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New Nightmare (1994) More at IMDbPro »

A Nightmare on Elm Street Collection (vhs):

Amazon.com Essentials: In the trinity of modern horror films, there's the father (Michael Myers of Halloween, the first masked maniac), the son (Jason of Friday the 13th fame, a knockoff), and the unholy spirit, Freddy Krueger of the Nightmare on Elm Street films. The spectral man who haunted the nightmares of unsuspecting teenagers with deadly consequences, Freddy (as played by Robert Englund) was a truly frightening bogeyman and icon for the '80s. Unlike the hockey-masked Jason, who dispatched horny teenagers with mechanical and monotonous ease (he never talked, never took off his mask), Freddy was a truly creative and diabolical villain, with a sadistic and blackly funny personality. The hallmarks of the Nightmare on Elm Street series were imaginatively gruesome suspense pieces, set in the overactive imaginations of the teen victims. The first film of the series, Wes Craven's truly intelligent and scary film, was so hugely successful it begat not one, not two, but six more sequels, each pretty much diluting the originality and horror of its predecesor. (Horror fans will fondly remember Drew Barrymore's assertion in Scream that the first Nightmare film was great but all the rest sucked.) Still, there's fun to be had in the remaining films in the series, seeing as a number of aspiring filmmakers cut their teeth on the continuing saga of Freddy. Frank Darabont (The Shawshank Redemption) and Chuck Russell (The Mask) worked on the third installment, Dream Warriors (starring a young Patricia Arquette), and Renny Harlin (Die Hard 2) came to prominence with the ingeniously macabre fourth film, The Dream Master, coscripted by Brian Helgeland (L.A. Confidential). Craven and original star Heather Langenkamp did return for the last film, New Nightmare, which presaged the tongue-in-cheek postmodernism of the Scream films and resharpened Freddy's ability to scare. --Mark Englehart

Wes Craven's New Nightmare (vhs):

Amazon.com video review: English-professor-turned-horror-auteur Wes Craven brings both careers to play in this ingenious reinterpretation of the Nightmare on Elm Street series as a modern-day fairy tale--a sort of Hansel and Gretel for big kids. Heather Langenkamp, star of the original film, plays Heather Langenkamp, an actress and mother wracked with nightmares as Los Angeles is rocked with unexplained earthquakes. Meanwhile, her son starts sleepwalking and croaking Freddy Krueger threats. Is it a coincidence that Wes Craven (playing himself) is turning his own troubled dreams into a new screenplay, which he calls "a sort of nightmare in progress"? According to his visions, the imaginary Freddy has become the embodiment of ancient evil and is trying to break out of his movie prison and into the physical world. It's a rather literal and glib explanation, but words have never been Craven's strong suit. His central thesis, the cultural importance of stories, is more resonant in the web of imagery arising from dreams, movies, and the subconscious. Robert Englund and John Saxon play themselves and their movie characters (though this Freddy is decidedly less wisecracking and more demonic). It's a thoughtful, imaginative, and often gripping modern horror film that echoes with suggestions of The Exorcist and Poltergeist. Though less of a fun-house thrill ride than previous Nightmares, it's scarier and smarter than any of the other series sequels. --Sean Axmaker