Nuovo cinema Paradiso (1988)

Director:

Giuseppe Tornatore

Writers:

Giuseppe Tornatore (story)
Giuseppe Tornatore (screenplay) ...

Release Date:

23 February 1990 (USA)

Genre:

Comedy | Drama | Romance

Tagline:

A celebration of youth, friendship, and the everlasting magic of the movies.

Plot:

A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.

Plot Keywords:

Projectionist | Village | Young Boy | Film Making | Theater

Awards:

Won Oscar. Another 19 wins & 12 nominations

Cast

Antonella Attili	...	Maria Di Vita - Younger
Enzo Cannavale	...	Spaccafico
Isa Danieli	...	Anna
Leo Gullotta	...	Usher
Marco Leonardi	...	Salvatore 'Toto' Di Vita - Teenager
Pupella Maggio	...	Maria Di Vita - Older
Agnese Nano	...	Elena Mendola
Leopoldo Trieste	...	Father Adelfio
Salvatore Cascio	...	Salvatore 'Toto' Di Vita - Child
Tano Cimarosa	...	Blacksmith
Nicola Di Pinto	...	Village Idiot
Roberta Lena	...	Lia
Nino Terzo	...	Peppino's Father
Jacques Perrin	...	Salvatore 'Toto' Di Vita - Adult
Philippe Noiret	...	Alfredo

Also Known As:

Cinema Paradiso (Australia) (France) (UK) (USA)
Cinéma Paradiso (France)
Cinema Paradiso: The New Version (USA) (director's cut)

MPAA:

Rated R for some sexuality. (director's cut)

Runtime:

155 min | Italy:170 min (extended version) | 124 min (International version)

Country:

Italy | France

Language:

Italian | English | Portuguese

Color:

Color

Aspect Ratio:

1.66 : 1

Sound Mix:

Dolby

Certification:

Iceland:L | South Korea:15 (director's cut) | Spain:T | South Korea:All (original rating) | West Germany:12 (f) | Italy:T | Argentina:Atp | Australia:PG | Canada:G (Quebec) | Canada:PG | Chile:TE | Finland:S | France:U | Germany:12 | Hong Kong:IIB | Norway:10 | Peru:PT | Singapore:M18 (director's cut) | Singapore:PG | Sweden:11 | UK:15 (director's cut) | UK:PG | USA:PG (original rating) | USA:R (director's cut) (2002)

Filming Locations:

Bagheria, Palermo, Sicily, Italy

Company:

Cristaldifilm

Trivia:

By the end of 1956, it was Italy which had the largest network of cinemas in the whole of Europe. A total of 17,000. This was the highest ever reached in the "old world".

Goofs:

Continuity: In the scene of the cinema fire, Alfredo is showing the film to a packed piazza because the theatre is closed for the night but the crowd outside wants more. Yet, when the theatre catches fire crowds of people are shown running OUT of the theatre as young Toto rushes in.

Quotes:

Alfredo: Living here day by day, you think it's the center of the world. You believe nothing will ever change. Then you leave: a year, two years. When you come back, everything's changed. The thread's broken. What you came to find isn't there. What was yours is gone. You have to go away for a long time... many years... before you can come back and find your people. The land where you were born. But now, no. It's not possible. Right now you're blinder than I am.
Salvatore: Who said that? Gary Cooper? James Stewart? Henry Fonda? Eh?
[...]

Movie Connections:

Referenced in The Holiday (2006)

Personal Favorite

Whether you are a professional or an amateur it is always wise to avoid superlatives with regard to a movie critique ... but I cannot. 'Cinema Paradiso' is simply the finest movie I have ever seen. Like many who have posted at this site before me I have seen it many many times. It reaches within me to places other movies have never reached and I have often wondered why. Perhaps it is because of it's simplicity. It contains no expensive special effects, it has no gratuitous sex or violence, it has no "multi-millon dollar per performance" actors that I know of, it is arguable whether it even has a story line, and yet it soars far above the nonsense that film makers are producing these days. It's characters are portrayed by each and every actor in award winning style and the music is not only beautiful but absolutely perfect for this film.

It is quite simply the story of a human life and it's tragedies and triumphs within the context of a vocation. A young boy matures and gradually learns the lessons of life, cultivates his passion for the cinema, and is rewarded with professional success; however, he remains unfulfilled for true love has escaped him only to return in the form of a gift of love which transcends time, space, and death to reveal at the closing of the film Toto's one true mistress.

A staggering triumph of both the cinematic art and of story telling and yet there may be found people who do not like this movie .... I tend to keep such people at arms length and maintain a wary eye fixed upon them at all times.