| Photos (see all 30 | slideshow) | Videos (see all 3 NEW) |
| Christopher Lambert | ... | Connor MacLeod | |
| Sean Connery | ... | Juan Sánchez Villa-Lobos Ramírez | |
| Virginia Madsen | ... | Louise Marcus | |
| Michael Ironside | ... | Gen. Katana | |
| Allan Rich | ... | Allan Neyman | |
| John C. McGinley | ... | David Blake | |
| Phil Brock | ... | Cabbie | |
| Rusty Schwimmer | ... | Drunk | |
| Ed Trucco | ... | Jimmy | |
| Steven Grives | ... | Hamlet (as Stephen Grives) | |
| Jimmy Murray | ... | Horatio | |
| Pete Antico | ... | Corda | |
| Peter Bucossi | ... | Reno | |
| Peter Bromilow | ... | Joe | |
| Jeff Altman | ... | Doctor | |
| Diana Rossi | ... | Virginia | |
| Randall Newsome | ... | Max guard | |
| Karin Drexler | ... | Brenda | |
| Max Berliner | ... | Charlie | |
| Eduardo Sapac | ... | Holt | |
| Michel Peyronel | ... | Kid #1 | |
| Sebastian Morgan | ... | Kid #2 | |
| Bruno Curichelli | ... | Zeist Chief Justice | |
| Daniel Trovo | ... | Justice #2 | |
| Diego Leske | ... | Justice #3 | |
| Julio Breshnev | ... | Voices (voice) | |
| Jonathon Slator | ... | Supervisor | |
| Theodore McNabney | ... | TV reporter #1 (as Ted McNabney) | |
| Patricia De Biaggi | ... | TV reporter #2 | |
| André Gere | ... | TV reporter #3 | |
| Jorge Ochoa | ... | Stage manager | |
| Jorge Varas | ... | Latin supervisor | |
| Alan McCormick | ... | Teenager | |
| Miguel Fernández Alonso | ... | Roy | |
| Roderick Cameron | ... | Security technician | |
| Nora Zinsky | ... | Cabin attendant | |
| Ezequiel Eskenazi Storey | ... | Max leader | |
| Jacques Arndt | ... | Scientist #1 | |
| Nicolas Deane | ... | Scientist #2 | |
| Helen Buck | ... | Asian technician | |
| Andres Geringer | ... | Russian technician | |
| Matt Johnston | ... | Cobalt man | |
| Héctor Malamud | ... | Psychic chef | |
| Pedro Loeb | ... | Gen. Katana's aide | |
| Americo Gallo | ... | Gravedigger | |
| Dana Swain | ... | Safety spokesperson | |
| Nicolas Frey | ... | Yuppie #1 | |
| Eduardo Nutkiewitz | ... | Yuppie #2 | |
| rest of cast listed alphabetically: | |||
| Mausi Martínez | ... | Ciudadana oriental | |
| Russell Mulcahy | ... | Shield Control technician | |
| Paul Bucossi | ... | (uncredited) | |
| Harry K. Garvin | ... | Alarm technician (uncredited) | |
Directed by | |||
| Russell Mulcahy | |||
Writing credits(WGA) | ||
| Gregory Widen | (characters) | |
| Brian Clemens | (story) and | |
| William N. Panzer | (story) (as William Panzer) | |
| Peter Bellwood | (screenplay) | |
Produced by | |||
| Donald P. Borchers | .... | line producer: additional photographic unit | |
| Chris Chrisafis | .... | line producer | |
| Robin S. Clark | .... | co-producer (as Robin Clark) | |
| Guy Collins | .... | executive producer | |
| Jack Cummins | .... | line producer | |
| Peter S. Davis | .... | producer | |
| Jean-Luc Defait | .... | producer | |
| Ziad El Khoury | .... | producer | |
| Stephen Kaye | .... | associate producer | |
| William N. Panzer | .... | producer (as William Panzer) | |
| Mari Provenzano | .... | associate producer | |
| Alejandro Sessa | .... | co-producer | |
| Mario Sotela | .... | executive producer | |
Original Music by | |||
| Stewart Copeland | |||
Cinematography by | |||
| Phil Meheux | |||
Film Editing by | |||
| Hubert C. de la Bouillerie | |||
| Anthony Redman | |||
| Charles Simmons | (uncredited) | ||
Casting by | |||
| Pamela Basker | |||
| Fern Champion | |||
| Sue Swan | |||
Production Design by | |||
| Roger Hall | |||
Art Direction by | |||
| John Frankish | |||
| John King | (supervising art director) | ||
| Cliff Robinson | |||
Costume Design by | |||
| Deborah Everton | |||
Makeup Department | |||
| Greg Cannom | .... | special makeup | |
| Roland Blancaflor | .... | special makeup effects technician: Cannom Creations Inc (uncredited) | |
| Alberto Moccia | .... | hair stylist (uncredited) | |
Production Management | |||
| John A. Amicarella | .... | additional post-production supervisor | |
| Joe Camp III | .... | production manager | |
| Craig Holt | .... | post-production supervisor (2004 video re-release) | |
| David Pauker | .... | post-production supervisor | |
| Aron Warner | .... | production manager | |
| Alicia Alexander | .... | production manager: additional photography (uncredited) | |
| Sabina Sigler | .... | unit production manager (uncredited) | |
Art Department | |||
| John Naulin | .... | body armor construction (uncredited) | |
Sound Department | |||
| Tim Drury | .... | boom operator | |
| Richard Shorr | .... | sound effects | |
| Richard Shorr | .... | supervising sound editor | |
Special Effects by | |||
| Nick Finlayson | .... | senior special effects technician | |
| Christian Gruaz | .... | prosthetic assistant | |
| John Richardson | .... | special effects designer | |
| Chris Corbould | .... | special effects floor supervisor (uncredited) | |
| Neil Corbould | .... | special effects workshop supervisor (uncredited) | |
| Ray O. Hardesty | .... | special effects technician (uncredited) | |
| Kate Murray | .... | special makeup effects (uncredited) | |
| L. Danielle Villegas | .... | effects camera assistant (uncredited) | |
Visual Effects by | |||
| Mario Ghersi | .... | computer graphics | |
| Allen Gonzales | .... | visual effects: animator | |
| Jason Korber | .... | digital compositor (2004 edition) | |
| Sam Nicholson | .... | visual effects designer | |
| Jesse Silver | .... | visual effects matte department supervisor | |
| Larry Arpin | .... | optical effects (uncredited) | |
| Geeta Basantani | .... | digital compositor (uncredited) | |
| Jared Jones | .... | digital compositor (2004 edition) (uncredited) | |
| Alan G. Markowitz | .... | optical effects cameraman (uncredited) | |
| Jeff Nicholson | .... | optical effects (uncredited) | |
| Laura Vineyard | .... | visual effects production coordinator (uncredited) | |
| Joshua Weisel | .... | visual effects production assistant (uncredited) | |
| Raulette Woods | .... | visual effects: Stargate Films (uncredited) | |
Stunts | |||
| Sandy Berumen | .... | stunts (as Sandy Beruman) | |
| Kurt Bryant | .... | stunt coordinator: additional unit | |
| Thomas Dewier | .... | stunts (as Tom Dewter) | |
| Andy Gill | .... | stunts | |
| Tommy J. Huff | .... | stunt double: MacLeod (as Tom Huff) | |
| Jeff Imada | .... | stunts | |
| Matt Johnston | .... | stunt double: Katana | |
| Eddie Matthews | .... | stunts | |
| Carl Milinac | .... | stunts (as Carl Milnac) | |
| Arturo Noal | .... | stunts | |
| Frank Orsatti | .... | stunt coordinator | |
| Frank Orsatti | .... | stunts | |
| Roxanna Palouzzi | .... | stunt double: Louise | |
| Kristyn Randall | .... | stunt double: Louise (as Christy Randall) | |
| Jerry Spicer | .... | stunts | |
| Mike Stone | .... | stunts | |
| Rocky Taylor | .... | stunt double: Ramirez | |
| Steve Walters | .... | stunts (as Steve Walter) | |
| Danny Weselis | .... | stunts | |
| Minor Mustain | .... | stunt performer (uncredited) | |
Camera and Electrical Department | |||
| Phil Abraham | .... | first assistant camera: "b" camera | |
| Mike Frift | .... | camera operator: second unit | |
| Harry K. Garvin | .... | camera operator | |
| Etienne George | .... | still photographer | |
| Ian Jones | .... | Steadicam operator | |
| Steve Mcleod | .... | best boy | |
| Terry Potter | .... | gaffer | |
| Rick Raphael | .... | Steadicam operator | |
| Julio Serna | .... | video supervisor | |
| Peter Turner | .... | camera operator | |
| Kevin Fraser | .... | key grip: second unit (uncredited) | |
| John Joleaud | .... | gaffer: USA (uncredited) | |
| Jamie Thompson | .... | cinematographer: USA (uncredited) | |
Costume and Wardrobe Department | |||
| Lois DeArmond | .... | costume illustrator (uncredited) | |
| Marisa Urruti | .... | assistant to costume designer (uncredited) | |
Editorial Department | |||
| Albert Coleman | .... | first assistant editor | |
| Sharon McGeeney | .... | negative cutter | |
| Brian Ralph | .... | negative cutter | |
| Clay Walker | .... | post-production assistant | |
| Maria Montoreano | .... | assistant editor (uncredited) | |
Music Department | |||
| Michael Dittrick | .... | music editor | |
| Seth Kaplan | .... | music supervisor | |
| Jonathan Sheffer | .... | orchestrator | |
| Blake Martin Moulin | .... | assistant music editor (uncredited) | |
| Jeff Seitz | .... | music scoring mixer (uncredited) | |
| Jonathan Sheffer | .... | conductor (uncredited) | |
Transportation Department | |||
| Geno Hart | .... | transportation coordinator (uncredited) | |
| William R. Peck | .... | driver (uncredited) | |
| Adam Pinkstaff | .... | driver (uncredited) | |
| Mark White | .... | transportation (uncredited) | |
Other crew | |||
| Chris Casady | .... | director of animated effects | |
| Jill Gurr | .... | script supervisor | |
| Martin Larumbe | .... | location manager | |
| Frank Orsatti | .... | sword master | |
| Andy Birmingham | .... | production accountant (uncredited) | |
| Mark Carlton | .... | adr loop group (uncredited) | |
| Yvonne Eastmond | .... | assistant production accountant (uncredited) | |
| Julie Hansen | .... | post-production accountant (uncredited) | |
| Alejandro Levi | .... | location scout (uncredited) | |
| Catherine M. McDonald | .... | travel and shipping coordinator (uncredited) | |
| Adam Samuelson | .... | louma crane technician (uncredited) | |
| Gustavo Tieffenberg | .... | location manager (uncredited) | |
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| Highlander: The Source | Highlander: Endgame | Highlander | Highlander III: The Sorcerer | RoboCop 3 |
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Ug!
This movie runs the decathlon of stupidity and comes in first in every event. In every other area it gets the booby prize with high honors. As much as I hate to admit it, I saw this movie in a movie theater without having seen the first movie. Grudgingly I visited the first Highlander expecting the same torpor that I that got here, but to my surprise I actually like that movie. That depressed me because it made me hate this movie even more! I didn't see Highlander III, I just thought I would quit while I was ahead.
Highlander 2: The Quickening is a movie that doesn't require suspension of disbelief so much as it requires a full-frontal lobotomy with a chainsaw. The script was edited with a cheese grater and written with the wan hope that anyone watching the film wouldn't ask too many questions. We're not supposed to shake our heads when the movie begins in 1999; shift ahead 25 years then shifts backwards 500 years to medieval Scotland and then to another planet. I make it a practice not to dismiss a movie right off the bat but when the movie shifts time three times 15 minutes, I begin finding a better use for the cinema light to examine my ticket for the refund policy.
It begins 500 years in the past on the Planet Zeist and I assume that the rotation works on that same time table as earth even though it's sun is so close that the inhabitants should be deep fried. It coincides with earth time so that it can explain why the movie shifts to medieval Scotland to explain how Connor McLoed, one of the planets "immortals", has found himself in a kilt on horseback. He is sent to Scotland as punishment for leading a rebellion and as a term of his sentence, he's immortal. But not really. Well sorta.
Actually the movie tries to explain this in a bit of dialogue that isn't much help. A character says: "You're mortal there, but you're immortal here, until you kill all the guys from there who have come here, and then you're mortal here. Unless, you go back there, or some more guys from there came here, in which case you become immortal here, again." It's pretty bad when the characters are as confused by the plot as we are.
Also, in 1999 there's some business about the O-Zone finally collapsing and threatening to fry mankind. Connor offers up a shield called Shield (?) to keep the rays of the sun from turning us into charcoal. The idea of the shield isn't quite as difficult to explain as that immortality thing but it isn't any more logical. McLoed's big idea involves concentrating the planet's energy into a "lay-zur" and is shot up into a satellite. Therefore Earth is saved from solar radiation (proving, I suppose, that if we would have depended on solar power, there would be hell to pay).
But, there's a drawback, there is no sun and the temperature consistently 99 degrees. Being 99 degrees raises another question of why, in 2024, we find Conner attending the Opera surrounded men in tuxes who should all be passing out from the heat. Furthermore there would be a major loss of food production and the land would be desert, but hey at least the arts are finally getting a boost.
Sean Connery puts another dent in his reputation by appearing as Ramirez, a Zeist- banished warrior now clanking swords in medieval Scotland. He doesn't appear much in the movie and I wasn't surprised given the material. But then I saw Highlander and I wondered how managed to fit into this movie since we last saw him in the previous film minus a head. Maybe Zardoz had something to do with that.
Maybe it's asking too much, but this movie has to be seen to be believed. Nah, that's asking too much, don't see it and just believe me, it sucks.