| Photos (see all 13 | slideshow) | Videos (see all 2) |
| Brandon Quintin Adams | ... | Poindexter 'Fool' Williams (as Brandon Adams) | |
| Everett McGill | ... | Man / Dad / Eldon Robeson | |
| Wendy Robie | ... | Woman; Mom | |
| A.J. Langer | ... | Alice | |
| Ving Rhames | ... | Leroy | |
| Sean Whalen | ... | Roach | |
| Bill Cobbs | ... | Grandpa Booker | |
| Kelly Jo Minter | ... | Ruby Williams | |
| Jeremy Roberts | ... | Spenser | |
| Conni Marie Brazelton | ... | Mary | |
| Joshua Cox | ... | Young cop | |
| John Hostetter | ... | Veteran cop | |
| John Mahon | ... | Police sergeant | |
| Teresa Velarde | ... | Social worker | |
| George R. Parker | ... | Attic Cop | |
| Yan Birch | ... | Stairmaster | |
| Wayne Daniels | ... | Stairperson 1 | |
| Michael Kopelow | ... | Stairperson 2 | |
| rest of cast listed alphabetically: | |||
| Robert Micheal | ... | The People Under the Stairs | |
| Nic Cramer | ... | The People Under the Stairs (uncredited) | |
| Jon Kinney | ... | Drug Addict #1 (uncredited) | |
| Danny Kopel | ... | Drive-by Biker (uncredited) | |
| David Robinson | ... | The People Under the Stairs (uncredited) | |
Directed by | |||
| Wes Craven | |||
Writing credits(WGA) | ||
| Wes Craven | (written by) | |
Produced by | |||
| Stuart M. Besser | .... | producer | |
| Dixie J. Capp | .... | co-producer (as Dixie Capp) | |
| Wes Craven | .... | executive producer | |
| Peter Foster | .... | associate producer | |
| Shep Gordon | .... | executive producer | |
| Marianne Maddalena | .... | producer | |
Original Music by | |||
| Don Peake | |||
Cinematography by | |||
| Sandi Sissel | |||
Film Editing by | |||
| James Coblentz | |||
Casting by | |||
| Eileen Mack Knight | |||
Production Design by | |||
| Bryan Jones | |||
Art Direction by | |||
| Steven Lloyd Shroyer | |||
Set Decoration by | |||
| Molly Flanegin | |||
Costume Design by | |||
| Ileane Meltzer | |||
Makeup Department | |||
| Howard Berger | .... | special makeup effects supervisor | |
| Michelle Bühler | .... | makeup artist | |
| Denise Dellavalle | .... | assistant makeup artist | |
| Robert Kurtzman | .... | special makeup effects supervisor | |
| Gregory Nicotero | .... | special makeup effects supervisor | |
| Barbara Olvera | .... | hair stylist | |
| Wayne Toth | .... | special makeup effects artist | |
| David P. Barton | .... | dental prosthetics (uncredited) | |
Production Management | |||
| Stuart M. Besser | .... | unit production manager | |
Art Department | |||
| Will Blount | .... | property master | |
| Chester A. Hewett III | .... | stand-by effects carpenter | |
| Fernando Lau | .... | construction foreman | |
| Philip Mayor | .... | storyboard artist | |
| Lisa Thompson | .... | assistant set decorator | |
| Ernst van de Bovenkamp | .... | set constructor | |
| Helen Wilson | .... | draper | |
Sound Department | |||
| Rick Bozeat | .... | sound editor | |
| Paul B. Clay | .... | supervising sound editor | |
| Rich Coleman | .... | sound recordist | |
| Roberta Doheny | .... | sound re-recording mixer | |
| Walter Charles Gorey | .... | boom operator | |
| Susan Kurtz | .... | sound editor | |
| Susan Kurtz | .... | sound effects editor | |
| Greg W. Lowe | .... | adr recordist | |
| Diane Marshall | .... | foley artist (as Diana Marshall) | |
| Ernesto Mas | .... | adr editor | |
| Peter Reale | .... | supervising re-recording mixer | |
| Carin Rogers | .... | sound editor | |
| Karin Roulo | .... | foley mixer | |
| Jeffrey L. Sandler | .... | sound editor | |
| Tanya Sharp David | .... | adr mixer | |
| Steve F.B. Smith | .... | stereo sound consultant: Dolby | |
| Pat Somerset | .... | adr editor | |
| Don Summer | .... | sound mixer | |
| Mike Szakmeister | .... | sound editor | |
| Jerry Trent | .... | foley artist | |
| Howard Wilmarth | .... | sound re-recording mixer | |
Special Effects by | |||
| Peter Chesney | .... | special effects supervisor | |
| Tom Chesney | .... | special effects technician | |
| Dean W. Miller | .... | special effects foreman | |
| Kate Steinberg | .... | special effects projects coordinator | |
| Sandra Stewart | .... | special effects technician | |
Visual Effects by | |||
| Howard A. Anderson | .... | opticals | |
Stunts | |||
| Linda Arvidson | .... | stunts | |
| John Branagan | .... | stunts | |
| Tony Cecere | .... | stunt coordinator | |
| Tony Cecere | .... | stunts | |
| Dane Farwell | .... | stunts | |
| Sandra Lee Gimpel | .... | stunts | |
| Marian Green | .... | stunts | |
| Jeff Habberstad | .... | stunts | |
| Melvin Jones | .... | stunts | |
| Kelsee King-Devoreaux | .... | stunt double | |
| Kelsee King-Devoreaux | .... | stunts (as Kelsee Devoreaux) | |
| Kent W. Luttrell | .... | stunts | |
| Eric Mansker | .... | stunts | |
| Paula Marie Moody | .... | stunts | |
| Beth Nufer | .... | stunts | |
| William R. Perry | .... | stunts | |
| Lori Lynn Ross | .... | stunts | |
| Dan Rycerz | .... | stunts | |
| Lynn Salvatori | .... | stunts | |
| Birgit K. Schier | .... | stunts | |
| Lee Waddell | .... | stunts | |
Casting Department | |||
| Andria Mack | .... | casting assistant | |
| Rick Montgomery | .... | extras casting | |
Costume and Wardrobe Department | |||
| Tim Wegman | .... | wardrobe supervisor | |
Editorial Department | |||
| Sondra Davis | .... | first assistant editor | |
| Brian Leon | .... | telecine colorist | |
| Tim O'Neil | .... | second assistant editor | |
| David Orr | .... | color timer | |
| William Pine | .... | color timer (as Bill Pine) | |
| Angela Robinson | .... | second assistant editor | |
| Yvonne Valdez | .... | post-production coordinator | |
| Tom Walls | .... | additional editor | |
Music Department | |||
| Dick Bernstein | .... | music editor | |
| Graeme Revell | .... | composer: additional music | |
Transportation Department | |||
| Jimmy Jones | .... | transportation coordinator | |
|
|
|
|
|
| Freeway | Kiss Kiss Bang Bang | The Texas Chain Saw Massacre | Pink Flamingos | A History of Violence |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
| Add this title to MyMovies |
Many people dislike this movie but it's good enough for watching, if maybe not several times then at least once. "Don't damage the face", says Mother and leaves Father to punish Alice for being a bad girl. That's it, I'm hooked to the screen. First time I saw this movie I missed the beginning but it works well without it. Actually you can skip the background story with the financial problems and society issues and stick to the horror - and it's comical side. I specially liked the kid called Roach, who had his tongue cut out for bad words. Alice was also great, a shy little girl that tries to be nice for Mommy and not soil her pretty dress, though she feeds the basement people and guides Fool around when the time comes. When you watch a doll being pulled away from you on a string, you must follow it... Find a candle in the darkness. You know you must get out but the door is locked. The only way out is upwards.
There is a lot of nice visual stuff like the old bathroom or running inside the walls and the light drifting in from bullet holes. Mother and Father live in a fantasy where children are supposed to be pretty and behave. Now a few decades ago that was reality, but they are pulling it over the edge by mutilating their children and locking them in the basement if they're naughty. I recall that the kids weren't really theirs but kidnapped from around the area. Many people writing down the plot have misunderstood it somehow. It is quite poor but in this case it's not supposed to be a main attraction. I bet the writer came up with the idea of a sick mother and burglary in order to get money for medical treatment only after inventing the main idea about the house and the brother and sister living together as a couple, herding a bunch of insane children. Well they must have some reason to get Fool into the house, so why not...