| Photos (see all 11 | slideshow) |
| Robert Carlyle | ... | Steve | |
| Emer McCourt | ... | Susan | |
| Richard Belgrave | ... | Kojo | |
| Jim R. Coleman | ... | Shem | |
| David Finch | ... | Kevin | |
| Garrie J. Lammin | ... | Mick | |
| Dean Perry | ... | Wilf | |
| George Moss | ... | Mo | |
| Willie Ross | ... | Gus Siddon | |
| Ade Sapara | ... | Fiaman | |
| Ricky Tomlinson | ... | Larry | |
| Derek Young | ... | Desmonde | |
| rest of cast listed alphabetically: | |||
| David Alder | ... | Director | |
| Dominic Barlow | ... | Pianist | |
| Jimmy Batten | ... | Man buying Kango | |
| Terry Bird | ... | Van driver | |
| Tracy Brabin | ... | Singer | |
| Maureen Carr | ... | Ellen | |
| Lila Cherif | ... | Client | |
| Martin Clapson | ... | Pub Band | |
| Tex Comer | ... | Pub Band | |
| Brian Coyle | ... | Youth | |
| Les Davidson | ... | Pub Band | |
| Terry Duggan | ... | Boss in office | |
| Zohra El Harrack | ... | Client | |
| Joumana Gil | ... | Client | |
| Debra Gillett | ... | Singer | |
| Mike Haydon | ... | Security Guard | |
| Jimmy Jewel | ... | Pub Band | |
| John Kazek | ... | Robert | |
| Luke Kelly | ... | Ken Jones | |
| Benjamin Lush | ... | Singer | |
| James MacDonald | ... | Funeral Director | |
| Jayne Charlton McKensie | ... | Singer (as Jayne MacKenzie) | |
| Bill Moores | ... | Smurph | |
| Angela Morant | ... | Estate Agent | |
| Peter Mullan | ... | Jake | |
| Johanne Murdock | ... | Singer | |
| Vicky Murdock | ... | Medical Secretary | |
| Dylan O'Mahony | ... | Youth | |
| Stuart Peveril | ... | Youth | |
| Len Stonebridge | ... | Pub Band | |
| David Taegar | ... | Producer | |
| Anne Marie Timoney | ... | Fiona | |
Directed by | |||
| Ken Loach | |||
Writing credits(in alphabetical order) | ||
| Bill Jesse | writer | |
Produced by | |||
| Sally Hibbin | .... | producer | |
Original Music by | |||
| Stewart Copeland | |||
Cinematography by | |||
| Barry Ackroyd | |||
Film Editing by | |||
| Jonathan Morris | |||
Production Design by | |||
| Martin Johnson | |||
Art Direction by | |||
| Jonathan Lee | |||
Costume Design by | |||
| Wendy Knowles | |||
Makeup Department | |||
| Louise Fisher | .... | makeup artist | |
Production Management | |||
| Deborah Thompson | .... | production manager | |
Art Department | |||
| Dennis Fruin | .... | prop man | |
| Mark Fruin | .... | prop man | |
| Stephen Hargreaves | .... | construction manager | |
| Eoghan Oneill | .... | constructor | |
| Eoghan O'Neill | .... | carpenter | |
| Graham Tew | .... | props buyer | |
| Paul Whitelock | .... | construction labor | |
Sound Department | |||
| Kevin Brazier | .... | dubbing editor | |
| Anthony Morris | .... | assistant sound editor | |
| David Old | .... | dubbing mixer | |
| Dick Philip | .... | sound maintenance | |
| Bob Withey | .... | sound recordist | |
Special Effects by | |||
| Graham Riddell | .... | special effects technician | |
| Nick Smith | .... | special effects technician | |
Stunts | |||
| Andy Bradford | .... | stunts | |
| Clive Curtis | .... | stunts | |
Camera and Electrical Department | |||
| Paul Chedlow | .... | still photographer | |
| Paul Grech-Ellul | .... | focus puller | |
| Steve Pochetty | .... | best boy | |
| Dominic Seal | .... | gaffer | |
| Kate Stark | .... | clapper loader | |
Costume and Wardrobe Department | |||
| Wendy Knowles | .... | wardrobe | |
Editorial Department | |||
| Colin Coull | .... | color timer | |
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| Children of the Revolution | Fatherland | East Is East | Borstal Boy | Across the Universe |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
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I first saw this film, drunk one Friday after a heavy nights drinking after work on a building site. I was then a bricklayer - a job I had done for over five years. Watching this film, it dawned on me that this was filmed in the part of London where i lived. I could truly relate to it and I would have sworn that the actors had themselves spent their lives working on sites it was so realistic. Go to any site and you will see at least one character who you could say directly related to a charater in this film. The safety aspect has been cleaned up a lot now but back then, sites were a dangerous place to work. Accidents were common and the end scenes were not in any way unrealistic.
The thing that did it for me was the portrayal of the working class of Britain. The sentiments were all there, the humour, the desparation, the sense of wanting to rise above the rest and the shattered dreams. They are all here. I would say that if anyone from abroad wanted to study the character of the British working class then they MUST see this film. It is tough, gritty and full of humour...a truly remarkable piece of film that is sadly neglected.
Buy it, Rent it, Steal it, Borrow it...whatever you do SEE IT!