In deciding on our next Wtf celebrity to cover, we passed around several names but in the end we all decided that: There could be only One! Despite being basically blind, Christopher Lambert made a name for himself as the king of Sci-Fi action films. One could say he single-handedly kept Blockbuster Video in business as most of his output in the 90’s debuted on the bottom shelves of the video rental chain. But few performers have made their mark on the international stage like Christopher Lambert, alternating between North American schlock and more prestigious French fare. Despite most of us knowing Lambert mainly for two iconic roles, there is much more to know about this American-born French actor; it’s time we find out just Wtf Happened to Christopher Lambert.
Greystroke: The Legend of Tarzan, Lord of the Apes
But as always, we must begin at the beginning, and...
Greystroke: The Legend of Tarzan, Lord of the Apes
But as always, we must begin at the beginning, and...
- 5/1/2024
- by Brad Hamerly
- JoBlo.com
Jenny Lin Stravinsky: Solo Piano Works (Steinway) Night Stories: Nocturnes (Hänssler Classic)
Long-time readers may have noted my admiration for Lin's immaculate pianism and eclectic programming. She's been a prolific recording artist as well, with 21 albums to her credit (plus inclusion on a multi-pianist set), and her repertoire is highly eclectic even by modern standards.
She's back with two more brilliant albums, and even on the single-composer disc manages to throw some repertoire curveballs. Guido Agosti's rarely heard arrangements of the last three movements from the Firebird Suite is a dazzling tour-de-force; it works well and Lin's performance sparkles vividly (the outer movements sound like real knuckle-busters).
Stravinsky's transcription of the Prologue from Mussorgsky's opera Boris Godunov, written for his children, is simple and touching; Lin communicates its quiet emotive power. The fragments of the unfinished sonata he was working on near the end of his life are very brief,...
Long-time readers may have noted my admiration for Lin's immaculate pianism and eclectic programming. She's been a prolific recording artist as well, with 21 albums to her credit (plus inclusion on a multi-pianist set), and her repertoire is highly eclectic even by modern standards.
She's back with two more brilliant albums, and even on the single-composer disc manages to throw some repertoire curveballs. Guido Agosti's rarely heard arrangements of the last three movements from the Firebird Suite is a dazzling tour-de-force; it works well and Lin's performance sparkles vividly (the outer movements sound like real knuckle-busters).
Stravinsky's transcription of the Prologue from Mussorgsky's opera Boris Godunov, written for his children, is simple and touching; Lin communicates its quiet emotive power. The fragments of the unfinished sonata he was working on near the end of his life are very brief,...
- 7/11/2014
- by SteveHoltje
- www.culturecatch.com
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