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Directed by | |||
| Nicholas Meyer | |||
Writing credits(WGA) | ||
| Gene Roddenberry | (based on "Star Trek" created by) | |
| Leonard Nimoy | (story) and | |
| Lawrence Konner | (story) & | |
| Mark Rosenthal | (story) | |
| Nicholas Meyer | (screenplay) & | |
| Denny Martin Flinn | (screenplay) | |
Produced by | |||
| Brooke Breton | .... | associate producer | |
| Marty Hornstein | .... | co-producer | |
| Steven-Charles Jaffe | .... | producer | |
| Leonard Nimoy | .... | executive producer | |
| Ralph Winter | .... | producer | |
Original Music by | |||
| Cliff Eidelman | |||
Cinematography by | |||
| Hiro Narita | (director of photography) | ||
Film Editing by | |||
| William Hoy | |||
| Ronald Roose | |||
Casting by | |||
| Mary Jo Slater | |||
Production Design by | |||
| Herman F. Zimmerman | (as Herman Zimmerman) | ||
Art Direction by | |||
| Nilo Rodis-Jamero | |||
Set Decoration by | |||
| Mickey S. Michaels | |||
Costume Design by | |||
| Dodie Shepard | |||
Makeup Department | |||
| Janice Alexander | .... | hair stylist (as Janice R. Alexander) | |
| R. Christopher Biggs | .... | special makeup effects artist | |
| Greg Cannom | .... | special alien dog makeup | |
| Joe Colwell | .... | foam technician | |
| Ed French | .... | special makeup effects artist (as Edward French) | |
| Art Harding | .... | makeup artist | |
| Dayne Johnson | .... | prosthetic makeup artist | |
| Dean Jones | .... | makeup artist | |
| Michael Key | .... | makeup artist | |
| Cat'ania McCoy-Howze | .... | special makeup effects artist | |
| Brian McManus | .... | makeup artist: Mr. Shatner | |
| Michael Mills | .... | makeup supervisor (as Michael M. Mills) | |
| Gilbert A. Mosko | .... | makeup artist | |
| Kenny Myers | .... | makeup department head (as Ken Myers) | |
| Carol A. O'Connell | .... | hair stylist | |
| Gerald Quist | .... | makeup artist | |
| Rick Stratton | .... | makeup artist | |
| Wayne Toth | .... | special makeup effects artist | |
| Anne P. Turk | .... | special makeup effects assistant | |
| Keith VanderLaan | .... | makeup effects technician: Cannom Creations | |
| Ron Walters | .... | makeup artist | |
| Michael F. Blake | .... | makeup artist (uncredited) | |
| Donna Cicatelli-Lewis | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Marty Hornstein | .... | unit production manager | |
Art Department | |||
| Aaron M. Albucher | .... | art department assistant | |
| Mike Apperson | .... | labor foreperson | |
| Richard J. Bayard | .... | construction coordinator | |
| Richard Beck | .... | assistant property master | |
| Cliff Bergman | .... | construction foreperson | |
| Cliff Boulé | .... | graphics designer | |
| James Buckley | .... | assistant property master (as Jamie Buckley) | |
| Gary Clark | .... | painter (as Gary A. Clark) | |
| Henry S. Coia | .... | painter | |
| Dragon Dronet | .... | props, weapons | |
| Edward G. Fitzgerald | .... | leadperson | |
| Buffee Friedlich | .... | art department assistant | |
| David Galvan | .... | lead paint foreman | |
| Don Hulett | .... | property master (as Don L. Hulett) | |
| Gregory Jein | .... | special props (as Greg Jein) | |
| Jeffery J. Jenkins | .... | painter | |
| Alan S. Kaye | .... | set designer | |
| Iain McCaig | .... | storyboard artist | |
| Louise Nielsen | .... | set designer | |
| Gene Nollman | .... | set designer (as Eugene C. Nollman) | |
| Phillip Norwood | .... | storyboard artist | |
| Michael Okuda | .... | graphic designer | |
| Robert Van Dyke | .... | propmaker foreman | |
| Ron Wilkinson | .... | set designer | |
| Ed Miarecki | .... | propmaker (uncredited) | |
Special Effects by | |||
| Paul Barnes | .... | special props assistant | |
| Eugene Crum | .... | special effects assistant | |
| Donald Frazee | .... | special effects assistant | |
| Logan Frazee | .... | special effects assistant | |
| Terry D. Frazee | .... | special effects supervisor | |
| Ed French | .... | special alien makeup creator (as Edward French) | |
| Karin Hanson | .... | special effects hair | |
| Kevin Hudson | .... | special effects makeup | |
| Scott Lingard | .... | special effects assistant | |
| Donald Myers | .... | special effects assistant (as Donald E. Myers) | |
| Joseph C. Sasgen | .... | special effects assistant | |
| Peter Takeuchi | .... | special effects | |
| Brannon Wright | .... | special effects makeup crew | |
| Grady Holder | .... | lab technician: Richard Snell Designs (uncredited) | |
| David W. Mosher | .... | sculptor: Richard Snell Designs/R. Christopher Biggs (uncredited) | |
| Larry Odien | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Alia Agha | .... | production assistant: ILM (as Alia Almeida Agha) | |
| Jon Alexander | .... | optical camera operator | |
| Scott E. Anderson | .... | computer graphics animator | |
| Gordon Baker | .... | animation effects artist | |
| Craig Barron | .... | visual effects supervisor: Matte World | |
| Randall K. Bean | .... | scanning | |
| Kathleen Beeler | .... | rotoscope artist | |
| Jil-Sheree Bergin | .... | visual effects coordinator | |
| Tom Bertino | .... | rotoscope supervisor | |
| John Andrew Berton Jr. | .... | CG animator | |
| Thomas R. Bryant | .... | visual effects editor | |
| Wade Childress | .... | camera operator: Matte World | |
| Barbara Cimity | .... | tactical display: Cimityart | |
| Donald Clark | .... | optical camera operator | |
| Charlie Clavadetscher | .... | effects camera operator | |
| Peter Crosman | .... | animation effects artist | |
| Gail Currey | .... | CG production supervisor | |
| Andrea D'Amico | .... | digital visual effects producer: CIS Hollywood | |
| Peter Daulton | .... | motion control camera operator | |
| Krystyna Demkowicz | .... | visual effects project manager: Matte World | |
| Bernie Demolski | .... | stage technician: ILM (as Richard Demolski) | |
| Les Dittert | .... | optical supervisor: PDI | |
| Jeff Doran | .... | optical camera operator (as Jeffrey Doran) | |
| Janet L. Earl | .... | video image display: Video Image | |
| Selwyn Eddy | .... | optical camera operator (as Selwyn Eddy III) | |
| Mike Ellis | .... | optical processing (as Michael Ellis) | |
| Scott Farrar | .... | visual effects supervisor | |
| Robert Finley Jr. | .... | stage technician: ILM | |
| Jon Foreman | .... | model maker: ILM | |
| George Gambetta | .... | scanning | |
| Bill George | .... | visual effects art director | |
| Brian Gernand | .... | model maker: ILM | |
| John Goodson | .... | model maker | |
| John Graves | .... | visual effects | |
| Carol Lee Griswold | .... | production assistant: ILM | |
| Nelson Hall | .... | optical processing | |
| David Hanks | .... | motion control camera assistant | |
| Rick Hannigan | .... | optical camera | |
| Jack Haye | .... | model maker: ILM | |
| Linda Henry | .... | optical effects line-up: VCE | |
| Rebecca Heskes | .... | rotoscope artist (as Rebecca Petrulli-Heskes) | |
| Joel Hladecek | .... | motion control camera | |
| Sandy Houston | .... | rotoscoper | |
| Wade Howie | .... | digital effects artist | |
| Peg Hunter | .... | optical lineup | |
| Keith Johnson | .... | optical camera operator | |
| David Karpman | .... | optical lineup | |
| Pam Kaye | .... | production accountant: ILM | |
| Brad Kuehn | .... | optical photography supervisor | |
| Peter Kuran | .... | photographic effects: VCE | |
| Kevin Kutchaver | .... | animation effects: VCE | |
| Jennifer Lee | .... | optical lineup | |
| Robin Lee | .... | assistant visual effects editor | |
| Joe Letteri | .... | CG animator | |
| Karen Logan | .... | production support: PDI | |
| Ross Lorente | .... | stage technician: ILM | |
| Nancy Luckoff | .... | production assistant: ILM | |
| Al Magliochetti | .... | animation effects: VCE | |
| Al Magliochetti | .... | animation supervisor | |
| Shari Malyn | .... | animation effects coordinator | |
| Tina Matthies | .... | production assistant: ILM | |
| Mickey McGovern | .... | visual effects editor (as Michael McGovern) | |
| Rich McKay | .... | camera assistant | |
| Barb Meier | .... | animator: PDI | |
| Richard Miller | .... | model maker: ILM | |
| Craig Mohagen | .... | stage technician: ILM | |
| Terry Molatore | .... | rotoscope artist | |
| Jack Mongovan | .... | rotoscope artist | |
| Daniel P. Moore | .... | video operator: visual effects unit | |
| Mark Moore | .... | visual effects art director | |
| David Morton | .... | motion control gaffer | |
| David Morton | .... | stage technician: ILM | |
| Ellen Mueller | .... | rotoscope artist | |
| Craig Newman | .... | tactical display: Cimityart | |
| Paul Oehlke | .... | camera assistant: Matte World | |
| Kate O'Neill | .... | motion control camera assistant | |
| Michael Pangrazio | .... | matte artist supervisor: Matte World | |
| Joe Pasquale | .... | digital artist | |
| Alan Peterson | .... | model maker: ILM | |
| Josh Pines | .... | scanning (as Joshua Pines) | |
| William Powloski | .... | motion control camera | |
| Chuck Ray | .... | stage technician: ILM (as Charles Ray) | |
| Steve Reding | .... | effects camera operator (as Steven Reding) | |
| Carolyn Ensle Rendu | .... | rotoscope artist (as Carolyn Rendu) | |
| Pat Repola | .... | optical camera operator (as Patrick Repola) | |
| Jay Riddle | .... | computer graphics supervisor | |
| Thomas Rosseter | .... | optical lineup | |
| Susan Ross | .... | model maker: ILM | |
| Nina Salerno | .... | tactical display: Cimityart | |
| Tim Segulin | .... | optical effects line-up: VCE | |
| Alex Seiden | .... | CG animator | |
| Kenneth Smith | .... | optical camera operator | |
| Kim Smith | .... | model maker: ILM | |
| Eben Stromquist | .... | model maker: ILM | |
| Monte Swann | .... | video image display: Video Image | |
| Eric Swenson | .... | effects camera | |
| Wes Takahashi | .... | animation supervisor (as Wes Ford Takahashi) | |
| Lawrence Tan | .... | model shop supervisor | |
| Paul Theren | .... | model maker: ILM | |
| David Tucker | .... | optical printing: VCE | |
| Pat Turner | .... | plate camera operator | |
| Wim van Thillo | .... | model maker: ILM | |
| Lisa Vaughn | .... | optical scanning coordinator | |
| Pam Vick | .... | rotoscope animation: VCE | |
| Bruce Walters | .... | special effects camera supervisor | |
| Harold Weed | .... | model maker: Matte World (as Howie Weed) | |
| Randy Weeks | .... | tactical display: Cimityart | |
| John Whisnant | .... | optical lineup | |
| Chuck Wiley | .... | model maker: ILM (as Charles Wiley) | |
| Debra Wolff | .... | optical lineup | |
| Jacqueline Zietlow | .... | administrator: VCE | |
| Susan Adele Colletta | .... | post production coordinator (uncredited) | |
| Gregory Jein | .... | model constructor (uncredited) | |
| Daniel Alan Ross | .... | CGI technical assistant: ILM (uncredited) | |
| Scott Ross | .... | general manager: ILM (uncredited) | |
| Scott Schneider | .... | model maker (uncredited) | |
Animation Department | |||
| Kevin Kutchaver | .... | animator | |
Casting Department | |||
| Jan Glaser | .... | casting associate | |
| Barbara Harris | .... | voice casting | |
| Wendy Wassall-Engalla | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Adrienne Childers | .... | costumer | |
| Danna Edwards | .... | costumer | |
| Greg Hall | .... | costumer | |
| Christine Heinz | .... | key costumer | |
| Joseph Markham | .... | key costumer (as Joseph R. Markham) | |
| Elaine Maser | .... | costume supervisor | |
| Bob Moore Jr. | .... | costumer | |
| Karen Bellamy | .... | costumer (uncredited) | |
Editorial Department | |||
| Scott Caldwell | .... | assistant film editor | |
| Daniel Candib | .... | assistant film editor | |
| Dale E. Grahn | .... | color timer (as Dale Grahn) | |
| Michael Hofacre | .... | apprentice editor | |
| Theresa Repola Mohammed | .... | negative cutter | |
| Preston Richard | .... | negative cutter | |
| Richard Sellmer | .... | apprentice editor | |
Music Department | |||
| Bunny Andrews | .... | music editor | |
| Bob Bornstein | .... | music preparation | |
| Alexander Courage | .... | composer: additional music (from "Star Trek") | |
| Cliff Eidelman | .... | conductor | |
| Robin Eidelman | .... | assistant music editor (as Robin K. Eidelman) | |
| Carl Fortina | .... | orchestra contractor | |
| William Kidd | .... | additional orchestrator | |
| Mark McKenzie | .... | orchestrator | |
| Armin Steiner | .... | music scoring mixer | |
| Armin Steiner | .... | score recordist | |
Transportation Department | |||
| Gina August | .... | driver | |
| Anthony James Fox | .... | transportation captain (as Tony Fox) | |
| Gerald L. Sater | .... | transportation coordinator | |
Thanks | |||
| Gene Roddenberry | .... | in memory of | |
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| Star Trek III: The Search for Spock | Star Trek: The Wrath of Khan | Star Trek V: The Final Frontier | Star Wars | Transformers |
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This movie has it all, it has drama, action, special effects you name it. It also has a nice resolving conclusion to the Kirk era of Star Trek, the possibility of peace among Klingons and Humans.
On the technical side the directing is beautifully and masterfully done by Nicholas Meyer. Well edited movie. The director took careful consideration to keep you in suspense, for example, hiding the villain in the background of the light, things like that. The special effects, though not remarkable, as in The Wrath of Khan's in-your-face effects, the effects in this movie generally are good, the battle sequences in this movie are just as good as The Wrath of Khan one.
Again a nice motif is the scripts placement of Shakespeare quotes into the villain, just like Khan in Star Trek II. Speaking of the villain, Chang, here you see excellent acting thanks to the actor Christopher Plummer.
There are a lot of in-line jokes, which adds to that atmosphere of closeness between the characters. Sulu's transfer to a new ship, the Excelsior is sought here. The set construction and pieces are great. The new enterprise bridge looks more military like. The presidential office (may note it is a redone Ten Forward from St, the next generation), the peace talk location, etc.
The end of the movie has a sad feeling towards it, a teary farewell to the crew of the Enterprise, and a clear passing of the torch to the new crew.
A great movie that you must see,
Rating: 9/10