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Directed by | |||
| Wes Craven | |||
Writing credits(WGA) | ||
| Wes Craven | (characters) | |
| Wes Craven | (written by) | |
Produced by | |||
| Wes Craven | .... | executive producer | |
| Jeffrey Fenner | .... | associate producer | |
| Marianne Maddalena | .... | producer | |
| Sara Risher | .... | co-executive producer | |
| Jay Roewe | .... | co-producer | |
| Robert Shaye | .... | executive producer | |
Original Music by | |||
| J. Peter Robinson | |||
Cinematography by | |||
| Mark Irwin | |||
Film Editing by | |||
| Patrick Lussier | |||
Casting by | |||
| Gary M. Zuckerbrod | (as Gary Zuckerbrod) | ||
Production Design by | |||
| Cynthia Kay Charette | (as Cynthia Charette) | ||
Art Direction by | |||
| Diane McKinnon | |||
| Troy Sizemore | |||
Set Decoration by | |||
| Ruby Guidara | |||
Costume Design by | |||
| Mary Jane Fort | |||
Makeup Department | |||
| Gino Acevedo | .... | makeup crew | |
| Howard Berger | .... | special makeup effects | |
| George Bernota | .... | makeup effects crew | |
| Mark Boley | .... | makeup crew | |
| Evan Campbell | .... | makeup effects crew | |
| Erin Haggerty | .... | special makeup effects coordinator | |
| Camille Henderson | .... | key hair stylist | |
| Bill Hunt | .... | makeup effects crew | |
| Hiroshi 'Kan' Ikeuchi | .... | makeup effects crew | |
| Robert Kurtzman | .... | special makeup effects | |
| Mark Maitre | .... | makeup crew | |
| David B. Miller | .... | makeup artist (as David Miller) | |
| Gregory Nicotero | .... | special makeup effects | |
| Douglas Noe | .... | makeup effects crew | |
| Ashlee Petersen | .... | key makeup | |
| Mike J. Regan | .... | special makeup effects (as Michael J. Regan) | |
| V. Jude Ruta | .... | makeup crew | |
| Heidi Seeholzer | .... | assistant makeup artist | |
| Wayne Toth | .... | makeup effects crew | |
| Kelvin R. Trahan | .... | hair stylist: freeway unit | |
| Kelvin R. Trahan | .... | makeup artist: freeway unit | |
Special Effects by | |||
| Jeff Bresin | .... | special effects crew: second unit | |
| Martin Bresin | .... | special effects crew: second unit (as Marty Bresin) | |
| Mike Brown | .... | special effects crew: second unit | |
| Adam Campbell | .... | special effects crew | |
| John C. Carlucci | .... | special effects crew | |
| Lou Carlucci | .... | mechanical effects creator | |
| Andre G. Ellingson | .... | special effects crew (as Andre Ellingson) | |
| Steven Carlton Ficke | .... | special effects crew | |
| Morgan Guynes | .... | special effects crew | |
| Jim Hannah | .... | special effects crew | |
| Don Hastings | .... | second unit special effects crew | |
| Steve King | .... | special effects crew: second unit | |
| Al Marangoni | .... | special effects crew (as Albert Marangoni) | |
| Mike Menzel | .... | special effects crew (as Michael W. Menzel) | |
| James Ochoa | .... | special effects crew | |
| Dwight Roberts | .... | special effects crew | |
| Scott Sand | .... | special effects crew: second unit | |
| Charles Schmitz | .... | special effects crew | |
| Martin Simon | .... | special effects crew (as Martin Simson) | |
| Matsune Suzuki | .... | conceptual artist | |
| Vincent Montefusco | .... | special effects: mechanical effects supervisor/special projects (uncredited) | |
| Wayne Toth | .... | special effects makeup (uncredited) | |
Visual Effects by | |||
| Mike Ball | .... | visual effects camera assistant | |
| John Coats | .... | visual effects technical supervisor | |
| Nick Davis | .... | visual effects producer | |
| Bonnie Dombrowski | .... | visual effects assistant editor | |
| Tim Donahue | .... | composite supervisor | |
| Tim Donahue | .... | matte painting | |
| Linda Landry-Nelson | .... | visual effects co-producer | |
| Dave Lockwood | .... | visual effects digital technician | |
| Tina Mesa | .... | visual effects production manager | |
| William Mesa | .... | visual effects supervisor | |
| David Stump | .... | visual effects cameraman (as Dave Stump) | |
Stunts | |||
| Christine Brady | .... | stunts | |
| Lou Carlucci | .... | stunts | |
| Debbie Lee Carrington | .... | stunts (as Debbi Lee Carrington) | |
| Tony Cecere | .... | stunt coordinator | |
| Christopher Doyle | .... | stunts | |
| Annie Ellis | .... | stunts | |
| Joe Finnegan | .... | stunt driver (as Joe Finnigan) | |
| Sandy Free | .... | stunts | |
| Ed Gale | .... | stunts | |
| Alex Gaona | .... | stunts | |
| Richie Gaona | .... | stunts | |
| David Edward Garber | .... | stunts | |
| Lance Gilbert | .... | stunt driver | |
| Mickey Gilbert | .... | stunts | |
| Tim Gilbert | .... | stunt driver | |
| Gene Hartline | .... | stunt driver | |
| Chuck 'Chaz' Hosack | .... | stunt driver (as Chuck Hosack) | |
| Maria R. Kelly | .... | stunts | |
| Trisha Lane | .... | stunts | |
| James C. Lewis | .... | stunt driver (as Jim Lewis) | |
| Lisa McCullough | .... | stunts | |
| Chere Rae | .... | stunts (as Chére Rae) | |
| Deep Roy | .... | stunts | |
| George A. Sack | .... | stunt driver | |
| George A. Sack Jr. | .... | stunt driver | |
| Lynn Salvatori | .... | stunts | |
| Jim Wilkey | .... | stunt driver | |
| Bill Young | .... | precision driver coordinator (uncredited) | |
Casting Department | |||
| Jean Scoccimarro | .... | casting associate | |
Costume and Wardrobe Department | |||
| Ann Foley | .... | set costumer | |
| Carolyn Greco | .... | wardrobe shopper | |
| Joe Lanzer | .... | wardrobe supervisor | |
| Gina Wingate | .... | set costumer | |
Editorial Department | |||
| Edward R. Abroms | .... | associate editor (as Edward Abroms) | |
| Lynn Abroms | .... | second assistant editor | |
| Syd Cole | .... | negative cutter | |
| Marie Hélène Desbiens | .... | negative cutter | |
| Joe Fineman | .... | executive in charge of post-production | |
| Peter Devaney Flanagan | .... | first assistant editor | |
| Mato | .... | color timer | |
Music Department | |||
| Greg Buttars | .... | supervising music copyist | |
| Leslie Buttars | .... | supervising music copyist | |
| Harvey Cohen | .... | additional orchestrator | |
| Paul Di Franco | .... | music supervisor | |
| Robert Fernandez | .... | score engineer | |
| Ed Gerrard | .... | music supervisor | |
| Michael McCuistion | .... | conductor | |
| Michael McCuistion | .... | orchestrator | |
| Larry Rench | .... | additional orchestrator | |
| Lise Richardson | .... | music editor | |
| Lolita Ritmanis | .... | additional orchestrator | |
| Scott Rogers | .... | additional orchestrator | |
| Edgardo Simone | .... | additional orchestrator | |
| Peter Tomashek | .... | additional orchestrator | |
Thanks | |||
| Stuart M. Besser | .... | special thanks (as Stuart Besser) | |
| Gregg Fonseca | .... | dedicatee | |
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| A Nightmare on Elm Street | Freddy vs. Jason | Dèmoni 2: L'incubo ritorna | Halloween II | Dèmoni |
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I love horror movies. I love being scared and I love the fact that a movie (something make believe that I, as an intelligent person,knows is just images projected from a screen ) can manipulate my emotions and make me nervous. This is one of those movies. And in the 90's, there have only been two movies that have actually made me nervous in some scenes. And those two movies are by Craven himself---Scream and this one.
When this film first came out, it was ten years and six films after the original. I have seen all the Freddy movies more out of morbid curiosity than out of interest. And maybe a part of me was hoping to catch a glimpse of what made the first so damn scary. And time and time again I was disappointed. But when I read in Fangoria magazine that this new one was going to be directed by Craven, I got very excited. Could it possibly be that this film would go back to it's roots?
Yes, it did.
There is no two ways about it, Craven cares about Freddy. He cares about how he was supposed to be, not what he has turned into in the last decade. Freddy was not even remotely funny in the first one. He was a brutal, maniacal, sadistic, bent on revenge murderer. He wanted to slice Nancy in two and he did that to Tina ( actually sliceher into many pieces ). But in the mindless sequels to come, he became Eddie Murphy. And there was nothing frightening about the sequels. They made money but they weren't true horror films. But this one, well this one goes back to it's roots and is almost as scary as the first one.
This story is about the film character of Freddy becoming real somehow. He has been a part of Lagenkamp, Saxon, Craven and Englund's life for so long that he has somehow become real. And now what was once a simple film character actually haunts the cast of the original. We even get to see Rod ( Tina's boyfriend from the original ) at one of the funerals. And what makes the story scary is that now Freddy has decided to come after Heather's kid.
This film goes back to all the techniques that made the first a classic. There is excellent direction to make us fear what is under the bed. The lighting is classic horror film lighting and the music is perfect. There is however one complaint that I have and that is when Freddy is chasing the kid across the road. He has become larger than life. He is like the Stay Puft marshmallow man from Ghostbusters. And that it seems is much more like the other Nightmares, not Craven's version. And that takes away the delight in watching what was otherwise a perfect horror film.
I said in one of my reviews of a horror film that there are no films in the 90's that are truly scary. However this one is as close to an 80's horror flick as you will get now a days. It is very frightening and it is almost a prequel to Scream. This is one film that should not be missed. It is a tribute to what scary films are supposed to be. If I want to laugh I'll see Chris Rock, but if I want to be scared, Craven is the man!