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John Guare (play)
John Guare (screenplay)
8 December 1993 (USA) more
For Paul, every person is a new door to a new world.
Flan and Ouisa Kittredge, rich NYC art dealers, are called on one night by a young man, Paul, who professes to be a friend of their kids' from Harvard... more | add synopsis
Nominated for Oscar. Another 1 nomination more
Fells Point Corner Theatre Presents The Clean House by Sarah Ruhl Nov 6 - Dec. 6
(From BroadwayWorld.com. 6 November 2009, 2:00 AM, PST)
J.J. Abrams: Pop-culture polymath
(From EW.com - PopWatch. 4 September 2009, 12:32 PM, PDT)
Absorbing script and performances more (81 total)
| Stockard Channing | ... | Louisa ('Ouisa') Kittredge | |
| Will Smith | ... | Paul | |
| Donald Sutherland | ... | John Flanders ('Flan') Kittredge | |
| Ian McKellen | ... | Geoffrey Miller | |
| Mary Beth Hurt | ... | Kitty | |
| Bruce Davison | ... | Larkin | |
| Richard Masur | ... | Dr. Fine | |
| Anthony Michael Hall | ... | Trent Conway | |
| Heather Graham | ... | Elizabeth | |
| Eric Thal | ... | Rick | |
| Anthony Rapp | ... | Ben | |
| Oz Perkins | ... | Woodrow ('Woody') Kittredge (as Osgood Perkins) | |
| Catherine Kellner | ... | Talbot ('Tess') Kittredge | |
| J.J. Abrams | ... | Doug (as Jeffrey Abrams) | |
| Joe Pentangelo | ... | Police officer | |
| Lou Milione | ... | Hustler | |
| Brooke Hayward | ... | Connie (as Brooke Hayward Duchin) | |
| Peter Duchin | ... | Sandy | |
| Sam Stoneburner | ... | Carter | |
| Maeve McGuire | ... | Polly | |
| Kelly Bishop | ... | Adele | |
| John Cunningham | ... | John | |
| Vasek Simek | ... | Frank (the doorman) | |
| Chuck Close | ... | Andy | |
| Kazuko | ... | Jeannie | |
| Adèle Chatfield-Taylor | ... | Paula | |
| Maggie Burke | ... | Loft party guest | |
| Edmund Genest | ... | Loft party guest | |
| Michael Stanley Kirby | ... | Loft party guest | |
| David Callegati | ... | Art dealer | |
| Daniel von Bargen | ... | Detective (as Daniel Von Bargen) | |
| John Rowe | ... | Usher | |
| Elizabeth Rossa | ... | Bride | |
| Diane Hartford | ... | Julia | |
| Frank O'Brien | ... | Eddie | |
| Ann McDonough | ... | Teacher | |
| José Rabelo | ... | Elevator man #2 | |
| Todd Alcott | ... | Concertgoer | |
| Joanna Noble | ... | Concertgoer | |
| Miriam Fond | ... | Nurse | |
| Annie Meisels | ... | Doug's girl | |
| Mitch Kolpan | ... | Policeman | |
| Michele Greco | ... | Workman | |
| Tony Zazula | ... | Rainbow Room captain | |
| Arthur McGill | ... | Hansom cab driver | |
| Susan Tabor | ... | Posh couple | |
| Paul Schmidt | ... | Posh couple | |
| Carolyn Groves | ... | Cocktail party guest | |
| Jeannine Moore | ... | Cocktail party guest | |
| Tim Saunders | ... | Cocktail party guest | |
| David Tice | ... | Cocktail party guest | |
| Redman Maxfield | ... | Fred | |
| Margaret Eginton | ... | Mary | |
| Margaret Thomson | ... | Grandmother at baptism | |
| Vince O'Brien | ... | Grandfather at baptism | |
| Anne Swift | ... | Guest at baptism | |
| Richmond Hoxie | ... | Guest at baptism | |
| Kitty Carlisle | ... | Mrs. Bannister (as Kitty Carlisle Hart) | |
| Madhur Jaffrey | ... | Guest of honor | |
| Arthur Brooks | ... | Mrs. Bannister's guest | |
| Jacqueline Bertrand | ... | Mrs. Bannister's guest | |
| Lisa Crosby | ... | Mrs. Bannister's guest | |
| Nancy Duerr | ... | Mrs. Bannister's guest | |
| Brian McConnachie | ... | Mrs. Bannister's guest | |
| Angela Thornton | ... | Mrs. Bannister's guest | |
| Robert Trumbull | ... | Mrs. Bannister's guest | |
| Richard Whiting | ... | Mrs. Bannister's guest | |
| Cleo King | ... | Lt. Price | |
| rest of cast listed alphabetically: | |||
| Andrea Conte | ... | NY Theatre Woman #1 (uncredited) | |
| Mary Ann Hannon | ... | University professor (uncredited) | |
| Johnnyangel | ... | Pedestrian (uncredited) | |
Directed by | |||
| Fred Schepisi | |||
Writing credits(WGA) | ||
| John Guare | (play) | |
| John Guare | (screenplay) | |
Produced by | |||
| Ric Kidney | .... | executive producer | |
| Arnon Milchan | .... | producer | |
| Fred Schepisi | .... | producer | |
| Mary Pat Walsh | .... | associate producer | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Ian Baker | |||
Film Editing by | |||
| Peter Honess | |||
Casting by | |||
| Ellen Chenoweth | |||
Production Design by | |||
| Patrizia von Brandenstein | |||
Art Direction by | |||
| Dennis Bradford | |||
Set Decoration by | |||
| Gretchen Rau | |||
Costume Design by | |||
| Judianna Makovsky | |||
Makeup Department | |||
| Angel De Angelis | .... | hair stylist | |
| Naomi Donne | .... | makeup artist | |
| Bruno Pattini | .... | hair stylist | |
| Linda Kay Rendina | .... | additional makeup artist | |
Production Management | |||
| Chris Brigham | .... | unit production manager | |
Art Department | |||
| Michael L. Benson | .... | set dresser | |
| Nancy Boytos-Amanuel | .... | set dresser | |
| Ed Check | .... | assistant art director | |
| Peter Gelfman | .... | leadman | |
| Robert Griffon Jr. | .... | property master | |
| Jessica Lanier | .... | assistant set decorator | |
| Maria Nay | .... | art department coordinator | |
| Jon Ringbom | .... | master scenic artist | |
| Raymond M. Samitz | .... | construction coordinator | |
| Byron K. Lovelace | .... | set dresser (uncredited) | |
| Timothy Main | .... | carpenter (uncredited) | |
Sound Department | |||
| Peter Burgess | .... | supervising sound editor | |
| Steve Burgess | .... | foley artist | |
| Bill Daly | .... | sound mixer | |
| Peter Fenton | .... | sound re-recording mixer | |
| Keith Gardner | .... | boom operator | |
| Gerard Long | .... | foley artist | |
| Glenn Newnham | .... | sound editor | |
| Martin Oswin | .... | sound re-recording mixer | |
| Paul Pirola | .... | assistant sound mixer | |
| Terry Rodman | .... | adr supervisor | |
| Livia Ruzic | .... | dialogue editor | |
| Steve Scanlon | .... | sound utility | |
Camera and Electrical Department | |||
| Myles Aronowitz | .... | still photographer | |
| A. Anthony Cappello | .... | second assistant camera | |
| Ken Connors | .... | best boy electric | |
| Russell Engels | .... | chief lighting technician | |
| Bill Gerardo | .... | second assistant camera | |
| Vinnie Gerardo | .... | assistant camera | |
| Craig Haagensen | .... | camera operator | |
| Jeff Hand | .... | first assistant camera | |
| Edward W. Lowry | .... | dolly grip (as Ed Lowry) | |
| Anastas N. Michos | .... | Steadicam operator | |
| John Panuccio | .... | best boy grip (as Jack Panuccio) | |
| Tom Prate | .... | key grip | |
| Kyle Rudolph | .... | Steadicam operator | |
Casting Department | |||
| Barbara Harris | .... | adr voice casting | |
| Jill Greenberg Sands | .... | casting associate | |
| Meredith Tucker | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Jane E. Myers | .... | wardrobe supervisor (as Jane Myers) | |
| Ingrid Price | .... | wardrobe supervisor | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Keith Parrish | .... | color timer | |
| Mitchel Stanley | .... | assistant editor | |
| Ron Vignone | .... | assistant editor | |
| Kate Williams | .... | first assistant editor | |
Music Department | |||
| Sharal Churchill | .... | music consultant | |
| Robin Gray | .... | scoring engineer | |
| Kenneth Hall | .... | music editor | |
| Steven L. Smith | .... | music preparation | |
Transportation Department | |||
| Edward Iacobelli | .... | transportation captain | |
Rated R for language and some sexuality.
112 min
2.35 : 1 more
Iceland:L | Argentina:13 | Australia:M | Canada:14 (Nova Scotia) | Canada:18A (Ontario) | Canada:G (Québec) | Germany:6 | Spain:13 | UK:15 | USA:R
The original Broadway production of "Six Degrees of Separation" opened at the Vivian Beaumont Theater on November 8, 1990, ran for 485 performances and was nominated for the 1991 Tony Award for Best Play. Stockard Channing reprises her role in the movie while her fellow Broadway stage actors Kelly Bishop, John Cunningham and Sam Stoneburner have cameo roles. Stockard Channing was nominated for the 1991 Tony Award for Best Actress in a Play. John Guare wrote both the stage play and the screenplay for the movie adaptation. more
Revealing mistakes: When Paul is on the phone to Ouisa he calls Flan (Donald Sutherland) "Donald". more
[first lines]
Flan:
My God!
Ouisa:
Is anything gone?
Flan:
How can I look, I'm shaking!
Ouisa:
I want to know if anything's gone!
Flan:
Calm down.
Ouisa:
We could have been killed! Oh, my God! The Kandinsky!
Flan:
The Kandinsky!
Ouisa:
It's gone, oh my God! Call the police!
Flan:
Oh, no, there it is. Oh! The silver Victorian inkwell!
[...]
more
Referenced in Stan Helsing (2009) more
THE VERY THOUGHT OF YOU more
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This is the film that made even the most harshest critics admit that Will Smith had real potential as far as being a serious actor is concerned. This is the story of a young gay hustler named Paul (Smith) who knocks on the door of Ouisa and Flan Kittredge (Stockard Channing and Donald Sutherland) and tells them a story of being mugged and also being the son of Sidney Poitier. He says he knows their children from college and remembered they lived there so thats why he came. After a lot of talking and impressing them he cooks them a nice dinner and they invite him to spend the night. They also loan him money but in the morning they find him with another man and they kick everyone out. The Kittredge's talk to their friends and find out that they all encountered Paul as well but were afraid to say something because they were embarrassed. The films title refers to the fact that we all know everyone by six people or degrees. The main focus of the film deals with how this young man made these characters take a good hard look at themselves and the relationship they have with each other and their children. The writing is very sharp and for most of us what is being said onscreen can easily go over our heads. Its a very intelligent script that forces the characters to see things that they seem to take for granted. Directed by Fred Schepisi who has shown a real knack for filming plays before and he also has shown to be very good at making films that are more character oriented. I remember one of his first films from the 70's called "The Devils Playground" and was impressed at that time by his direction. What really stood out for me though were the performances. Will Smith seems to tackle this complex script with an all to easy manner. As I watched his performance it was clear that he really understood the script and his character. You don't see that everyday from such a young actor, especially one that has limited training. But for me the best performance comes from Stockard Channing who was in the play as well. She's always been a very strong actress and a very underrated one at that. While watching her character in this film Channing does a wonderful job of allowing the viewer to watch her characters attitude change from the first scene to the very last. It really is Channings film and she received a well deserved Oscar nomination for it. Its one of the best in her career and its the driving force for the film. Casual film watchers may be put off by the sharp dialogue at first but I hope they stay with it, its a very good film about self realization and all the actors here are terrific.