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John Cleese (story) and
Charles Crichton (story) ...
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15 July 1988 (USA) more
A tale of murder, lust, greed, revenge, and seafood. more
In London, four very different people team up to commit armed robbery, then try to doublecross each other for the loot. full summary | full synopsis
Won Oscar. Another 7 wins & 15 nominations more
'Eclipse' Actress' Site Gets Hacked, U2 And More Halloween Costumes In Today's Twitter-Wood
(From MTV Movies Blog. 26 October 2009, 3:30 PM, PDT)
John Cleese creating 'Wanda' musical
(From digitalspy. 20 October 2009, 2:19 AM, PDT)
Perfect comedy. more (147 total)
Directed by | |||
| Charles Crichton | |||
| John Cleese | (uncredited) | ||
Writing credits | ||
| John Cleese | (story) and | |
| Charles Crichton | (story) | |
| John Cleese | (written by) | |
Produced by | |||
| Steve Abbott | .... | executive producer | |
| John Cleese | .... | executive producer | |
| John Comfort | .... | associate producer | |
| Michael Shamberg | .... | producer | |
Original Music by | |||
| John Du Prez | |||
Cinematography by | |||
| Alan Hume | |||
Film Editing by | |||
| John Jympson | |||
Casting by | |||
| Priscilla John | |||
Production Design by | |||
| Roger Murray-Leach | |||
Art Direction by | |||
| John Wood | |||
Set Decoration by | |||
| Stephanie McMillan | |||
Costume Design by | |||
| Hazel Pethig | |||
Makeup Department | |||
| Lynda Armstrong | .... | makeup artist (as Lynda Armstrong-Lawlor) | |
| Paul Engelen | .... | makeup supervisor | |
| Barry Richardson | .... | key hair stylist | |
Second Unit Director or Assistant Director | |||
| Jonathan Benson | .... | assistant director | |
| Melvin Lind | .... | second assistant director | |
| David Skynner | .... | third assistant director | |
Art Department | |||
| Leon Apsey | .... | head of construction | |
| Bruce Bigg | .... | property master | |
| Roy Evans | .... | construction manager | |
| Kevin Phipps | .... | assistant art director | |
| Brian Read | .... | production buyer | |
| Alfie Smith | .... | stand-by property supervisor | |
| Micky Swift | .... | stand-by propman (as Mickey Swift) | |
| Bill Stallion | .... | storyboard artist (uncredited) | |
Sound Department | |||
| Jonathan Bates | .... | sound editor | |
| Gerry Humphreys | .... | sound re-recording mixer | |
| Chris Munro | .... | sound recordist | |
| Andrew Sissons | .... | sound maintenance engineer | |
| Colin Wood | .... | boom operator | |
Special Effects by | |||
| George Gibbs | .... | special effects supervisor | |
| David Watson | .... | special effects technician (as Dave Watson) | |
| Terence J. Cox | .... | special effects technician (uncredited) | |
| Alan Poole | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Alan Church | .... | optical camera (uncredited) | |
Stunts | |||
| Romo Gorrara | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Neil Binney | .... | camera operator | |
| Bob Bremner | .... | gaffer (as Bobby Bremner) | |
| Graham Hall | .... | clapper loader | |
| Simon Hume | .... | focus puller | |
| David James | .... | still photographer | |
| Bill Thornhill | .... | best boy | |
| Jimmy Waters | .... | grip | |
| Jimmy Worley | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Stephen Cornish | .... | wardrobe assistant (as Steve Cornish) | |
| Jenny Hawkins | .... | wardrobe assistant | |
| Ray Usher-Cooper | .... | wardrobe master (as Ray Usher) | |
Editorial Department | |||
| Kevin Phelan | .... | unit projectionist: Mercury Theatres, London | |
| William Webb | .... | assistant film editor | |
| David Barrett | .... | assistant editor (uncredited) | |
| Jonathan Lucas | .... | assistant editor (uncredited) | |
Music Department | |||
| Peter Holt | .... | music editor | |
| André Jacquemin | .... | music producer | |
| Dick Lewzey | .... | orchestral recording | |
| John Williams | .... | musician: solo guitar | |
Transportation Department | |||
| Roy Clarke | .... | driver: Jamie Lee Curtis (uncredited) | |
| Mark White | .... | production driver (uncredited) | |
Other crew | |||
| Andy Birmingham | .... | production accountant | |
| Peter Byck | .... | assistant: Mr. Shamberg, USA | |
| Sophie Clarke-Jervoise | .... | assistant: Dr. Cleese | |
| Pauline Clift | .... | animal supplier | |
| Robert Conway | .... | legal advisor | |
| Nick Daubeny | .... | location manager: Oxford | |
| Diana Dill | .... | continuity | |
| Bill Edwards | .... | unit publicist | |
| Yvonne Heeks | .... | assistant accountant | |
| Ralph Kamp | .... | production assistant | |
| Christopher Knowles | .... | assistant location manager: London | |
| William Lang | .... | location manager | |
| Liz Lehmans | .... | production assistant | |
| Janine Lodge | .... | production coordinator | |
| Ian Miles | .... | financial controller | |
| Alexandra Stone | .... | assistant to producer | |
| Mark Birmingham | .... | production assistant (uncredited) | |
| Yvonne Eastmond | .... | assistant production accountant (uncredited) | |
| Richard Morrison | .... | title designer (uncredited) | |
| Kimberley Vashiell | .... | choreographer (uncredited) | |
108 min
Color (Technicolor)
1.37 : 1 more
Iceland:L | South Korea:18 | New Zealand:PG | Spain:T | Argentina:13 | Australia:M | Canada:18A | Chile:14 | Finland:K-14 | Ireland:15 | Norway:15 | Singapore:M18 | Sweden:15 | UK:15 | USA:R | West Germany:16
Holds record of Longest Time to Reach #1 as of 2009. The movie was released on 15 July 1988 in the U.S., and reached #1 on 16 September 1988. more
Continuity: Ken causes the death of the first dog by releasing an attack dog. The old lady is holding three leashes, colored red, yellow, and blue. The attack dog is obviously headed for a small dog attached to the red leash, but during a quick cut the attack dog grabs the one on the yellow leash. more
[Archie has put his gun down to fist fight with Otto]
Archie:
I used to box for Oxford.
Otto:
Oh, yeah?
[Otto quickly picks up Archie's gun, and points it at him]
Otto:
I used to kill for the CIA.
more
Featured in 100 Years of Comedy (1997) (V) more
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This is one of the funniest films I have ever seen. The film is so well put together that time flew on by and I was sitting there wanting more. This movie is perfectly cast and well directed. There is no real style to the direction, but when you have a script like this all you need to do is point the camera and let it rip. I would like to point out that if you haven't seen this movie yet, check it out for Kevin Kline's performance alone. It is one of the best comedic performances you will ever witness. Great movie.