When cinephiles of a certain sensibility talk about the best decades for horror, they’ll probably point to the 1980s with its explosion of cutting-edge special effects and home video-induced demand for material. Or they might point to the era of Universal Pictures’ domination in the 1930s, followed up then by the moody Val Lewton thrillers of the 1940s. Maybe even a very unpopular kid will try to make an argument for the 2010s, at least until everyone pulls the A24 hat over his eyes and kicks him out.
But moviegoers would be foolish to overlook the 1960s. The decade saw not only two amazing horror flicks from Alfred Hitchcock but also caught the genre in an interesting time of transition. Filmmakers built on the Gothic approach of previous decades by adding a psychological dimension, finding new chills in an established model. Furthermore, the decade saw the first steps toward the ho,...
But moviegoers would be foolish to overlook the 1960s. The decade saw not only two amazing horror flicks from Alfred Hitchcock but also caught the genre in an interesting time of transition. Filmmakers built on the Gothic approach of previous decades by adding a psychological dimension, finding new chills in an established model. Furthermore, the decade saw the first steps toward the ho,...
- 10/21/2023
- by David Crow
- Den of Geek
Though there had been earlier efforts, like Ealing Studios’s Dead of Night from 1945, the horror anthology film came into its own in the 1960s with titles like Kobayashi Masaki’s Kwaidan and the Poe-centric Spirits of the Dead from directors Roger Vadim, Louis Malle, and Federico Fellini. Hammer Films’s rival Amicus churned out no fewer than seven of them in a 10-year period starting with Dr. Terror’s House of Horrors. But the one that really got the omnibus rolling was Mario Bava’s Black Sabbath from 1963, an Italian-American co-production that resulted in two different versions of the film.
After the success of 1960’s Black Sunday, American International Pictures took a more active hand in producing several of Bava’s later films, altering them in the process to suit American audiences that tended to skew younger. The Aip cut of Black Sabbath rearranges its three segments, tones down some...
After the success of 1960’s Black Sunday, American International Pictures took a more active hand in producing several of Bava’s later films, altering them in the process to suit American audiences that tended to skew younger. The Aip cut of Black Sabbath rearranges its three segments, tones down some...
- 10/16/2023
- by Budd Wilkins
- Slant Magazine
To celebrate the release of Danny Boyle’s 127 Hours on Blu-ray – an excellent film based on the true story of Aron Ralston and his struggle to escape entrapment in the American outback – Owf has been challenged to compile a list of the 10 best films that focus solely (or almost) on a single character. It’s not a common occurrence in cinema – I assume because a majority of viewers easily get bored with one character very quickly – but this technique has been attempted before, to varying degrees of success.
The benefits of having only one primary character is that the development of these protagonists can be much more in depth, ensuring that a stronger bond between audience and character can be forged. The downside though, is that you have to really like them and root for them wholeheartedly.
It’s an ambitious technique to attempt, but below are what we consider...
The benefits of having only one primary character is that the development of these protagonists can be much more in depth, ensuring that a stronger bond between audience and character can be forged. The downside though, is that you have to really like them and root for them wholeheartedly.
It’s an ambitious technique to attempt, but below are what we consider...
- 6/7/2011
- by Stuart Cummins
- Obsessed with Film
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