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Nuovo cinema Paradiso (1988)
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Overview
User Rating:
Release Date:
23 February 1990 (USA) moreTagline:
A celebration of youth, friendship, and the everlasting magic of the movies.Plot:
A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist. full summary | full synopsisAwards:
Won Oscar. Another 19 wins & 12 nominations moreNewsDesk:
(14 articles)
La Grande Bouffe - Film Clips (From LateFilmFull. 23 June 2009, 4:29 AM, PDT)
Venice Film Festival 2009: Giuseppe Tornatore’s BAARÌA to open 66th Festival
(From Twitch. 12 June 2009, 3:12 AM, PDT)
User Comments:
Personal Favorite moreCast
(Cast overview, first billed only)| Antonella Attili | ... | Maria Di Vita - Younger | |
| Enzo Cannavale | ... | Spaccafico | |
| Isa Danieli | ... | Anna | |
| Leo Gullotta | ... | Usher | |
| Marco Leonardi | ... | Salvatore 'Toto' Di Vita - Teenager | |
| Pupella Maggio | ... | Maria Di Vita - Older | |
| Agnese Nano | ... | Elena Mendola | |
| Leopoldo Trieste | ... | Father Adelfio | |
| Salvatore Cascio | ... | Salvatore 'Toto' Di Vita - Child | |
| Tano Cimarosa | ... | Blacksmith | |
| Nicola Di Pinto | ... | Village Idiot | |
| Roberta Lena | ... | Lia | |
| Nino Terzo | ... | Peppino's Father | |
| Jacques Perrin | ... | Salvatore 'Toto' Di Vita - Adult | |
| Philippe Noiret | ... | Alfredo |
Additional Details
Also Known As:
Cinema Paradiso (Australia) (France) (UK) (USA)Cinéma Paradiso (France)
Cinema Paradiso: The New Version (USA) (director's cut)
more
MPAA:
Rated R for some sexuality. (director's cut)Parents Guide:
Add content advisory for parentsRuntime:
155 min | Italy:170 min (director's cut) | 124 min (International version)Color:
ColorAspect Ratio:
1.66 : 1 moreSound Mix:
DolbyCertification:
Iceland:L | South Korea:15 (director's cut) | Spain:T | South Korea:All (original rating) | West Germany:12 (f) | Italy:T | Argentina:Atp | Australia:PG | Canada:G (Quebec) | Canada:PG | Chile:TE | Finland:S | France:U | Germany:12 | Hong Kong:IIB | Norway:10 | Peru:PT | Singapore:M18 (director's cut) | Singapore:PG | Sweden:11 | UK:15 (director's cut) | UK:PG | USA:PG (original rating) | USA:R (director's cut) (2002)Fun Stuff
Trivia:
Director Cameo: [Giuseppe Tornatore]the person working the projection machine when Salvatore is watching the compilation of scenes that Alfredo made for him moreGoofs:
Continuity: When Toto is young, the films that Alfredo gave him catch fire. They burn and ruin the only picture that his mother had of his father. When Toto is a grown up, this "burnt" picture is hanged on the wall totally unharmed. moreQuotes:
Alfredo: [after informed about the arrival of the new non-combustible film] Progress always comes late. moreFAQ
Is this movie based on a novel?Why didn't Elena show up to meet Toto at the Paradiso at 5PM?
A Note Regarding Spoilers
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Whether you are a professional or an amateur it is always wise to avoid superlatives with regard to a movie critique ... but I cannot. 'Cinema Paradiso' is simply the finest movie I have ever seen. Like many who have posted at this site before me I have seen it many many times. It reaches within me to places other movies have never reached and I have often wondered why. Perhaps it is because of it's simplicity. It contains no expensive special effects, it has no gratuitous sex or violence, it has no "multi-millon dollar per performance" actors that I know of, it is arguable whether it even has a story line, and yet it soars far above the nonsense that film makers are producing these days. It's characters are portrayed by each and every actor in award winning style and the music is not only beautiful but absolutely perfect for this film.
It is quite simply the story of a human life and it's tragedies and triumphs within the context of a vocation. A young boy matures and gradually learns the lessons of life, cultivates his passion for the cinema, and is rewarded with professional success; however, he remains unfulfilled for true love has escaped him only to return in the form of a gift of love which transcends time, space, and death to reveal at the closing of the film Toto's one true mistress.
A staggering triumph of both the cinematic art and of story telling and yet there may be found people who do not like this movie .... I tend to keep such people at arms length and maintain a wary eye fixed upon them at all times.