| Photos (see all 16 | slideshow) | Videos (see all 2) |
| Anjelica Huston | ... | Lilly Dillon | |
| John Cusack | ... | Roy Dillon | |
| Annette Bening | ... | Myra Langtry | |
| Jan Munroe | ... | Guy at Bar | |
| Robert Weems | ... | Racetrack Announcer | |
| Stephen Tobolowsky | ... | Jeweler | |
| Jimmy Noonan | ... | Bartender | |
| Richard Holden | ... | Cop | |
| Henry Jones | ... | Simms | |
| Michael Laskin | ... | Irv | |
| Eddie Jones | ... | Mintz | |
| Sandy Baron | ... | Doctor | |
| Lou Hancock | ... | Nurse | |
| Gailard Sartain | ... | Joe | |
| Noelle Harling | ... | Nurse Carol Flynn | |
| Ivette Soler | ... | Maid | |
| Pat Hingle | ... | Bobo Justus | |
| Paul Adelstein | ... | Sailor - Young Paul | |
| Jeremy Piven | ... | Sailor - Freshman | |
| Gregory Sporleder | ... | Sailor - Spooney | |
| David Sinaiko | ... | Sailor - Stinky | |
| Jeff Perry | ... | Drunk | |
| Jon Gries | ... | Drunk's Friend (as Jonathan Gries) | |
| Micole Mercurio | ... | Waitress | |
| Charles Napier | ... | Gloucester Hebbing | |
| J.T. Walsh | ... | Cole | |
| Teresa Gilmore | ... | Receptionist 1 (as Teresa Gilmore Capps) | |
| Elizabeth Ann Feeley | ... | Receptionist 2 | |
| Billy Ray Sharkey | ... | FBI Man | |
| Frances Bay | ... | Arizona Motel Clerk | |
| Xander Berkeley | ... | Lt. Pierson | |
| rest of cast listed alphabetically: | |||
| Steven Anderson | ... | Nervous man in jewelry shop (uncredited) | |
| Fawn | ... | Young Teenager (uncredited) | |
| John Gillespie | ... | Bartender (uncredited) | |
| Lee Hollingsworth | ... | Dog race spectator (uncredited) | |
| Juliet Landau | ... | Young Lilly (uncredited) | |
| Martin Scorsese | ... | Opening Voice-over (voice) (uncredited) | |
Directed by | |||
| Stephen Frears | |||
Writing credits(WGA) | ||
| Jim Thompson | (novel) | |
| Donald E. Westlake | (screenplay) | |
Produced by | |||
| Barbara De Fina | .... | executive producer | |
| Robert A. Harris | .... | producer | |
| Jim Painter | .... | producer | |
| Peggy Rajski | .... | co-producer | |
| Martin Scorsese | .... | producer | |
Original Music by | |||
| Elmer Bernstein | |||
Cinematography by | |||
| Oliver Stapleton | |||
Film Editing by | |||
| Mick Audsley | |||
Casting by | |||
| Juliet Taylor | |||
| Victoria Thomas | |||
Production Design by | |||
| Dennis Gassner | |||
Art Direction by | |||
| Leslie McDonald | |||
Set Decoration by | |||
| Nancy Haigh | |||
Costume Design by | |||
| Richard Hornung | |||
Makeup Department | |||
| Cydney Cornell | .... | hair stylist | |
| Gina DiMaria | .... | assistant makeup artist (as Gina Di Maria) | |
| Alec Gillis | .... | special makeup effects artist | |
| Lori Guidroz | .... | assistant hair stylist | |
| Julie Hewett | .... | makeup artist | |
| Tom Woodruff Jr. | .... | special makeup effects artist | |
Production Management | |||
| Fiona Morham | .... | post-production supervisor | |
| Llewellyn Wells | .... | production manager | |
Second Unit Director or Assistant Director | |||
| J. Stephen Buck | .... | first assistant director (as Stephen Buck) | |
| Joe Camp III | .... | second assistant director (as Joseph Camp III) | |
Art Department | |||
| Paige Augustine | .... | assistant set decorator | |
| Curtis Baruth | .... | carpenter | |
| Rob Brown | .... | carpenter | |
| Bill Cancienne | .... | assistant property master | |
| Linda Cathey | .... | swing gang | |
| Shelley Chamberlain | .... | stand-by painter | |
| Joseph Timothy Conway | .... | assistant property master (as Joseph Conway) | |
| Michael T. Daigle | .... | key scenic artist (as Michael Daigle) | |
| Frank Darlington | .... | stand-by painter (as Frank Peter Darlington) | |
| Marina Drasnin | .... | art department intern | |
| Douglas Fox | .... | property master (as Doug Fox) | |
| Lucy Frears | .... | art department intern | |
| Claire Gaul | .... | assistant set decorator | |
| Robert Greenfield | .... | leadperson | |
| Joe Griffith | .... | storyboard artist (as Joseph F. Griffith) | |
| Mike Keith | .... | stand-by painter | |
| Roger L. King | .... | carpenter | |
| Leslie 'Tinker' Linville | .... | key set dresser (as Tinker Linville) | |
| John Moore | .... | carpenter | |
| Scott Plauche | .... | art department coordinator | |
| Elizabeth Prejean | .... | stand-by painter | |
| John Setzer | .... | carpenter | |
| Chris Snyder | .... | construction foreman | |
| Chris L. Spellman | .... | swing gang (as Chris Spellman) | |
| Joseph Torres | .... | carpenter | |
| Theo Van Den Huevel | .... | carpenter (as Theo Van Den Heuvel) | |
| Frank Viviano | .... | construction coordinator | |
| Wallace W. Wright | .... | stand-by painter | |
Sound Department | |||
| Mick Boggis | .... | assistant sound mixer | |
| Jeremy Child | .... | assistant dialogue editor | |
| Richard Dunford | .... | foley editor | |
| Derek Holding | .... | dialogue editor | |
| Peter Maxwell | .... | sound re-recording mixer | |
| Folasade Oyeleye | .... | assistant sound editor | |
| Kant Pan | .... | supervising sound editor | |
| Gill Parry | .... | assistant sound editor | |
| John Sutton | .... | sound mixer | |
| Ian C. Wright | .... | boom operator (as Ian Wright) | |
| Steve Hancock | .... | sound camera operator (uncredited) | |
Visual Effects by | |||
| Peter Watson | .... | opticals | |
Stunts | |||
| John Gillespie | .... | assistant stunt coordinator | |
| Gary Jensen | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Steve Austin | .... | video playback operator | |
| James Babineaux | .... | best boy electric | |
| Joe Broderick | .... | assistant Steadicam operator | |
| Katherine M. Butler | .... | second assistant camera (as Kate Butler) | |
| George M. Chappell | .... | electrician | |
| Mark Shane Davis | .... | key grip (as Mark Davis) | |
| Jack English | .... | gaffer | |
| Irv Gorman | .... | grip | |
| Scott Graves | .... | electrician | |
| Kurt Grossi | .... | grip | |
| Suzanne Hanover | .... | still photographer | |
| Stephen Harvey | .... | titles still photographer | |
| Steve Lang | .... | grip | |
| Mitchell Linden | .... | grip | |
| Marco Mazzei | .... | first assistant camera | |
| Tony Mazzucchi | .... | best boy grip | |
| Matthew Morrissey | .... | third assistant camera | |
| Toby Phillips | .... | Steadicam operator | |
| Bill Pierson | .... | dolly grip | |
| Darrin C. Porter | .... | electrician (as Darrin Porter) | |
| Marc Reshovsky | .... | director of photography: second unit | |
| Pierre Rouger | .... | first assistant camera: second unit | |
| Greg Wardell | .... | electrician | |
Casting Department | |||
| Sunny Seibel | .... | extras casting: Phoenix | |
| Jory Weitz | .... | casting associate | |
Costume and Wardrobe Department | |||
| Kimberly Adams-Galligan | .... | assistant costume designer (as Kimberly Adams) | |
| Marsha Bozeman | .... | wardrobe (as Marsha Brand) | |
| Mark Bridges | .... | assistant costume designer | |
| Elizabeth Feldbauer | .... | wardrobe supervisor | |
| Gail McMullen | .... | wardrobe assistant | |
Editorial Department | |||
| Julie Feiner | .... | first assistant editor: Los Angeles | |
| Dan Gane | .... | second assistant editor: London | |
| Martyn Robinson | .... | first assistant editor: London | |
| Mary Ann Slim | .... | post-production assistant | |
| Brian Ufberg | .... | second assistant editor: Los Angeles | |
Music Department | |||
| Brian Masterson | .... | music recordist | |
| Cynthia Millar | .... | electronic music designer | |
Transportation Department | |||
| Moises Blay | .... | driver (as Moses Blay) | |
| Fred Falcone | .... | driver | |
| Al Goelz | .... | driver | |
| A. Welch Lambeth | .... | transportation coordinator | |
| Tony Laron | .... | transportation co-captain | |
| Bill Oykman | .... | driver | |
| Bill M. Puluti | .... | transportation captain (as Bill Puluti) | |
| Terry Ragan | .... | driver | |
| Urs Stalder | .... | driver | |
Thanks | |||
| Anne Harrison | .... | special thanks | |
| Kim Jacobsen | .... | thanks | |
| Bruce Kawin | .... | special thanks | |
| Debra Knoblauch | .... | thanks | |
| Frank Kush | .... | thanks | |
| Victoria Ann Varga | .... | thanks | |
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Years ago, this was one of the films I was quite pleased with myself for seeing. I didn't know much about it, but decided to take a chance on it, with no regrets. From the opening sequence to the end credits I was mesmerized and in awe of events that communicated an entirely alien philosophy. Based on the novel by Jim Thompson, "The Grifters" tells a tale of a world that lies just under the surface of the one we know of. That is of course, if you count yourself among the squares and suckers who often fall prey to the craftsmen of the grift.
With startling precision, intrigue and depth, the story unfolds chronicling the lives of three distinctly different yet intertwined individuals. Their setting and perspective is entirely foreign to the majority of us. The filmmakers portray the grifters' different methods and environments as skilled scam artists. For unless you've had a personal experience having fallen prey or gotten wise to a grifter's ploy, you'll simply have to accept the reality of it. They are out there, waiting for the suckers to be born.
This particularly dark tale is very stylishly directed and moves along at a good pace. Each turn offers another sneak peek into the games played and the tricks pulled. The prey are often unaware of their own victimization as they go on about their business.
Another aspect the film deals with is trust or the lack thereof. Our protagonists spend most of their time scamming, conning and tricking people so much that their sense of trust and decency breaks down. They alienate themselves from everyone, and ultimately can't even trust each other.
And of course, what drama would be complete without a twisted love triangle in the mix with betrayal and murder to keep it interesting. If this doesn't sound like another day at the office, you might just find the workplace of "The Grifters" intriguing. Seeing it today, I enjoyed it as much as I did years ago, before I opened my eyes for a fresh look at the world.