at Crackle

| Photos (see all 24 | slideshow) | Videos (see all 8) |
| Robert De Niro | ... | Gil Renard | |
| Wesley Snipes | ... | Bobby Rayburn | |
| Ellen Barkin | ... | Jewel Stern | |
| John Leguizamo | ... | Manny | |
| Benicio Del Toro | ... | Juan Primo | |
| Patti D'Arbanville | ... | Ellen Renard (as Patti D'Arbanville-Quinn) | |
| Chris Mulkey | ... | Tim | |
| Andrew J. Ferchland | ... | Richie Renard | |
| Brandon Hammond | ... | Sean Rayburn | |
| Charles Hallahan | ... | Coop | |
| Dan Butler | ... | Garrity | |
| Kurt Fuller | ... | Bernie | |
| Michael Jace | ... | Scalper | |
| Frank Medrano | ... | Leon, the Bartender | |
| Don S. Davis | ... | Stook | |
| John Kruk | ... | Lanz | |
| Stoney Jackson | ... | Zamora | |
| Brad William Henke | ... | Tjader (as Brad Henke) | |
| Drew Snyder | ... | Burrows | |
| Edith Diaz | ... | Elvira | |
| Walter Addison | ... | Detective Lewis | |
| Wayne Duvall | ... | Detective Baker | |
| Joe Pichler | ... | Sick Sean | |
| James MacDonald | ... | Sick Sean's Dad (as James G. MacDonald) | |
| Tuesday Knight | ... | Nurse | |
| Marla Sucharetza | ... | Angie | |
| Nikki Lee | ... | Dawna | |
| Marjorie Lovett | ... | Stanford Woman | |
| Michael Andolini | ... | Man Behind Gil | |
| M.C. Gainey | ... | Man Behind Man | |
| Michael Bofshever | ... | Little League Coach | |
| Kirk Ward | ... | The Giant Mascot | |
| Eric Bruskotter | ... | Catcher | |
| Kirk D. Terry | ... | Umpire | |
| Abraham Flores | ... | Umpire | |
| Dennis Neil Henderson | ... | Umpire | |
| Aaron Neville | ... | Opening Game Singer | |
| Jerry Saslow | ... | Reporter | |
| Michael P. Byrne | ... | Reporter | |
| Bret Lewis | ... | Reporter | |
| Roger Lodge | ... | Reporter | |
| Ron Pitts | ... | Reporter | |
| Stanley DeSantis | ... | Stoney | |
| Jack Black | ... | Broadcast Technician | |
| Thomas F. Duffy | ... | Figgy (as Thomas Duffy) | |
| Don Fischer | ... | Cop | |
| Vernon Guichard II | ... | Cop | |
| Kim Robillard | ... | Jefferson Sporting Goods Clerk | |
| Keith Leon Williams | ... | Stadium Offical | |
| Chanté Moore | ... | Primo Tribute Singer | |
| Paul Herman | ... | Seedy Suit Guy | |
| Robert Louis Kempf | ... | Baggage Attendant | |
| Jesse Ibarra | ... | Padres Pitcher | |
| James Betzsold | ... | Padres Catcher | |
| Chris Fick | ... | Giants Left Fielder | |
| Ben Hines | ... | Giants First Baseman | |
| Rick Magnante | ... | Giants Third Base Coach | |
| Carl Mergenthaler | ... | Bobby's Teammate | |
| Clayton Holt | ... | Bobby's Teammate | |
| Lennox Brown | ... | Bobby's Teammate | |
| Troy A. Cephers | ... | Bobby's Teammate | |
| Freeman White | ... | Bobby's Teammate | |
| Bruce Hines | ... | Umpire in End Game | |
| Adam Druxman | ... | Paparazzi | |
| Kathy Stewart | ... | Fan | |
| Carolyn Washington | ... | Fan | |
| Nikki Hart | ... | Fan | |
| Bo Daniels | ... | Fan | |
| Randal Salguero | ... | Fan | |
| Tracy Leanne Mandac | ... | Fan | |
| Greg Tome | ... | Detective Schmerg | |
| Sonya Bertelson | ... | Waitress | |
| Brian Freifield | ... | Art | |
| Jennifer Stander | ... | Store Employee | |
| Roy Conrad | ... | Shopkeeper | |
| Richard Riehle | ... | Shopkeeper | |
| Earl Billings | ... | Shopkeeper | |
| John Carroll Lynch | ... | Shopkeeper | |
| Tim Monsion | ... | Shopkeeper | |
| Ralph Bertelle | ... | Shopkeeper | |
| Norm Compton | ... | Shopkeeper | |
| rest of cast listed alphabetically: | |||
| Linda Carol | ... | (uncredited) | |
| Larry Cisewski | ... | Knife Thrower (uncredited) | |
| Kacee DeMasi | ... | Reporter (uncredited) | |
| Said Faraj | ... | Parking attendant (uncredited) | |
| Monica Martino | ... | Hot Girl (uncredited) | |
| Patti Tippo | ... | Shopkeeper (uncredited) | |
Directed by | |||
| Tony Scott | |||
Writing credits(WGA) | ||
| Peter Abrahams | (book) | |
| Phoef Sutton | (screenplay) | |
Original Music by | |||
| Hans Zimmer | |||
Cinematography by | |||
| Dariusz Wolski | (director of photography) | ||
Film Editing by | |||
| Claire Simpson | |||
| Christian Wagner | |||
Casting by | |||
| Ellen Lewis | |||
Production Design by | |||
| Ida Random | |||
Art Direction by | |||
| Mayne Berke | |||
| Adam Lustig | |||
Set Decoration by | |||
| Claire Jenora Bowin | (as Claire Bowin) | ||
Costume Design by | |||
| Daniel Orlandi | |||
| Rita Ryack | |||
Makeup Department | |||
| David P. Barton | .... | special makeup effects artist | |
| Lana Chirco | .... | hair stylist | |
| Stephen Elsbree | .... | hair stylist | |
| Ilona Herman | .... | hair stylist | |
| Ilona Herman | .... | makeup artist | |
| Ron Scott | .... | key hair stylist | |
| Shaun Smith | .... | special makeup effects supervisor: KYP Inc. | |
| Richard Snell | .... | key makeup artist | |
| Laini Thompson | .... | makeup artist: Mr. Snipes | |
| Ellen Wong | .... | makeup artist | |
| Natalie Wood | .... | makeup artist | |
| Kevin Yagher | .... | makeup effects creator | |
| Mark C. Yagher | .... | makeup effects | |
Second Unit Director or Assistant Director | |||
| Adam Druxman | .... | second second assistant director | |
| Phil Dupont | .... | additional second second assistant director | |
| James W. Skotchdopole | .... | first assistant director | |
| Sharon Swab | .... | dga trainee | |
| John Wildermuth Jr. | .... | second assistant director | |
Art Department | |||
| Mike Blaze | .... | property master | |
| Rick Chavez | .... | assistant property master | |
| Stan Cockerell | .... | assistant property master | |
| Dennis DeWaay | .... | construction coordinator (as Dennis DeWay) | |
| Tim Donelan | .... | lead man | |
| Beverli Eagan | .... | set designer | |
| Steven E. Fegley | .... | construction foreman (as Steven Fegley) | |
| Will Grant | .... | set dresser | |
| Randy Gunter | .... | assistant property master | |
| John Hinkle | .... | stand-by painter | |
| Scott W. Leslie | .... | set dresser | |
| Oscar Mazzola | .... | art department assistant | |
| Tom Reta | .... | assistant art director | |
| Shana Sigmond | .... | buyer | |
| Ken Abraham | .... | set dresser (uncredited) | |
| Jennifer A. Davis | .... | art director: additional photography (uncredited) | |
| Gaylene West | .... | set dresser (uncredited) | |
Visual Effects by | |||
| Scott Milne | .... | title artist | |
| Dwight Raymond | .... | visual effects editor | |
Stunts | |||
| Bob Arnold | .... | stunts | |
| Marlon Braccia | .... | stunt driver | |
| Mike Cameron | .... | stunts | |
| R.J. Chambers | .... | stunts | |
| Craig Davis | .... | stunts | |
| Danial Donai | .... | stunts | |
| Richard Epper | .... | stunts | |
| Kane Hodder | .... | stunts | |
| Scott Hubbell | .... | utility stunts | |
| Mister Jones | .... | stunts (as Leslie Jones) | |
| Mark Lonsdale | .... | stunts | |
| Billy D. Lucas | .... | stunts | |
| John Lucasey | .... | stunts | |
| Joe Manuella | .... | stunts | |
| Johnny Martin | .... | stunts | |
| Don McGovern | .... | stunts | |
| Eddie Perez | .... | stunt double | |
| Eddie Perez | .... | stunts | |
| Charlie Picerni | .... | stunts | |
| Chuck Picerni Jr. | .... | stunt coordinator | |
| Steve Picerni | .... | stunt coordinator | |
| John Polce | .... | stunts | |
| John Rottger | .... | stunts | |
| Carlton Lee Russell | .... | stunts | |
| Tierre Turner | .... | stunts | |
| Gene Williams | .... | stunts | |
| John Cenatiempo | .... | stunts (uncredited) | |
Casting Department | |||
| Lisa S. Beasley | .... | extras casting | |
| Brennan Dufresne | .... | casting assistant | |
| Nancy Dunbar | .... | extras casting | |
| Gail Goldberg | .... | casting associate | |
Costume and Wardrobe Department | |||
| Dan Bronson | .... | costume supervisor | |
| Bob Moore Jr. | .... | costumer (as Bob Moore) | |
| Maggie Morgan | .... | assistant costume designer | |
| Elaine Ramires | .... | key costumer | |
| Mary Elizabeth Still | .... | costumer (as Mary Still) | |
Editorial Department | |||
| Monica Anderson | .... | assistant editor | |
| Vernel Bakewell | .... | apprentice editor | |
| Matthew Booth | .... | assistant editor | |
| Fred Fouquet | .... | editor: opening title sequence | |
| Mo Henry | .... | negative cutter | |
| Ladd Lanford | .... | assistant editor | |
| Sheila MacDowell | .... | assistant editor | |
| Janet Ogletree | .... | first assistant editor: lightworks | |
| Olivia Patton | .... | apprentice editor | |
| Bob Putynkowski | .... | color timer | |
| Dwight Raymond | .... | first assistant editor (as H. Dwight Raymond IV) | |
| Paul M. Wagner | .... | assistant editor (as Paul Wagner) | |
| Leigh Davis | .... | assistant editor (uncredited) | |
| Cecilia Hyoun | .... | lightworks assistant (uncredited) | |
| Benjamin Rapoport | .... | assistant editor (uncredited) | |
Music Department | |||
| Ryeland Allison | .... | musician | |
| Sharon Boyle | .... | music supervisor | |
| Sandy DeCrescent | .... | music contractor | |
| Bruce Fowler | .... | orchestrator | |
| Harry Gregson-Williams | .... | conductor | |
| Alan Meyerson | .... | score mixer | |
| Jeff Rona | .... | composer: additional music | |
| Angie Rubin | .... | additional music editor | |
| Adam Milo Smalley | .... | music editor | |
| Steven L. Smith | .... | music preparation | |
| Marc Streitenfeld | .... | assistant composer | |
| John Van Tongeren | .... | musician: keyboards and synthesiser | |
Transportation Department | |||
| Howard Bachrach | .... | transportation captain | |
| Vic Cuccia | .... | picture car captain | |
| Steve Duncan | .... | transportation coordinator | |
| Dennis Sean Fahey | .... | driver: Mr. Scott | |
| Craig Lietzke | .... | driver | |
| David Pappas | .... | transportation captain: San Francisco | |
| Jerry Sidwell | .... | driver | |
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| Summer Catch | Strangers on a Train | Mystic River | Brooklyn, I Love You | Little Boy Blue |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
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It may be true that everyone during their lifetime has fifteen minutes of fame, even if in most cases it only lasts about a minute and a half. And if that minute and a half comes early in life, how far into adulthood can you carry it with you, and when does a healthy memory become an obsession that finally blurs the line between reality and fantasy? `The Fan,' directed by Tony Scott and starring Robert De Niro and Wesley Snipes, is an intense and disturbing motion picture that examines that moment and the effects it can have on the lives of those either directly or indirectly involved. Here, the focus is on one Gil Renard (De Niro), a knife salesman in San Francisco and a die-hard Giants fan who is pumped about the acquisition during the off-season of superstar centerfielder Bobby Rayburn (Snipes), whom he believes will bring a pennant to the team. Once a player himself-- a pitcher-- Renard's life has since been on a downhill slide. Divorced, he has a young, little league aged son, Richie (Andrew J. Ferchland), with whom he has an unsettling relationship, and at work, his sales have been so poor his job is on the line. An angry, disturbed individual, Renard has reached a pivotal point in his life; for inspiration, he continually returns to the philosophies of the catcher from his playing days, Coop (Charles Hallahan), whom he considers one of the finest athletes he ever knew. And as his life continues to deteriorate, his obsessions begin to add further to the imbalance of his perceptions of reality, which finally lead him past a point of no return.
Scott's film, of course, has less to do with baseball than it does with how the game itself actually relates to life and the things that really matter. As Rayburn says at one point, `We're not curing cancer here.' But to those to whom life has been reduced to that minute and a half to which they still cling, the game can be everything. And it is just that unhealthy obsession that Scott examines in this film, that comparatively insignificant moment that in the obsessive mind becomes an episode of monumental importance that finally distorts any semblance of reality the individual may have left. What's truly frightening is that upon close scrutiny, in Renard there is much with which many viewers will be able to relate in one way or another: The anger, the frustration and perhaps the inability to let go of that minute and a half, even when it threatens to become more than just a pleasant memory, but an unhealthy lifeline to another place and another time that, in reality, may never have existed in the first place. It's like a search for self-esteem by the has-been-who-never-was, who can neither realize nor accept it's elusiveness. As Renard says to Richie, `Baseball is better than life, because it's fair. You hit a sacrifice fly and it doesn't count against your average.' An ideal that has forever eluded Renard; in his life, he's never been able to `give himself up for the team' and get anything in return for it.
As Renard, De Niro gives an explosive performance that at first glance may seem to have a bit of Travis Bickle and Max Cady in it-- which in fact it does-- though upon closer inspection, Renard is a unique character. Those with a disturbed mind may have traits in common, as these characters De Niro has portrayed certainly do; but De Niro has successfully given each of them an individual personality, and when viewed side by side, the differences are readily apparent. Bickle may be a sociopath, Cady a cold blooded killer; but Renard is a man who was just never able to get a handle on his life and has allowed his obsessions to dictate the choices he has made along the way. De Niro is simply a master of his craft, with the ability to make his characters so real that a performance like this one is often overlooked; this is Oscar worthy work for which he never received the acclaim he was due. His Renard is so like someone you would run into in your everyday life that in retrospect, it's scary. But it's the kind of performance we've come to expect from De Niro, and as usual, he does not disappoint.
Wesley Snipes, as well, gives a solid performance as Rayburn that is one of his best ever, which is not surprising when you consider with whom he was working. If you study De Niro's films, you may discover a common thread running through them with regard to his co-stars. De Niro has the ability to make those with whom he is working better; and it's something that stays with them forever after. Consider Christopher Walken and Meryl Streep before `The Deer Hunter,' or Ed Harris before `Jacknife.' Certainly they were exceptional talents before, but they have arguably been better since. And Snipes is no exception. Nor is Benicio Del Toro (Recipient of the Oscar for Best Supporting Actor for `Traffic'), who gives a memorable turn here as Rayburn's rival outfielder, Juan Primo.
The supporting cast includes Patti D'Arbanville (Ellen),Ellen Barkin (Jewel), John Leguizamo (Manny), Chris Mulkey (Tim), Dan Butler (Garrity) and Brandon Hammond (Sean). A thought provoking thriller that gives some real insight into the cause and effect of the psyche of human nature, `The Fan' is like an open wound that may hit too close to home for some. And to dismiss this as just a `baseball' movie or another `action' flick would be a mistake, for there is much more here than meets the eye. In the end, those who pay attention will ultimately reap the rewards it proffers. I rate this one 9/10.