Continuity: The fan behind Che during his first song in the bar.
Continuity: Evita's right arm position when she's listening to Magaldi singing.
Revealing mistakes: The cup in the church when Evita faints falls to the ground spills no wine.
Revealing mistakes: Duarte can be seen breathing in her coffin.
Continuity: Eva Peron's shoes change during the waltz scene with Che. Apparently Madonna began filming with higher heels, fell, and, fearing for her unborn baby, switched to lower heels with a clearly different strap set-up. Her hair also changes.
Continuity: The glass cover over the croissants on the bar counter to Evita's left.
Anachronisms: When receiving Holy Communion Evita partakes of wine, a practice not permitted until the Second Vatican Council (1962-1964).
Anachronisms: During the Mass, when Evita is receiving Communion, she responds to the priest with "Amen". However, in a Tridentine Mass, nothing is said by the communicant before receiving the sacrament. The practice of saying "Amen" does not begin until the Second Vatican Council.
Anachronisms: When Evita first arrives in the city, distant shots of the skyscrapers show modern microwave antennas atop the buildings.
Continuity:Madonna's pregnancy shows during early interior scenes in Evita's home town and the bar in Buenos Aires, but disappears in exterior scenes, which were shot earlier.
Anachronisms: During a parade/riot set in 1943, an armored car is seen. The make/model is a Daimler Fox, not manufactured until the 1970s.
Continuity: When Eva is in her bed towards the end of the movie, she has blue eyes.