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Directed by | |||
| Michael Winterbottom | |||
Writing credits(in alphabetical order) | ||
| Hossein Amini | screenplay | |
| Thomas Hardy | novel "Jude the Obscure" | |
Produced by | |||
| Andrew Eaton | .... | producer | |
| Sheila Fraser Milne | .... | associate producer | |
| Mark Shivas | .... | executive producer | |
| Stewart Till | .... | executive producer | |
Original Music by | |||
| Adrian Johnston | |||
Cinematography by | |||
| Eduardo Serra | (director of photography) | ||
Film Editing by | |||
| Trevor Waite | |||
Casting by | |||
| Simone Ireland | |||
| Vanessa Pereira | |||
Production Design by | |||
| Joseph Bennett | |||
Art Direction by | |||
| Andrew Rothschild | |||
Set Decoration by | |||
| Judy Farr | |||
Costume Design by | |||
| Janty Yates | |||
Makeup Department | |||
| Mel Gibson | .... | hair stylist | |
| Mel Gibson | .... | makeup artist | |
| Amanda Warburton | .... | hair stylist | |
| Amanda Warburton | .... | makeup artist | |
Production Management | |||
| Josh Dynevor | .... | unit manager | |
Art Department | |||
| Steve Bohan | .... | construction manager | |
| Peter James | .... | technical adviser for stonemasonry | |
| Thomas Martin | .... | assistant construction manager | |
| Sean McConville | .... | art department crew | |
| Andy Nicholson | .... | set designer | |
| Paul Purdy | .... | property master | |
Sound Department | |||
| James Boyle | .... | assistant sound editor | |
| Jeremy Child | .... | sound editor | |
| Paul Conway | .... | dialogue editor | |
| Joe Gallagher | .... | foley editor | |
| Kate Morath | .... | boom operator | |
| Kant Pan | .... | sound editor | |
| Martin Trevis | .... | sound mixer | |
| Iain Eyre | .... | assistant sound editor (uncredited) | |
Special Effects by | |||
| John Markwell | .... | special effects | |
Visual Effects by | |||
| Mimi Abers | .... | visual effects designer | |
| Paddy Eason | .... | visual effects designer | |
| Pete Hanson | .... | studio manager | |
| Alison O'Brien | .... | visual effects producer | |
| Tim Wellspring | .... | visual effects assistant: CFC | |
| Dennis Michelson | .... | visual effects: CFC (uncredited) | |
| Mark Nelmes | .... | visual effects (uncredited) | |
| Kevin Phelan | .... | scanning and recording producer: CFC (uncredited) | |
Stunts | |||
| Roy Alon | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Nick Beeks-Sanders | .... | lighting camera operator: second unit | |
| Matthew Butler | .... | electrician | |
| Barney Davis | .... | clapper loader | |
| Gifford Hooper | .... | aerial camera operator | |
| Simon Hume | .... | focus puller | |
| Roydon Johnson | .... | camera operator: New Zealand | |
| Paul Sharp | .... | electrician | |
| Philip Sindall | .... | camera operator | |
| Andrew Speller | .... | director of photography: second unit | |
| Pierre Vinet | .... | still photographer | |
| Gavin Walters | .... | best boy | |
| Lee Walters | .... | gaffer | |
| Vince McGahon | .... | Steadicam operator (uncredited) | |
Costume and Wardrobe Department | |||
| Deb Brown | .... | key costumer | |
| Christian Motta | .... | costumer: Mr. Eccleston | |
| Amanda Trewin | .... | costumer: Ms. Winslet | |
Other crew | |||
| Debbie Moore | .... | assistant accountant | |
| Roger Phillips | .... | title designer | |
| David Pinnington | .... | location manager | |
| Cindy Thomson | .... | assistant location manager | |
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...but i loved it. i was at the library getting a movie for girls night and then i saw the jacket for this movie. first thing i notice it has kate winslet, its historical, and the tag line is really catchy so i check it out, drive to my friends house and start the show. instead of a cute feel good romance i'm confronted with a heavy movie of death, love, hate, and betrayal.
now i found this movie to be amazing. the story was very much true to hardy's novel (well up until the end) and while the film is dark it is wonderfully so. it is not a lighthearted period romance but rather a study on human behavior and how it can go terribly wrong when the heart becomes involved. it is obvious that they love each other, and the fact they are cousins is secondary... they had never known each other as children as most children know their cousins. they met as adults and fell in love as such. their story is an impassioned one of trail and error romances, exploring ones desires and drives, the burden of nonconformity, and what can cause as love to break down.
very good, very powerful, but a very abrupt ending with one of the best closing lines. ****/*****