In the Mouth of Madness (1995)

Director:

John Carpenter

Writer (WGA):

Michael De Luca (written by)

Release Date:

3 February 1995 (USA)

Genre:

Fantasy | Horror | Thriller | Mystery

Tagline:

Lived Any Good Books Lately?

Plot:

An insurance investigator begins discovering that the impact a horror writer's books have on his fans is more than inspirational.

Plot Keywords:

H.P. Lovecraft | End Of Mankind | Good Versus Evil | Self Referential | Film In Film

Awards:

1 win & 3 nominations

Cast

Sam Neill	...	John Trent
Julie Carmen	...	Linda Styles
Jürgen Prochnow	...	Sutter Cane (as Jurgen Prochnow)
David Warner	...	Dr. Wrenn
John Glover	...	Saperstein
Bernie Casey	...	Robinson
Peter Jason	...	Mr. Paul
Charlton Heston	...	Jackson Harglow
Frances Bay	...	Mrs. Pickman
Wilhelm von Homburg	...	Simon
Kevin Rushton	...	Guard #1
Gene Mack	...	Guard #2
Conrad Bergschneider	...	Axe Maniac
Marvin Scott	...	Reporter
Katherine Ashby	...	Receptionist

Also Known As:

John Carpenter's In the Mouth of Madness (USA) (complete title)

Runtime:

95 min

Country:

USA

Language:

English

Color:

Color (DeLuxe)

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby SR | DTS

Certification:

Canada:14A (Manitoba) | South Korea:15 | Iceland:16 | Germany:18 (DVD release) | USA:R (certificate #32596) | Philippines:R-18 | Canada:18A (British Columbia) | Canada:R (Nova Scotia/Ontario) | Canada:13+ (Quebec) | Argentina:16 | Australia:M | France:-12 | Germany:16 | Norway:18 (video premiere) | Portugal:M/16 | Singapore:PG | Spain:18 | UK:18

Filming Locations:

King City, Ontario, Canada

Company:

New Line Cinema

Trivia:

Robot Monster (1953), which Sam Neill is watching at the end of the movie, is one of director John Carpenter's favorite monster movies as a kid.

Goofs:

Revealing mistakes: In the scene where Sutter Cane peels himself away to reveal the abyss, although most of his upper half is no longer "in reality" his shadow on the wall behind him remains perfectly intact.

Quotes:

John Trent: Every species can smell its own extinction. The last ones left won't have a pretty time with it. In ten years, maybe less, the human race will just be a bedtime story for their children. A myth, nothing more.

Movie Connections:

Referenced in Kammaren (2007)

Soundtrack:

WE'VE ONLY JUST BEGUN

John Carpenter delivers again.

"In The Mouth of Madness" is one of John Carpenter's better flicks. It features the usually bland Sam Neill in a surprisingly good and likable performance, and is packed with oodles of intriguing concepts and spiffy details. The music is good (it was cowritten by Carpenter) and the movie has a great look. There are also lots and lots of ginchy make-up effects, and while some are better than others (the kid who turns into an old man looks like a kid wearing a Spencer's Gifts Old Man mask and fright wig), but the sheer abundance of them make this unique.

Neill plays John Trent, a no-nonsense insurance investigator who loves his job and has disdain for most of humanity- but with a sense of humor. He's sent to find a missing mega-selling author Sutter Caine (Jurgen Prochnow, in a role that would have been kick-ass if played by Stephen King), whose books are a nation-wide craze. Trent ends up in Hobb's End, a town right out of Caine's books (literally) where the morbid tales of fiction are becoming reality.

The movie, although muddled in places, too repetitive (on purpose), and too reliant on flash forwards, has lots of things to say about the perception of reality and it interesting and entertaining.

The supporting cast is good: John Glover and David Warner are psychiatrists, a subdued Charleton Heston is a publisher, and Bernie "Revenge of the Nerds" Casey is Trent's boss, but the highlight is Frances Bay as the sweet Mrs. Pickman. She provides the film's high points and ends up looking like something from the director's "The Thing". The weak link in the cast is the leading lady, Julie Carmen, who delivers every line like she just chugged a case of Nyquil. In addition to her lousy acting, she's dressed in ugly outfits and has a kind of "in-your-face" ugliness. In one scene there is a special effects dummy head in place of Carmen's and the dummy head out-acts her.

This is not as great as "The Thing" but better than "They Live" as far as John Carpenter's paranoid, reality-bending flicks go, and is worth checking out.