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La haine (1995)
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Overview
User Rating:
Release Date:
23 February 1996 (USA) moreTagline:
Three Young Friends... One Last Chance.Plot:
Abdel, a local hoodlum, is hospitalized after a riot, where a policeman lost his gun. His friend Vinz finds it and claims he will kill a cop if Abdel dies. full summary | add synopsisAwards:
8 wins & 11 nominations moreNewsDesk:
(4 articles)
Eli Roth: Fun in the Cotton Belt (From Fangoria. 3 June 2009, 6:03 AM, PDT)
Doc Filmmaker Havana Marking's Top Ten Films of All Time
(From ioncinema. 1 June 2009)
User Comments:
The Hood by a Frenchman moreCast
(Cast overview, first billed only)| Vincent Cassel | ... | Vinz | |
| Hubert Koundé | ... | Hubert | |
| Saïd Taghmaoui | ... | Saïd | |
| Abdel Ahmed Ghili | ... | Abdel | |
| Solo | ... | Santo | |
| Joseph Momo | ... | Ordinary Guy | |
| Héloïse Rauth | ... | Sarah | |
| Rywka Wajsbrot | ... | Vinz's Grandmother | |
| Olga Abrego | ... | Vinz's Aunt | |
| Laurent Labasse | ... | Cook | |
| Choukri Gabteni | ... | Saïd's Brother | |
| Nabil Ben Mhamed | ... | Boy Blague | |
| Benoît Magimel | ... | Benoît | |
| Medard Niang | ... | Médard | |
| Arash Mansour | ... | Arash |
Additional Details
Also Known As:
La haine (UK) (USA)Droits du cité (France) (working title)
The Hate (International: English title)
more
Parents Guide:
View content advisory for parentsRuntime:
96 minCountry:
FranceLanguage:
FrenchAspect Ratio:
1.85 : 1 moreSound Mix:
Dolby SRCertification:
Iceland:14 | Iceland:16 (video rating) | Norway:15 | Australia:MA | New Zealand:R16 | New Zealand:R18 | Argentina:16 | Finland:K-16 | Germany:12 (bw) | Portugal:M/18 | South Korea:18 | Spain:18 | Sweden:15 | UK:15 | USA:R | Netherlands:16Fun Stuff
Trivia:
In some English-language versions, such as the 2007 Criterion Collection DVD, the name Astérix was changed to Snoopy in the subtitles, as the film traveled further than the Asterix books did. moreGoofs:
Continuity: The policeman who kills Vinz fires a single shot, and the slide of his handgun is locked back. The very next scene shows his gun with the slide forward, and the hammer down. moreQuotes:
Hubert: Heard about the guy who fell off a skyscraper? On his way down past each floor, he kept saying to reassure himself: So far so good... so far so good... so far so good. How you fall doesn't matter. It's how you land! moreSoundtrack:
Funk Funk moreFAQ
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Rather like Haneke's Code Inconnu, we follow a principle trio of destitute urban teenagers through 24 hours in episodes, punctuated with screen splits showing the time - and, invariably, their boredom. There is no romanticism or squalor in squalid drug dens (unlike in the contemporary Trainspotting) or any carousel of murder. The boys want to do their own thing, perhaps collect the pettiest of debts and get along. Instead their every encounter breaks down into goading and aggression, however constructively instigated by the boys.
Kassowitz paints bleak sequences, but without a sense of hopelessness. Instead we are left with frustration that there is no intervention to manipulate the intelligence and good intentions of the boys at each chapter of their day. The episode in the private gallery is the perfect example of this; the imaginary cul-de-sac of self-worth that eventually leads them to behave with defensive antagonism is a painful scene.
Vincent Cassel is the money name leading the melodrama. Said Tagmaouhi is a good foil for Cassel's occasionally self-regarding virtuosity, but I was most impressed with Hubert Koundeas, the introspective, middle class manqué third of the three. The film stays true throughout, incorporating Paris as a metropolitan backdrop, rather than a beautiful juxtaposition for pity's sake. A troubling, even angry but positive film. A real benchmark. 7.5/10