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Wild Orchid
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IMDb user comments for
Wild Orchid (1989) More at IMDbPro »

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65 out of 71 people found the following comment useful :-
Clever comment on Reaganism set in a galaxy of post-transformational liberalism., 1 September 2005
2/10
Author: MovieAddict2009 from UK

Just kidding, I don't know what I'm talking about. You should see this movie if you like:

1) Sex

2) Nudity

3) Hot babes

4) Mickey Rourke

5) Carre Otis

6) Mickey Rourke and Carre Otis going at it for real

7) Perfume commercials

8) Directors trying to make their softcore porn look like art by filming everything sensually and in slow motion, so the film appears to be art-house and "visually stimulating"

9) Really, really, really bad dialogue

10) Lots of good banging and screwing without a plot

11) Mickey Rourke playing a total pimp (which is different than just Mickey Rourke - I mean, there's Mickey Rourke, and then there's Mickey Rourke the Pimp, which is even cooler).

And finally...

12) Hot female characters who wear glasses and carry around clipboards so the audience believes they are smart and successful businesswomen, when in fact they'd have a hard time calculating 1 + 1. (Also see: Alone in the Dark, Tara Reid's character; or Fantastic Four, Jessica Alba's.) Highly recommended to the appropriate demographic.

I could kill myself for buying it.

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33 out of 38 people found the following comment useful :-
A difficult movie to review., 8 December 2001
Author: bluethunder35 (bluethunder35@hotmail.com) from Ottawa, Ontario, Canada

Back in 1990, people didn't have to deal with the horrible slate of fly-by-night movies that die at the box office after one week. So many movies that would have been rejected by the studio heads for mainstream distribution back then have been allowed in (Glitter, Freddy Got Fingered, Tomcats, Ready To Rumble, the N'SYNC movie, Teen Movie, and 30 lame horror films, etc.), and then throw in the over-hyped blockbusters. Altogether, a good enough reason for a true lover of cinema like myself to stay clear of movie theaters.

Because of all that, I think this movie deserves to be looked at again. If it was the worst film for 1990, then yes, it's a contender. Carre Otis is very beautiful, but her presence as an actress is awful. She either stands there and looks pretty or delivers small lines in a forced manner. Mickey Rourke, playing the same character he portrayed in the "pre-quel" 9 1/2 Weeks, just walks around trying to be cool. Jacqueline Bisset and Bruce Greenwood do a good acting job, but their role in the film are to support the growing sexuality between Otis and Rourke. And yes, the storyline is nothing but an excuse for Zalman King's arty sex coupling.

BUT, if you compare this film with the drivel coming out these days, then this movie is much better. First, it was highly controversial (for a reason or two). Second, I think the sensuality is very erotic, because of the behind the scenes relationship of Mickey and Carre, or in a lot of the other assorted scenes. Third, Rio is a truly beautiful setting for sin, and the movie depicts it's partying attitude in spades (almost too much). And finally, this movie doesn't lie about it's intentions. If you wanted a sexually charged erotic drama/thriller, it doesn't disappoint. Yes, it's pretty slow, but the it's erotic build-up is very good. Bonus: no fake bodies.

Bottom line: It's not Citizen Kane, and for 1990 it was terrible, but for 2001-02, it's a heck of a lot better than today's releases.

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20 out of 24 people found the following comment useful :-
HOT, HOT, HOT, 9 May 1999
Author: Ride-3 from Stockton, California

Wild Orchid is a steamy erotic flick that probably won't please everybody. Young lawyer Emily is signed to a law firm and flies with her boss to Rio and when Emily's boss leaves for a meeting, she sets Emily up with Wheeler, a successful real estate developer who Emily is attracted to, but cannot have because he is impotent. This leads to Wheeler setting Emily up with an American business man for sex, cross dressing, and steamy sexual pairings. While the R Rated cut of Wild Orchid is quite graphic, the Unrated version is even more so. If you like trashy drama and erotic scenes, then you might enjoy Wild Orchid.

Wild Orchid is Unrated for extremely strong graphic sexuality, nudity, adult language, and for some mild violence.

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11 out of 12 people found the following comment useful :-
More than meets the eye, 15 May 2006
8/10
Author: solimondi from Wilmington, DE

There is more, I think, to this film than most people give it credit for. Sure, it's full of sex and naked people, but it also manages to be erotic and sensual at the same time. It's certainly not the commercialized absurdity that you'll find late night on certain premium channels. More than that, though, is that it's a decent psychological study of a man who's completely divorced himself from reality. Like so many celebs of our time, money and success has allowed him to distance himself from whatever parts of reality that make him uncomfortable. Emily's naive and honest approach manages to reach him. His speech near the end, before the final 'scene,' is really impressive, and Mikey really is a great actor. Sure, Ms. Otis leaves something to be desired, but she's working in a role where her lack of comfort helps the part. Emily is out of her element, just is the actress playing her is, and even if this makes her transparent, it also makes her believable. Jaqueline Bisset is wonderful as always. All in all, if you watch this film without fast forwarding from sex scene to sex scene, you'll see a fairly human story mixed with a sexual journey that I think Zora Neale Hurston would have appreciated.

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13 out of 18 people found the following comment useful :-
Very sensual movie, 8 June 2002
Author: phatbleek from Woodbridge, VA

Wild Orchid is one of the most sexually explicit movies I recall seeing as a child. While the film is tame by today's standards when released in 1990 it was very explict. The storyline isn't to much to really speak of but Zalman King keeps Carrie Otis naked enough times to where the male viewer doesn't really care. The final sex scene makes you wonder if Rourke and Otis really went at it.

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8 out of 9 people found the following comment useful :-
* * out of 4., 4 September 2002
Author: Brandon L. Sites (brandonsites1981@yahoo.com) from USA

Lawyer (Carre Otis) is sent to Rio to help her boss with a real estate deal (Jacqueline Bisset) and gets herself mixed up with her client (Mickey Rourke) and throwing her morals out the door in the process. Steamy and very erotic with some very hot sexual encounters and a great looking cast, but empty and with little to offer besides lots of hot sex and lush cinematography.

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5 out of 7 people found the following comment useful :-
just rent the unrated version and fast forward to the last 10 or so minutes......, 31 December 1999
Author: cygnus x-1 from roanoke va

and you'll be treated to one of the most energetic/ explicit/ and genuinely erotic sex scenes ever commited to film. other than that there is absolutely nothing to recommend for this movie. there is no plot, the acting is horrible, and other than the last sex scene, you'll have a hard time trying to stick with it. (it has been rumored that mickey rourke and carrie otis actually had sex)

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8 out of 13 people found the following comment useful :-
It's Party Time!, 29 April 2005
3/10
Author: sol from Brooklyn NY USA

Before the film "Wild Orchid's" opening credits are even over Emily Reed, Carre Otis, has gone from a small town in Kansas to the Big Apple, New York City, after finishing college and law school and then learning a half dozen languages after getting her feet wet practicing law in old Chicago to become a partner in a top international law firm in NYC! speaking of instant success!

Given a ticket to Rio De Jeneiro to handle a business closing by hard nosed business women Claudia Lirones, Jackie Bisset, Emily instead of practicing law ends up practicing something totally different. The movie is one of the weirdest films I've ever seen with this strange off-the-wall cuckoo bird James Wheeler, Mickey Rourke,acting like he's playing chess with peoples lives. Wheeler has them act out his sexual fantasies as he sits and watches from afar or close up whenever the urge suits him. Poor Emily is put through the ringer by Wheeler's crazy cooked up sexual adventures, in which he's only a watcher not a participant, but in the end she gets what she set out to obtain; the deed to the waterfront property that Claudia wanted for her real-estate firm.

Claudia herself had an "affair" with the creep-ed out Wheeler years earlier by impersonating a maid at the hotel that he was staying at and making his bed. This seemed to have been a big turn on for Wheeler, even though he knew who she was but pretended that he didn't, that later he gave her a very expensive dress for the good job that she did?

There are a number of other strange sexual encounters between something like a half dozen wild parties in the movie that make even less sense. Very early in the film we, and Emily, see this couple sneak into a broken down and deserted building and strip off their clothes and then "do it" as a broken sewer pipe gushes water on their heads! was this real or a hallucination on Emily's part? There's also a hot tryst between Emily and Jerome, Bruch Greenwood, at his hotel room with Wheeler, who set up the whole thing, sitting on a bench outside observing it.

Later Claudia blackmails Jerome who turns out to be the lawyer for a client who's suing her company to drop the case. Did Claudia get together with her former lover Wheeler to get Emily to go to bed with Jerome? We also see Wheeler save Hanna, Assumpta Serna, and her wimpy husband Otto, Oleg Vidon, from a group of drunken and partying crazed sailors. The drunks were in the process of raping Hanna in broad daylight right in front of hundreds of party people who did nothing to help the poor women but watch and enjoy the action!

And last but not least there was this beach boy ,who Claudia picked up, who after undressing in front of both Claudia and Emily and parading around in front of them butt naked is grabbed by the hair and kicked out of the penthouse by an enraged Wheeler who just seemed to have popped up out of nowhere! Why did this so disturb Wheeler? Was it that he had nothing to do with setting it up and thus feel that he was being upstaged by the two women?

Wheeler who were told is a self-made millionaire who made it big in real estate and who had a speaking problem as a young boy in Philidelphia, he stuttered and that effected his not having any lasting or rewarding relationships with women, goes through almost the entire movie in what looks like a drugged induced state or just suffering from lack of sleep. It's not until the last ten minutes that he takes off his pants and, like everyone else in the movie, joins the party by letting it all hang out.

Redicules "erotic movie" that was just an excuse for Mickey Rourke to put his girlfriend and real life lover at that time, 1989-90, Carre Otis in the movie as his leading lady and nothing else.

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4 out of 6 people found the following comment useful :-
Exciting, 17 October 2005
9/10
Author: nagual17 from Malta

It was the first film in which i saw Mickey Rourke...and I loved it in an instant!I love the way he acts and the way he looks....This film keeps me awaiting for whats happening the next minute. Its sexy and intense story felt like a spell. One thing is that i wished it was me with him in those scenes!I showed it to some friends of mine and they agreed with me that a good ambiance for this film is a rainy night at home with candles on and some red wine and maybe a guy to keep you company...because you will need some help if the film really gets to you...and Rourke looks so sexy on that motorcycle.Just put on a silk dress and watch this film....keeps you glued to the screen thats for sure what it did to me.

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2 out of 3 people found the following comment useful :-
That's it! Engorge the feijoada!, 6 May 2007
2/10
Author: Robert J. Maxwell (rmax304823@yahoo.com) from Deming, New Mexico

*** This comment may contain spoilers ***

The first time Carrie Otis appears on screen, she is a newly minted international lawyer at a job interview. She's breathless, anxious, and sounds fake. I thought she was doing the character, but in reality that was it. That's all she has for the entire movie. And Mickey Rourke? Did someone whisper to him that he was the sexiest man alive, or what? He does his best with Feminine Fantasy Number One, the mysterious, masculine, empathic self-made man who is filthy rich, but he simply can't pull it off without a French accent. Jacqueline Bisset's character should carry a sign around her neck -- "Bitch." There's not much point in going on about the plot, something out of a shoebox, which provides at least some material for a travelogue, though there have been better attempts to capture Rio ("Black Orpheus," eg.). The story gives Rourke a hang up. He can't stand to be touched -- let alone the other thing. But, no fear, Otis overcomes his inhibitions by the power of her pulchritude so we can end with a nearly explicit coupling. He turns out to be robustly masculine after all. Is that what "wild orchid" means? I mean, is it some kind of terribly mangled PUN?

Here are some examples of the dialog. "Sometimes we all have to lose ourselves a little in order to find ourselves." And Otis: "I'm sorry," to which Rourke replies, "It's not you -- it's me." A sex scene dissolves into shots of the morning surf rolling in.

Otis does in fact have one thing going for her, a slight lisp, in addition to her strong and attractive face and her robust figure. Rourke, though some sort of cryptohypnotism, has talked a bickering German couple into coupling in the back of a stretch limo while he and Otis watch. "Tell me what you see?" Rourke asks her. "I thee two people having thexth." There isn't anything much except thexth behind this excuse to cash in on the profits of Rourke's previous soft-core movie with Kim Basinger, and maybe take along some of the nut from "Emanuelle," another story about a rich man introducing a sexy but deprived young woman into the glories of debauchery. It's fun watching someone penetrate the mystique, but as the sociologist Erving Goffman once observed, often the real secret behind the mystery is that there is no secret at all. Maybe that's why masks are so commonly seen in this film.

But this is a feminine fantasy, co-written by a woman, and so instead of bikini-clad young blond girl leaping in slow motion to bat the volleyball, we have Speedo-clad young men leaping in slow motion to bat the volleyball. I prefer the girls but both images are pretty banal.

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