department | |||
| Giusy Bovino | .... | key hair stylist | |
| Martina Cossu | .... | makeup artist | |
| Walter Cossu | .... | key makeup artist | |
| Maria Pia Crapanzano | .... | hair stylist | |
| Enrico Jacoponi | .... | key makeup artist (as Enrico Iacoponi) | |
| Federico Laurenti | .... | makeup artist | |
| Fabio Lucchetti | .... | hair stylist | |
Production Management | |||
| Tullio Lullo | .... | production manager | |
| John Rogers | .... | post-production supervisor: New York (as John S. Rogers Jr.) | |
| Pietro Sassaroli | .... | production manager | |
| Attilio Viti | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Gianni Arduini | .... | assistant director | |
| Daniele Cama | .... | assistant director | |
| Dan Edelstein | .... | additional director: English dubbed version | |
| Giovanni Marino | .... | second assistant director (as Nanni Marino) | |
| Luigi Spoletini | .... | second assistant director (uncredited) | |
Art Department | |||
| Emanuela Alteri | .... | decorative painter | |
| Rosario Calascibetta | .... | props | |
| Paolo Cameli | .... | set painter | |
| Alberto Ciolfi | .... | decorative painter | |
| Vito Consoli | .... | set painter | |
| Maurizio di Clemente | .... | set designer (as Mauriziio Di Clemente) | |
| Edoardo Di Lorio | .... | second assistant production designer | |
| Ivano Gatti | .... | set painter | |
| Roberto Magagnini | .... | property master | |
| Carlo Maggi | .... | construction head | |
| Carlo Maggi | .... | head plasterer | |
| Paola Mugnai | .... | decorative painter | |
| Sabina Palermo | .... | props management: Intesa | |
| Maurizio Sabatini | .... | first assistant production designer | |
| Romolo Severi | .... | decorative painter | |
| Marcello Turco | .... | set painter | |
| Fernando Valento | .... | construction manager | |
| Stephen Andrew Schwartz | .... | props (uncredited) | |
Special Effects by | |||
| Giovanni Corridori | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Robert Bagala | .... | grip (as Roberto Bagola) | |
| Salvatore Bognanni | .... | assistant camera | |
| Roberto Brega | .... | camera operator | |
| Aldo Colanzi | .... | key grip | |
| Marco Contaldo | .... | electrician | |
| Francesco Cotone | .... | assistant grip | |
| Roberto Cuccoli | .... | electrician | |
| Marco Cuzzupoli | .... | assistant camera | |
| Umberto Dessena | .... | grip | |
| Claudio Frollano | .... | electrician | |
| Sergio Gabrielli | .... | grip | |
| Aldo Galigani | .... | electrician | |
| Maurizio Galli | .... | assistant grip | |
| Simone Lucchetti | .... | electrician | |
| Adolfo Onorati | .... | generator operator | |
| Marco Santarelli | .... | grip | |
| Fabrizio Spadoni | .... | grip | |
| Sergio Strizzi | .... | still photographer | |
| Giovanni Tancredi | .... | electrician | |
| Massimo Tanfani | .... | assistant grip | |
| Marco Verginelli | .... | grip | |
| Carlo Vinciguerra | .... | gaffer | |
Casting Department | |||
| Mark Bennett | .... | casting director: English dubbed version | |
| Savannah Haske | .... | casting associate (English dubbed version) | |
| Christina Rosati | .... | additional casting (English dubbed version) | |
Costume and Wardrobe Department | |||
| Gaelle Allen | .... | costumer | |
| Angela Anzimani | .... | seamstress | |
| Giovanna Anzimani | .... | seamstress | |
| Alma Barbieri | .... | workshop tailor | |
| Metka Kosak | .... | assistant costume designer (as Metka Koschak) | |
| Simona Mattei | .... | seamstress | |
| Raoul Settimelli | .... | assistant costume designer | |
| Alessandra Torella | .... | assistant costume designer | |
| Emanuele Zito | .... | assistant costume designer | |
Editorial Department | |||
| Benni Atria | .... | assistant editor: avid | |
| Maddalena Colombo | .... | assistant editor: avid | |
| Pasquale Cuzzupoli | .... | color timer | |
| Giorgia Onofri | .... | assistant editor | |
| Irma Misantoni | .... | second assistant editor (uncredited) | |
Music Department | |||
| Damiano Antinori | .... | assistant music mixer | |
| Pasquale Filastò | .... | music assistant: Ars Nova | |
| Nicola Piovani | .... | conductor | |
| Nicola Piovani | .... | music arranger | |
| Nicola Piovani | .... | orchestrator | |
| Fabio Venturi | .... | music mixer | |
| Fabio Venturi | .... | music recordist (uncredited) | |
Transportation Department | |||
| Raffaele Bello | .... | production driver | |
| Valerio Berlini | .... | production driver | |
| Spartaco Calanchini | .... | production driver | |
| Stefano Ceppi | .... | production driver | |
| Abel Fasano | .... | production driver | |
| Claudio Pitotti | .... | production driver | |
| Massimo Rossi | .... | production driver | |
| Balilla Santoro | .... | production driver | |
| Giovanni Scuro | .... | production driver | |
| Giuseppe Serra | .... | production driver | |
| Sergio Verdecchia | .... | production driver | |
Thanks | |||
| Stefano Bartezzaghi | .... | special thanks | |
| Rossella Belli | .... | the producers wish to thank: La Soc. Fedora | |
| Maurizio Benvenuti | .... | the producers wish to thank: La Soc. Fedora | |
| Sonia Berrettini | .... | the producers wish to thank: La Soc. Fedora | |
| Claudio Burlando | .... | the producers wish to thank: Minister of Transportation | |
| Franco Casaglieri | .... | thanks | |
| Demofilo Fidani | .... | thanks: Auschwitz survivor (as Nedo Fidano) | |
| Mariangela Gualtieri | .... | special thanks | |
| John Hadity | .... | special thanks: English dubbed version | |
| L. Picciotto Fargion | .... | thanks: Auschwitz survivor (as Liliana Picciotto Fargion) | |
| Marco Pisini | .... | thanks | |
| Valerio Veltroni | .... | thanks | |
| Schlomo Venezia | .... | thanks: Auschwitz survivor | |
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I typically don't care much for sub-titled movies. Foreign films to me are slow and about nothing. So I naturally went to see Life is Beautiful with a chip on my shoulder. I wanted to hate it. I wanted it to be just another movie that Hollywood was praising to show that they were an intelligent bunch of people. Oh boy was I in for the surprise of my life. Not only is this film good, I honestly believe that it was the second best film of 98, next to Saving Private Ryan. The mere fact that Shakespeare in Love won best picture over not only Ryan but over this, is a joke. It's actually funny.
Benigni did everything in this film. He wrote, produced, directed and probably swept the floors at night. There is that much raw energy in this film. There really is. For someone to have that kind of vision is truly incredible. And not only is the film a terrific cinematic experience because of the importance and seriousness of the subject matter, but it is one of the funnier films I've ever seen. When Roberto is translating the German soldiers insructions to his son so that he isn't scared, it is at that moment that you realize you are under his spell. He's got you and no matter how much sceptisism you may have about the film you know you're witnessing a classic in every sense of the word.
I loved this film. Loved everything about it and I am so glad that I got to see it and cheer Benigni at the Oscars. He certainly deserved his best actor award and he should have gotten more.